What is Zhang Jianlong's occupation?

Zhang Jianlong, born in 1982, was born in Lanzhou City, Gansu Province, and began to learn painting at the age of 6. In 24, he graduated from the Fine Arts Department of nanyang normal University, majoring in oil painting.

Chinese name: Zhang Jianlong

Nationality: China

Birthplace: Lanzhou City, Gansu Province

Date of birth: 1982

Occupation: Artist

Graduated from nanyang normal University, Henan Province

Representative works: bohemian, Choice and China Baby

Gender: male. Guowa series

occupation: freelance creator

profile

Zhang Jianlong, born in Lanzhou City, Gansu Province in 1982, began to learn painting at the age of 6. In 24, he graduated from the Fine Arts Department of nanyang normal University, majoring in oil painting. Graduation creation was selected in the Yearbook of Fine Arts Works of China Higher Academy of Fine Arts in 23. Personal Exhibition: In March 24, Reflection-In the Name of Contemporary-Zhang Jianlong Oil Painting Exhibition, Nanyang. October 25 "Songzhuang Road" First China Songzhuang Culture and Art Festival, Beijing. In May 25, he moved into Beijing Songzhuang Painter Village, and now he is a professional artist.

Introduction to the Works

In 23, the oil paintings "Wild" and "Choice" were selected into the Yearbook of Fine Arts Works of China Higher Academy of Fine Arts in 23.

25 Songzhuang Road First China Songzhuang Culture and Art Festival Beijing

26 oil painting "Wine Brother" and "26 Songzhuang Freelance Artists Exhibition" Beijing

26 Second China Songzhuang Culture and Art Festival Studio Open Exhibition Beijing

26 The front page of "China Artist" published an introduction to the 59th issue

26. Reflection-In the Name of the Contemporary, Zhang Jianlong Oil Painting Exhibition Nanyang

26 Free Access Zhang Jianlong Personal Oil Painting Exhibition Gale Art Salon Beijing

26 Original Experience Zhang Jianlong Oil Painting Exhibition 798 Gale Gallery Beijing

Some works have been collected by domestic and foreign institutions and individuals.

I moved to Songzhuang, Beijing in May p>25, and now I am a professional painter.

Language

Looking at life from a different perspective, my oil paintings are mainly a narrative of China's original philosophy and culture, an instinctive expression in an unconscious state, a naive and free personality with a unique life experience, a strong desire for life with the original ecological wildness, and folk art methods such as paper-cut shadow play pottery combined with China's original culture, while constantly showing the contradiction and conflict between desire in existence and reality from the side, and showing the life consciousness of human beings struggling in distress and depression. . . Culture breeds and determines people's thoughts and behaviors. As soon as we came into the world, culture controlled us. It should be said that people's thoughts and behaviors are regulated by culture. This is an objective fact, and the crux of the problem lies in the fact that from the very beginning, when people accepted the emulsification of culture, there was a super-individual will mechanism at work. This mechanism is the unconscious mechanism of "cultural edification". . . When we were born, we couldn't choose and reject the culture that we didn't know at all. Without understanding the meaning and structure of the culture, we accepted and absorbed it unconditionally like a baby sucking breast milk. Because of the theme of these cultures, the spirit crept into our spiritual world, and the instinctive desire was restrained by the culture, and the primitive psychology and thinking were baptized by the "civilization", so the culture became the foothold of human beings. . .

Social subjects are summoning the most primitive humanity and experience in the most modern way, so that the natural rationality caused by human evolution can be revived in the hearts of people who have suffered from the harm of civilization, so that the harm can be reduced to an acceptable level. Therefore, modern human beings have the possibility to relive the primitive innocence and liveliness of childhood, and to restore the vitality of life to a certain extent, so that human civilization will not become old today because it is too mature after a long time.

appreciation of works