Traditional Culture Encyclopedia - Photography major - What is the modeling style of the film?

What is the modeling style of the film?

Film styles can be summarized as follows:

Documentary style

Documentary-style films require realism and abandon assumptions, with fewer conflicts and plots artificially reinforced, and it is best to follow the prototype of life. Film artists often use this style to deal with major historical themes and biographies, making epic themes full of documentary and convincing the audience. This style of film is often shot by inserting documentary shots into the acting scenes and distinguishing color from black and white, or by "aging" the color shots to arouse "historical memories". Important shots often take real scenes in historical scenes, avoiding deification and uglification of historical figures, and even using special actors to play modern historical figures. Documentary style films with non-historical themes respect the original form of life, and construct works according to this form, so that the narrative way of works shows the original traces of life as much as possible, and the structure is generally multi-layered and scattered. The plot is not dramatic, and the complex relationship between characters and contradictions is not artificially carved, as if it were as natural as life without artistic arrangement. What it pursues is to reflect the "drama" existing in life itself and attach importance to the true description of life details. Technically, it adopts splicing method, long lens, unskilled editing and so on. Italian neo-realistic works "Eleven o'clock in Rome", "The Bicycle Stealer" and China's "Trainee Lawyer" and "founding ceremony" are all films of this style.

blending style

blending style is to blend several different styles into one style. In the traditional classification of drama, the styles of drama, comedy and tragedy have always been distinct, but the real life is complex and diverse. In order to reflect real life, some artists infiltrate comedy humor and satire into serious dramas; Some have infiltrated the tragic pain and sorrow in comedies; Others even mix tragedy, comedy, farce, fighting, etc. to produce special artistic effects. Chaplin's films are serious works with mixed feelings of sadness and joy.

*** The present style

In the past, the film shooting styles were divided into dramatic films such as In Silence, Mayor Chen Yi, Teahouse, etc., poetic films such as American film Dark Horse, French film Red Balloon, etc., and prose films such as Laughter of Distressed People, evening rain and Nostalgia. * * * Modern style is a new style of film literature in the former Soviet Union before 196s and 197s. Film theorists who put forward this style believe that with the development of the times, life itself has become richer and more diverse, and its reflection form will inevitably change. As a comprehensive art, movies have moved from primary synthesis to advanced synthesis, so we should form a "* * * present style" on the basis of synthesizing various styles, so as to reflect life more comprehensively and truly. This style is characterized by multi-clue, multi-level and multi-angle structure, complex and broad artistic generalization, multi-faceted image development and larger capacity than in the past. The representative works of this style include Lovers' Song and The Dawn is Quiet here.

Painting style

Painting style is a film style that appeared in the 196s. It emphasizes the rich expressive force in the lens, pays attention to the lens structure, scene scheduling, tone, lighting, color changes, and various new photography methods, and loves to use long lenses. This style pays attention to pure appreciation and graphic modeling, and strives to express the content of the film with pure picture and stylized static image, which is opposite to dramatic movies. Swedish film Dream World, Czech film The Extraordinary Emma, and former Soviet film The Painter Surikov are all films with painting style.

TV style

was mainly developed in the late 196s and early 197s. Its characteristics are: it requires high fidelity and even adopts "hidden photography"; Multi-purpose interview film, report film, or approximate living feature story; Emphasize timeliness, shoot more latest themes, and strive to broadcast and show quickly; Advocate the form of multi-episode, each episode should not be too long, in order to coordinate with the multi-program nature of TV. For example, the Japanese film Astro Boy, the British film david copperfield, and the Korean film The Unknown Hero are all films of this style.