Traditional Culture Encyclopedia - Photography major - Simple 5 strokes to shoot amazing backlit portraits.
Simple 5 strokes to shoot amazing backlit portraits.
Simple 5 strokes to shoot amazing backlit portraits 1. Application of Profile Light in Backlight Shooting
The biggest feature of backlight shooting is contour light, which can outline the edge contour of the subject very beautifully and play a good role in separating the subject from the background.
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The light shines from the back of the model, forming a very beautiful golden light edge on the hairline of the model, which is the unique effect of backlight photography. If it is shot along the light, this work loses this bright spot. Imagine that if there is no golden hairline light in this work, the model will blend with the gray background, and the light and shadow effect will be much more dull. At the same time, it should be noted that the model's face will not be too dark because of the backlight, because it is the outer wall and window of the small iron shed in front of the model, which objectively plays a role in filling the light.
Second, use glass to create visual interest.
Try to use various elements in the environment to add some interest to the picture. It is a common skill not to let the main body of the picture show directly.
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Shooting through the glass, the dust on the glass is illuminated by the sun, reflecting the hazy and mottled light and shadow effect, which makes the picture have special light and shadow effect and interest.
Photographer's trick
In the process of shooting, use more brains and make use of some on-site conditions to shoot works with special effects. If a work can be produced by the viewer? How is this effect achieved? Doubt will undoubtedly enhance the appeal of the work.
Third, let the light and shadow be a bit? A little embarrassed?
When the food is different from the audience's taste. General? If you get used to it, you will be interested. For example, the faces of people photographed by aestheticians tend to be soft in lighting effect, even, but at some time? Is it broken? This general law will have different effects.
Aperture: F2.8 Shutter speed: 1/320s.
Focal length: 59mm Sensitivity: 100 Exposure compensation: EV0
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Squatting down to shoot is to show the blue background. Blue and red form a sharp contrast between cold and warm. At the same time, there is no yin and yang line to avoid the facial illumination of the model. This seemingly unreasonable light and shadow effect is precisely the light-using feature of this film, creating a light and shadow effect different from the general visual habits.
Fourth, shooting into the big scene.
Portrait photography is more about trying to shoot portraits in the environment. The integration of characters and environment will greatly enrich the picture and give photographers more room to play. You can use some wide-angle ends intentionally when shooting to contain more environmental information. The works shot with wide-angle end can't be covered by people's general vision, which will make people feel novel visually and increase the attention of the works.
Aperture: F2.8 Shutter speed:1125s Focus: 33mm.
Sensitivity: 100 exposure compensation: EV-0.33
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Shooting instructions
Novices in portrait shooting are used to cutting the bust or head of a character to shoot parts, and such works convey very limited information. With the deepening of shooting, it is necessary to exercise the ability to shoot portraits of the environment, so that the characters can combine with the lines, colors, light and shadow of the environment to obtain richer expressions. This work brings the lines of environment into the picture. The complex and meticulous structure of industrialization and the cool tone set off the femininity of the model, and the red clothes contrasted with the environment. When shooting, aim at the highlight of the model's forehead for photometry. After slightly reducing the exposure compensation, the flash pulls out the reflector, and moderately illuminates the model's body with the help of small-area reflected light, thus preserving the overall sketch relationship of the light in the picture.
Photographer's trick
Filled fill light is a description of fill light that helps the picture to achieve natural balance without revealing stiff marks, which means it is like adding some water to a glass without filling it. Its core is to require that artificial fill light can be completely integrated into ambient light without being abrupt and stiff.
Fifth, strengthen the light and shadow effect and create a picture atmosphere full of visual impact.
The slight side light of the backlight can add beauty to the picture. When the side light of backlight is used intensively, it will produce strong contrast and create a picture atmosphere with great visual impact.
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This is a photo that highlights light and shadow. The top backlight well depicts the golden hairline light and the contour light of the model's face and arms. The arms are stretched out to guide the posture, which makes the model's eyes stare and sets off a solemn and quiet picture atmosphere. Strong backlight enters the picture, producing a large area of golden yellow, creating a picture atmosphere full of visual impact.
This is a simple pose application, and many portrait photographers are used to having models pose directly at the camera. In fact, this is a key point? Taking pictures? State cues let the audience feel the involvement of cameras and photographers. More often, letting the model immerse himself in his own situation will make the picture more touching.
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