How good is the story of Survivor 1937 that can be shown in the cinema?

Domestic war films can only be harvested by big directors and famous directors, because the audience of this theme is not wide at first, so famous actors are needed to bear the box office, and a large part of the production funds will be used for the remuneration of actors. Moreover, war movies need a lot of shocking scenes, including but not limited to breaking stories and a lot of collective performances, so at present, there are not many such movies that can get both box office and word of mouth in China. How good is the story of Survivor 1937 that can be shown in the cinema?

I didn't go to see the survivors at first 1937. Although it is a solo broadcast of Tencent video, after all, the director is unknown, the actors don't know, and the plot is not unexpected. However, after being watched by Amway, a lot of online movie bloggers, I still finished it with a try mentality, and the speed of reading it was normal. I want to use "both form and spirit" to describe the survivors 1937. First of all, let's talk about the "form" in "having both form and spirit", which is the intuitive exterior of Survivor 1937. I believe that the audience who have seen Survivor 1937 have such a feeling that the photography of this film can be called "large-scale texture".

Director Wang Yanchuan doesn't look like an unknown director, whether it's the war scene, the close-up of the protagonist or the use of a lot of blank space, then who is Wang Yanchuan? Wang Yanchuan is a serious professional and a photographer of Beijing Film Academy. His photographic work "Three Kilometers" won the Best Photography Award in the 201First International Youth Film Exhibition, and "Love Song of Mother Jiang" was shortlisted for the National Five-One Project Award and the Inner Mongolia Five-One Project Award. Such a title, even if the audience doesn't know much about it, should sigh "unclear" War movies are most afraid of disobedience in the modern sense, but Wang Yanchuan perfectly avoided this problem in Survivor 1937.

The color under the lens is just right, giving the audience a feeling of 1937, which is what I personally mean at the scene. The "shape" of a movie should include not only the picture, but also the actor's adaptability to the role. Survivor 1937 has just been finished. Although the actors in the stunt team are unknown, they have completed their mission. It is this unknown actor who can give the audience a stronger sense of substitution from the plot. The stunt team is not our ace force, and the level of these seven members is not high. Therefore, if the film chooses to use Zhang Yi and other big-name actors, it may not have the present effect, because the unknown excellent actors may be better able to play the unknown heroes and martyrs. Secondly, let's discuss the "God" in Survivor 1937. Any movie must have charm, just like the words in our school days, and there will be a central idea.

The war movie Survivor 1937, like most works with the same theme, shows similar charm, but it can still make people cry without beautiful timbre, which should be known from the movie title Survivor 1937. There will be many scenes of sacrifice in this film, but only the soldiers and cryptographers aged 16 survived. Young soldiers are the main force in War of Resistance against Japanese Aggression, and cryptographers are related to the overall situation of the whole war.