Contemporary nature of flower-and-bird painting

Contemporary flower-and-bird oil paintings in China bear the eternal cultural connotation of China, which is more in line with the spiritual needs of contemporary people.

Pay more attention to the anxiety of human nature and think about people's mental state in contemporary society. Flowers and birds are just a symbol, not just a symbol of emotions, which hides rational thoughts and is acceptable and understandable by contemporary people.

The contemporariness of China's oil paintings is firstly to see the world from the perspective of a China person, thus showing his true understanding of natural life. All means and forms of expression can be used for reference, but the soul must be its own. Contemporary expression should be an introverted and intelligent expression with oriental aesthetic characteristics. It is hidden and uses symbols and metaphors to convey ideas. Faced with war, death, violence, poverty and the gap between the rich and the poor, the division of sex and humanity, and cultural conflicts, contemporary people need spiritual comfort and a positive attitude towards life. The expression of that kind of indifferent, mechanical, emotionless and even absurd theme is far from the beautiful feeling that art gives people.

Flower-and-bird painting takes flowers, flowers, birds, fish and insects as the description objects to express the painter's thoughts and feelings. Only by mastering skillful artistic skills and having high ideological and literary accomplishment can we create flower-and-bird paintings with far-reaching artistic conception and rich spirit of the times. With China and China writing about bamboo and plantain, his society of writing about bamboo keeps advancing, and it inherits the tradition of China, with great potential, endless charm and combination. It is said that Lu Jizhi strives for a breakthrough on the basis of painting.