Who knows who Sanmao is in Sanmao Wandering?

Son of Wang Yunjie, a famous musician in Wang Longji, Wang Longji. In my childhood, I participated in the performances of more than ten new films, such as sunny days, new in my heart forever and mother. His greatest achievement is to create an unforgettable image of Sanmao, a tramp, in Sanmao's wandering story. Through this model, the tragic childhood of street children is truly expressed, and the abuse and destruction of them by the dark society is accused. Praise the innocent, kind, pure and beautiful hearts of poor children. Sanmao's wandering story was adapted from Zhang Leping's comic book Sanmao by Yang Hansheng. Directed by Zhao Ming and Gong Yan, filmed by Kunlun Film Company 1949. This film reflects the life of street children in the old society. The protagonist San Mao (Wang Longji) lives on the street, trying to find a job and survive. The hooligan tricked him into stealing, and he would rather starve. Later, he was adopted as an adopted son by a lady, who taught him a lot of upper-class manners and held a cocktail party for him. Sanmao was very dissatisfied with the debauchery and hypocrisy of his wife's family, so he made up with a group of beggars and broke up the reception. Then, he carried a sack on his back and went back to the children in the street. It was not until the founding of New China that Sanmao ended his miserable wandering life. Wang Longji was only eight years old when he played Sanmao. He loves the comic book Sanmao, and had an experience similar to Sanmao when he was a child, which helps to understand Sanmao's psychological activities, thoughts and feelings. San Mao's image, thin neck supporting a big head, thin arms clinging to a thin body, childish with sensitivity, confused with eager eyes, and that careless expression, ready to defend themselves and fighting consciousness, vividly outlines the image of a homeless child struggling to survive alone in a dark society prematurely. Under the guidance of the director, Wang Longji grasped the special requirements of satirical comedy performance style and showed his artistic talent. For example, in the film, when Sanmao returned the stolen wallet to the owner, and the owner gratefully asked him to give him money as a reward, Sanmao loudly refused: "No, no", raised his hand exaggeratedly, shook it again and again, then put it back, held his head high and walked away with measured steps. This kind of performance is exaggerated, but it is natural. It vividly shows Sanmao's character of distinguishing right from wrong and helping the poor. It not only shows the pride and intoxication that the child can't restrain after doing a good job, but also shows that Sanmao has been wandering the streets for a long time. This way of action is really unique to San Mao. Wang Longji's performance was real, vivid and touching, which left an unforgettable impression on people. This film has been shown again and again, and it is also very popular abroad and won awards. 1960 entered the film literature department of Shanghai Film Academy. After graduation, he was assigned to work in the army art troupe. Later, she entered Shanghai Wireless Power Plant and became a model in the production front. 1979 was transferred to a wireless power plant in Shanghai to take charge of technical work, and was repeatedly rated as an advanced producer. Film Title Sanmao Wandering Story Film Type Comedy Country/Region China White Language Chinese Putonghua Subtitles Chinese Color Black and White Monochannel Production Company Kunlun Film [China] Release Date: China China1949 65438+February USA1972 July credits director Zhao Ming Yan Hansheng screenwriter Yang Hansheng actor Long Jiwan. G ... Hongda Red Pavilion in St. Huang Guan Zhu Jinming Zhongliang Han Zhongliang Han Photography Zhongliang Han, the story brief (adapted from Zhang Leping comics) tells the bitter experience of the orphan San Mao. In Shanghai before liberation, Sanmao was a waif in old Shanghai. He has no family, no relatives, no home, no food and clothes. Eat advertising stickers, sleep in garbage trucks, and wear broken sacks to keep out the cold in winter. In order to survive, he sold newspapers, picked up cigarette butts and helped others push rickshaws, but he was always bullied and didn't earn enough money to eat a full meal. Only street children with the same fate care about him and give him warmth. One day, he found a wallet on the side of the road, and the kind Sanmao returned it to the owner, who falsely accused him of being a pickpocket and beat him up. Seeing that Sanmao was too young to understand, the rogue uncle used him to do bad things. When Sanmao realized that he had been used by his uncle, he would rather starve than do the bad things that his uncle taught him to do. A rich woman adopted Sanmao, dressed him in leather shoes and restrained him. Sanmao, who is a loose-minded person, doesn't want to live a parasitic life in a rich family. When he held a reception for him, he screwed up the reception, took off his gorgeous clothes, put on a sack and returned to the ranks of street children. I have been to their wandering life with my friends who used to beg together. After liberation, he ended his wandering and lived a normal life. The film was edited and evaluated as cartoon characters on the screen, and children's films became classics again. 1983 won the jury award of the 12th Portuguese Dafoz International Film Festival in figuera. Dozens of A-list stars are willing to play supporting roles, which can be said to be the most luxurious film in the history of China movies. This film is based on Zhang Leping's comic book of the same name. Sanmao's strange shape retains the comic style, thus creating an imaginary situation and enhancing the viewing effect of the film. Although Sanmao has no clothes, no food, no fixed place to live, no newspaper, no cart and no salary, he can only wander the streets, but Sanmao's stubborn, optimistic and humorous personality, which won people's double love and cherish. The style of the film is not blindly bitter, but maintains the comic characteristics of irony and humor. The experience of San Mao and his wandering partner on Children's Day on April 4th is the crowning touch. Wang Longji, a young actor, gave a very vivid performance, which deserves praise. Zhang Leping is an accomplished artist. He created a lot of cartoons in his life and achieved great success. His masterpiece The Wandering of San Mao mercilessly lashed out at the cruelty, cruelty, fraud and injustice of the old society. Praise the "San Mao spirit" of being strong, optimistic, kind, alert and humorous in extreme hardship. Sanmao's story resonated with all good people. Zhang Leping and his San Mao live in the hearts of China people from generation to generation. Zhang Leping is known as "the father of Sanmao" and "Grandpa Sanmao". Comic information cartoonist Zhang Leping created the comic strip Sanmao. Sanmao cartoons written by Zhang Leping came out as early as 1935. Although it was a surprise for bloggers, it was welcomed by readers. After the victory of the Anti-Japanese War, Sanmao comics were serialized in Shanghai Ta Kung Pao. Sanmao's image became a household name in Shanghai, and became a symbol of the fate of most poor children in China at that time, with strong social allegory and critical significance. With humorous brushstrokes, Zhang Leping carefully constructed a group of pictures with tears in their laughter, describing how Sanmao, who is thin and short, works as a newsstand, shoeshine and apprentice ... In short, Sanmao is smart, optimistic, humorous and not afraid of violence. Sanmao comics were warmly loved by readers at that time, especially many children. The movie script of Sanmao's wandering story created by Yang Hansheng is a serious drama, although it uses many plots provided by Sanmao comics. After the discussion and research of the directors' committee, everyone thinks that the film should be made in comedy form, as close as possible to the comic style. But at this point, Yang Hansheng has left Shanghai, and Chen revised it instead of him. Chen Ye soon left Shanghai and handed it over to Li Tianji for revision. Finally, directors Zhao Ming and Gong Yan wrote a storyboard and put it into shooting.

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