2 1 became famous, and her husband fell in love with her at first sight. Love for 33 years proves once again that there is true love in the entertainment circle.

The film "Send me to Qingyun", which was shortlisted for the "Asian Newcomer Award" at the 22nd Shanghai International Film Festival, has now met the audience.

The middle-aged female representative in the film is Sheng Nan's mother, Liang Meizhi.

The role of Liang Meizhi was beautiful and simple when she was young. Even if she is betrayed by her husband in middle age, she still looks like a little girl who doesn't understand the world. Beauty and dressing up are the focus of her life, and coquetry and sexy tricks are clever even for her daughter.

/kloc-at the age of 0/9, she also listened to the sound of porcelain opening and was in a trance, but she drugged herself in time and became a shallow and delicate little woman.

Wu Yufang, an old actor, plays "Liang Meizhi".

Audiences who like old domestic movies will be familiar with the name Wu Yufang.

A film "Life" 35 years ago made countless people remember the kind, affectionate and beautiful rural girl "Qiao Zhen" in the film.

Life is not Wu Yufang's first film, and Wu Yufang was not an "amateur" with no performance experience before he appeared in the screen debut "Reserve Police Officer".

1 1 years old was admitted to Shanghai Children's Art Theatre. After five years of study, she became a dramatic actress. After three years of stage experience, Wu Yufang became the "Yao Lanlan" in Reserve Police Officer-a girl who wanted to be Sherlock Holmes, but could not meet the requirements of the police academy. On the way to her dream, she was discriminated against and blocked, and finally got the opportunity to move forward with her dream.

From then on, Wu Yufang met Qiao Zhen.

Because of her elegant appearance and temperament, the director originally wanted Wu Yufang to play Yaping, a "city girl", but in the end she changed her mind.

Wu Yufang, who has never lived in the countryside, learned to do farm work, visit villagers' homes, observe and think carefully, and look for role consciousness from local girls in order to get close to Qiao Zhen.

In the end, Wu Yufang completely became the "smart treasure" in the play.

On the screen, she wears two pigtails and a rustic shirt, which is the symbol of rural girls in that era and blends in with the environment in the film.

The successful interpretation of Qiao Zhen made Wu Yufang, 2 1 year-old, the eighth "queen of flowers" and "Qiao Zhen forever" in the eyes of the audience.

Anyone who has seen this movie will remember her simple and bright smile. She sat in the back seat of Zhou Lijing's car, and she shouted "Ringo", as well as her final grief and spiritual injury.

Although Wu Yufang became famous and a star, she didn't "float" because of it. Instead, she realized her own shortcomings and chose to become a student in the performance advanced class of Beijing Film Academy.

However, Wu Yufang, who originally wanted to recharge her batteries, did not release her works one after another because of her encounter with love, as the audience who liked her expected. On the contrary, she quit the film industry in her youth.

In the second year of entering the Beijing Film Academy, Wu Yufang met Jiang Jialiang.

At that time, Jiang Jialiang was invincible in table tennis because of "Chinese fast break" and won six world championships. He is called "Prince of Table Tennis" and the "First Idol" of China Sports.

Jiang Jialiang met Wu Yufang while attending a party of a cultural and sports star.

As an "outsider", we can't guess how he felt at that moment. Except 20 years later, he can still remember that day was May of 17.

One is a sports idol, and the other is an actress with a hundred flowers blooming. He fell in love with her at first sight.

Love comes too fast, just like a tornado.

After the party, Jiang Jialiang couldn't restrain his joy. She found Wu Yufang's class phone number through 1 14 and waited for the first date for more than ten minutes.

At that time, there was no mobile phone or internet, and both of them usually contacted each other by public telephone. In order to meet his sweetheart, Jiang Jialiang spent more than 6000 yuan a year taking a taxi.

What was the concept of more than 6000 yuan in the 1980s? Interested friends can convert it themselves, which is definitely a huge sum.

After falling in love for two years, they got married on 1988 and became husband and wife.

After marriage, Wu Yufang didn't take this role again, and Jiang Jialiang retired the next year.

At first, it was difficult for him to adapt to the gap from being praised by stars to being clean and plain. On the contrary, his wife, Wu Yufang, advised him that "the previous life and honor were empty, but now it is the real life of normal people".

In the fourth year after marriage, the eldest daughter was born; In the seventh year after marriage, there was another "little cotton-padded jacket" at home.

Married life is warm, dull and happy, but with the accumulation of time, Wu Yufang gradually feels out of touch with the outside world, even affecting the usual communication between husband and wife.

When going to the movies, Wu Yufang was infected by the movie and felt something churning and throbbing inside. This uncomfortable feeling made her reflect, was it too comfortable and quiet?

After communicating with her husband, Jiang Jialiang said, "You should go out!"

So, after bidding farewell to the film industry for nearly 10 years, Wu Yufang returned to the camera and returned to the field that once brought her honor and affirmation.

Fortunately, although she has not acted for many years, she has never been forgotten by the entertainment circle.

Drama appointments followed, and she interpreted people with different personalities and backgrounds in different themes and types of film and television dramas. Or a cool stewardess, or a stubborn laid-off female worker, or a serious Kochi, or a rich wife, or a kind-hearted elder sister, or a miserable mother-in-law ...

The performance of "Liang Meizhi" in "Send me to Qingyun" is another wonderful self-exhibition.

The role is not flattering, and the daughter in the film gives her the evaluation that she is "stupid enough".

But this character is hierarchical and extended.

This role has a tacky and superficial side, a mother who is not qualified, and a wife who is unwilling and painful.

When Wu Yufang interprets the role's external and internal feelings little by little, the audience's perception of her is gradually changing.

When she finally bent down in the street and cried silently, a middle-aged woman with countless real prototypes in her life became mediocre and sad because she gave up her dream, but she was not willing to stand still and walked into the hearts of the audience.

Wu Yufang has always felt lucky in his life.

Wu Yufang said that the success of "Bridge Town" was due to meeting a good director, a good film work and a crew; Wu Yufang likes and is content with his family.

As can be seen from the speech, she advised her husband Jiang Jialiang that she had no ambition and didn't value fame and fortune, so she let nature take its course and found the most relaxed and comfortable lifestyle at every different stage.

In this way, she overlaps with "Liang Meizhi" but is completely different.

But the same is the charm accumulated by years on them.

In and out of the play, she is charming!

As she said in the interview, "Charm is actually an internal thing, not an external thing. The internal thing is accumulation."