What are the characteristics of Chinese and western paintings in terms of lines, colors, light and shadow effects, etc? The more professional you speak, the better.

There are obvious differences between Chinese and western paintings in the use of color and the feeling of color. China's traditional painting is colored with ink, which is quite different from western painting in three-dimensional sense and perspective of light and shade. It seeks visual effects in many groups of contradictions, such as thickness and thinness, depth and shallowness, and lightness and richness. According to China's ancient painting theory, ink has five colors: thick, heavy, light and clear; Ink color is divided into six colors: black, white, dry, wet, thick and light. China's traditional Chinese painting is black and white, without yin and yang light and shade; Dry and wet, without green and beauty; Different shades, no bumps. China's painting art feels the myriad changes of colors in an intuitive way, while the western painting art as a whole tends to be optical, full of geometric spirit and rational thinking.

Chinese painting is different from western painting, which may be a great feature. Western painting is superficial and realistic, yes, more. Chinese painting is freehand brushwork, and this freehand brushwork is not sketch, but image, ideal, picture and artistic conception. Therefore, there are paintings in poems and poems in paintings. Therefore, Chinese painting should not only be well painted, but also be technically good. You should also have culture. It involves the cultivation of poetry, calligraphy and painting printing.

China's traditional aesthetic concept continues to this day, which is based on the unity of heaven and man, nature, simplicity and return to nature, which is very prominent in this Chinese painting. In addition, the Zen thoughts of China people are relatively developed, and the relationship between form and meaning is not very real. At first, although it was based on realism and characterization, it gradually merged into China people's unique way of thinking, the values and aesthetic concepts of the unity of heaven and man, and the dialectical way of thinking of form and meaning. Therefore, in China, this unique philosophical concept and ethical concept of life are all expressed by color, composition, black and white, lines and so on. Moreover, people in China have always had a sense of moving pictures, which is why people in China are born with the thinking of movies and the visual image of moving pictures, so Chinese paintings are scattered and perspective. When you look at it, it is moving, and when you look at the scenery, it is alive.

The image of Chinese painting embodies the unity of man and nature, emphasizing the unity of subject and object, advocating the unity of things and me, and the unity of man and nature. Of course, Chinese painting also has to face objective images, but after these images are blended with aesthetic subjects, they will become the materialized way of mental state, and will no longer stick to the objective and true measurement standards. For natural images, it's not that I don't know, but that I don't need to know, and I have no intention to know it deliberately. Therefore, Chinese painting does not pay attention to perspective, but is good at scattered points; Don't talk about three-dimensional space, seek two-dimensional change; Don't describe in blocks, but outline; Don't talk about the body center of gravity, focus on subjective feelings. It is abstracted from the object image and becomes a spiritual track with subjective images, which plays a spiritual effect far beyond the object image form itself. The image characteristics of Chinese painting have strong expressive force and artistic charm, and its artistic pursuit is also a new way, which not only expresses objectivity, but also emphasizes subjectivity. When painting, you should be well-informed, concise, and curious about the image, not only inside and outside the image, but also outside the image. Chinese painting emphasizes spirit over form, meaning over image, and requires both form and spirit, broad and round meaning and blending scenes. The pursuit of pen is endless, like limited and endless. In a word, these are the rich connotations of the image characteristics of Chinese painting. For thousands of years, Chinese painting has been magnificent, colorful and continuous, even in today's world culture collision and integration, it is still dazzling, which is inseparable from the aesthetic view of image characteristics of Chinese painting.

Generally speaking, there are two schools of western painting art, one is realism, or figurative. The way to know and grasp nature is purely objective and always runs through the scientific spirit. The painter's method of observing and studying nature is mainly sketching. It is required that the object, light source, environment and viewpoint are fixed, that is, only the position and viewpoint of the objective scene can be selected when creating, and the objective world of three-dimensional space can be reproduced scientifically and accurately in strict accordance with the principles of physics and optics, and the accuracy of applying and embodying the principles of perspective, anatomy and brilliance is an important measure of artistic quality. Therefore, the painter's kung fu is used on objects and light and shadow that can be seen by the eyes, and it is not allowed to increase any individual's thoughts and imagination. With the development of science and technology, there have been schools of painting that express X-ray, infrared spectrum, light speed, laser lighting effect and so on. These are invisible to the naked eye, in order to further reflect the latest scientific and technological achievements from the pictures. The second is abstraction. Western art always goes to extremes. After artists were tired of concrete realism, from impressionism, in just a few decades, some people turned from one extreme of concrete to the other. Abstraction is just the opposite of realism which strictly reproduces the objective image. The creative method is to deform the natural image, pursue abstract decoration and visual effect, or express personal subjective thought experience, even subconscious mind, subconscious mind and various secret psychology with the abstract combination of light color and geometry. With the exaggerated and distorted creative methods becoming more and more extreme, some people even throw away their brushes and start installing art and performance art. The avant-garde advertised by some modernism and postmodernism in the west is actually far from reality, and it is a rebellion against all traditional cultures and moral concepts. It is becoming more and more morbid in self-expression, which has caused great interference and destruction to the normal artistic development, and it is bound to be difficult to resonate with the audience and be accepted by the broad masses of the people.