Four spring film reviews

1. Sincere gaze on life: "Every family has its own experience".

Many excellent film directors, such as Evans, antonioni, Andre tarkovsky and Ogawa Shinsuke, emphasize the importance of gazing at and listening to life in their film creation practice. Only by observing life attentively and abandoning false and empty cliches can we shoot a real artistic image.

"Four Springs" is undoubtedly a film that stares at the people and scenery of hometown with sincere eyes. It is precisely because of this creative concept that the film can capture the vivid charm of individual life and the beautiful changes of natural scenery through the affectionate and simple lens.

2. Close to the head-up shooting angle and objective human observation.

Because it is shooting his parents and his familiar hometown, Four Springs has gained the most valuable shooting perspective in documentary creation. The son's affectionate gaze brought the audience close to the daily life and spiritual world of the two old people.

The close relationship between photographers also allows the parents of director Lu Qingyi to present their original life freely without pressure in front of the camera. The affectionate shooting attitude made the film successfully capture countless beautiful details and warm-hearted moments of the family's four-year life in the town.

The camera wandered freely and happily in this small courtyard full of love. The happy life of the two old people and the harmony and warmth of their hometown town were truly recorded in this family image by sincere creators. What's more commendable is that the director didn't get too involved in personal feelings just because he was filming familiar family and life.

On the contrary, the director chose a calm and restrained image processing method, and by faithfully restoring the natural fragments in life, he left the viewer with a feeling space filled with his own experience.

Therefore, in "Four Springs", it is rare to see close-ups of characters and deliberate emotional rendering. Even in the sad passage of my sister's death in the second half, the director still chose to record the sad moment of the family where are you going with a close-up lens.