Traditional Culture Encyclopedia - Photography major - Brightness sequence table 9-11 pictures thank you.

Brightness sequence table 9-11 pictures thank you.

I'll tell you what photography assistants in several photo studios need to know (there may be some differences, roughly so):

1. Lighting. In order to create a romantic and aesthetic feeling for photos, most wedding photo studios usually take photos with large flat light, which is the simplest lighting method. Under this lighting, the shadows on people's nose and chin will only be weakened, making the picture soft.

lighting method: a large light box on the left and right sides is used as the main light, an auxiliary light on the top of the person's head illuminates the hair, and an auxiliary light directly in front and below removes the shadow of chin and nose.

If the customer is plump, it is not suitable to use large flat light, because the soft face looks more round. At this time, the light ratio should be increased, and the three-dimensional effect will come out while it is bright.

There are also some special effects of lighting. There are too many methods, so I should write it all down and publish a book. _

2. Photometry, because the flashlight is an unstable lamp at present, especially the domestic one, so it is often necessary to measure light to adjust the light ratio. As a photo studio, special attention is paid to the exposure of the face.

generally, each flash is measured once, and the exposure of the face and the head of the person is measured when standing in the position of the person.

3. Choose the film, and let the customers choose it after the film is made.

This is not the job of the assistant, but it often mobilizes all the people to go into battle. When there is the most noise, don't go up if you think the customer's appearance can't be complimented. It's a place where you can only say good things;

4. Reflectors, outdoor lights, and things that assistants deal with the most when they are on location (taking photos outside) are also to weaken the contrast.