Traditional Culture Encyclopedia - Photography major - How did you dub a martial arts movie?

How did you dub a martial arts movie?

In addition to push-pull translation, ezIT Collection often uses "moving camera" in TV and movie shooting, that is, moving the camera forward, backward or left and right during recording. Moving is different from pushing, pulling and translating. The latter two are that the photographer's position remains unchanged, but the focal length or angle of the camera has changed, while the former may change not only the focal length or angle, but also the photographer's position.

Use mobile phone photography to increase the attraction of the plot

The lens shot by the "moving" method has a sense of presence, and only by pushing, pulling and panning can it have incomparable visual effects, and the mirror is closer to the shooting target, which is very suitable for long-lens shooting.

When shooting a moving target, you can use the method of panning or pushing and pulling the lens, and you can also use the method of moving. But if you shoot the same target with different shooting methods, the effect will be very different.

When introducing a larger scene, panning has its own advantages: it can sweep from one end of the horizontal line to the other in a few seconds, but most of the pictures are at a considerable distance, so it is impossible to take details. If you use the displacement method, you can get close to the target you want to shoot; You can display multiple pictures from different angles in the same clip; You can shoot the nuances that can't be shot by translation.

When shooting a static target-for example, when shooting a group of scenes near buildings, it is more appropriate to move forward, because it will make people really feel that the picture is moving and the effect is more natural.

Although the zoom lens is somewhat similar to this shift, if we shoot this clip with the zoom lens, the picture will be unreal. It is a bad expedient to enlarge the picture with a zoom lens, because it can't produce the same feeling of moving the camera forward or backward.

Use auxiliary equipment

Generally speaking, you should avoid taking pictures while holding a camera, because it may lead to unstable pictures, but in the case of quality first, you have to do so, leaving you no choice.

The biggest problem to be solved in mobile phone photography is how to prevent camera shake. When shooting moving objects, it is best to have some kind of support with wheels. The most professional method is to use a camera trolley, that is, to lay a simple track on the ground when shooting a moving lens: install the camera on a platform with wheels, and then push the platform to move on the track. This platform is called a camera car. This is the most common practice of professional photography at present, and it is also the most effective method to ensure the quality of photography, which we can all see in the shooting of movies and TV series.

But this platform is expensive, which is an extravagant hope for ordinary camcorder users. The way for civilians is to use a tripod car: that is, to install wheels at the bottom of the tripod so that it can move on the flat ground. What we do now is to use almost anything with wheels as a substitute: wheelchairs, cars, shopping carts in supermarkets, as long as the cars run smoothly. Although this is done at the expense of the quality of the work, if your work is not film-level, the film effect made in this way is acceptable.

Take pictures on foot

In many cases, it is impossible to move the camera with the help of equipment, such as home video, news interview, travel video and so on. And we can only rely on the photographer's footwork to maintain the stability of the camera. This requires the cameraman not to walk casually as usual, but to bend his knees, move his body center of gravity down and walk on tiptoe. Stand upright above the waist, explore the road with your toes when walking, and compensate the height of the road with your feet to reduce the ups and downs of your body when moving. The waist, legs and feet must be well coordinated so that the movement of the machine can achieve the effect of sliding.

According to the different moving routes, it can be divided into three types: back and forth movement, left and right movement and arc movement.

Walking back and forth is the most basic way of walking. When shooting a moving object (such as a couple walking slowly into the wedding hall), the photographer should be in front of the moving object and keep a proper distance, and the lens should be aimed at the photographer. The cameraman stepped back steadily with the progress of the two couples, and paid attention to his walking route must be consistent with the cameraman. Because of the face-to-face shooting, all the expressions and movements of the photographer can be seen at a glance, which is convenient for the photographer to capture the subtle differences of the moving face and is conducive to depicting the psychological changes of the characters. In this case, we should make good use of close-ups.

When walking back and forth to shoot, there is another problem that needs attention: before shooting, you must know the walking route of the target, how the road conditions are, and be aware of it. If the road is uneven or there are obstacles, measures should be taken in advance to avoid affecting the shooting effect or even tripping.

"Moving left and right" means walking sideways. The lines of the photographer and the subject are parallel, so you have to walk sideways to shoot. This shift mode is different from "moving back and forth shooting". In the process of shooting, close-ups are rarely used to depict the details of characters, but are usually used to emphasize the changes in the walking route or surrounding environment of the subject.

Moving left and right, as the name implies, the walking route of the foot is left and right, not back and forth, so this walking mode is very different from the pace of "moving back and forth". If you want to walk to the right, bend your leg slightly first, then move your left foot to the front of your right foot so that the front end of your right knee touches the back of your left knee. When the left foot touches the ground, slowly shift the center of gravity to the left foot, and then stand firm with the right foot around the left foot ... Repeat the above actions in turn to complete the whole shooting process. Similarly, the process of going left will be completed in the same way.

"Arc moving shooting" refers to moving the photographer in a circle or arc direction, not in a straight line. The walking mode of "arc shooting" is basically the same as that of side walking, but the walking route is different. The radian of arc photography should not be too big or too small, and it should be controlled between 120- 180. Throughout the clip, the main target should remain in the center of the picture.

Using this "arc shooting" method to shoot around a still scene, such as a fountain, a statue or even a bunch of flowers, is much more vivid and interesting than standing in situ to shoot the picture, which can well reflect the depth and level of the still scene.