How to shoot with Nikon 14-24 lens?

Nikon 14-24 should be called: Nicole 14-24f2.8 I don't use it much, and I have taken photos.

When using, pay attention to deformation. Distortion can enrich the impact of photos, and improper use will make the photos uneven.

This is a photo taken with Nikon D700 camera and Nicole 14-24f2.8 lens.

Backlight photo taken on the mountain.

14-24 shot at night.

The vast world!

Blue sky, white clouds and mountains, shooting on the road.

My big light bulb. Accompanied me for nearly 10 years.

Backlight shooting.

Welcome friends to guide!

How to shoot with Nikon 14-24 lens? Nikon AF-S 14-24 mm f/2.8ED is a professional ultra-wide-angle zoom lens supporting Quan Huafu. If you cooperate with Quan Huafu Nikon DSLR in FX format, you can achieve a very wide shooting angle.

Basic characteristics: the lens has a large viewing angle and a wide field of vision; The depth of field is long, which can show a fairly clear range; It can emphasize the perspective effect of the picture, be good at exaggerating the foreground and express the sense of distance of the scene, which is conducive to enhancing the appeal of the picture. How to use it?

1, emphasizing foreground elements.

Distortion under a wide-angle lens will have a strong visual impact on the picture. When you shoot an object near the foreground at a low angle, it will appear much larger and more prominent than the surrounding objects. Trees, flowers, water, stones and all kinds of strange plants can be used as the foreground, and the texture and shape are the main considerations when choosing the foreground.

On the other hand, when shooting a scene, you must pay attention to avoid unnecessary interference in the foreground, which will become very big and eye-catching.

2. Pay attention to the horizontal plane

As the saying goes, "One misstep makes an everlasting regret." When there is a horizontal plane and a horizon in the picture, the wide field of view of the wide-angle lens will make the horizontal plane appear longer. Once the viewing frame is not kept horizontal, the sense of tilt will multiply.

Therefore, to ensure the level of the viewfinder when shooting, it is recommended to turn on the electronic level function.

In addition to ensuring the level, you also need to ensure that the horizontal plane does not "bend".

As we all know, the perspective distortion of wide-angle lens is obvious. The shorter the focal length, the more serious the distortion near the edge of the picture, while the smaller the distortion in the middle of the picture.

3. Use wide-angle distortion

Just now I talked about how to avoid the influence of wide-angle distortion on the horizontal plane. In fact, wide-angle distortion is not a scourge, and we can still use it.

The most common routine is to use wide-angle distortion to enhance the effect of "convergence line" and enhance the depth of the picture when shooting unidirectional objects such as roads, corridors and bridge decks.

Place the same scene in the front, middle and back of the picture as a spatial ruler, and then take a close-up shot of the ruler in the foreground to make it look particularly huge, which can also effectively enhance the sense of spatial depth.

4. Use super depth of field.

Compared with other focal lenses, wide-angle lenses have weak blur ability, but at the same time, the depth of field is large, so you can include all the scenes from near to far in the picture.

You can try to choose vertical frame shooting to narrow the horizontal field of vision, so as not to contain too many scenes to appear messy; After shooting a scene, take a small angle to shoot the foreground, and use the wide field of vision of the wide-angle lens to cover all the scenes from near to far.

TIPS 1: When shooting infinitely close to the foreground, even if the minimum aperture is used, the foreground cannot be guaranteed to be clear, so depth of field synthesis is needed. Be careful with polarizers.

5, large aperture can also shoot a deep depth of field.

The depth of the scene and the focal length are one of the most influential factors. The longer the focal length, the easier it is to obtain a shallow depth of field. Because the focal length is very short (10mm, 16mm, etc. ), what is the use of this function? Think about it. In a dark environment, you can't use a flash or a tripod, you can only shoot by hand, trying to get a clear picture of all the scenery. At this time, you can shoot with a super wide-angle lens with maximum aperture and moderate ISO. Because ultra-wide-angle focal length is not easy to shoot shallow depth of field, even if you use the largest aperture (such as f/2.8 and f/4) and medium ISO (such as ISO400).

6. Be careful with polarizers

Wide-angle lenses are prone to dark corners, and installing filters will make dark corners more obvious; Even if you are not afraid of dark corners, or even don't like dark corners, you should use polarizers carefully.

We should know that the extinction ability of polarizer is closely related to the angle of light. The wide-angle lens has a large angle of view, which will produce uneven extinction and lead to uneven color mottling in the sky.

In short, the key to making a good movie is not the lens, but the head behind the lens. With good equipment, it is necessary to control it well in order to play its due role and shoot better scenery films.

The use of 14-24/2.8 camera basically shoots large scenes, and the characteristic of 14-24 camera is its special visual effect.

The use of ultra-wide-angle lens requires high composition ability. Specifically, we should pay special attention to the following points.

The first is the choice of scenery. Because the view angle of the ultra-wide lens is very wide, the range of the scene is very large and the scene is greatly compressed. If you don't pay attention to the choice of primary and secondary scenes, you will drown the subject, the picture will be messy and there will be no visual center.

The second is composition. Due to the distortion characteristics of wide-angle lens, the subject must be placed in the center of the picture as much as possible, because the distortion in the center of the lens is the smallest, which can ensure that the subject will not be too distorted.

The third is the level. Similarly, because of the distortion, if the photography level is not correct, the distortion of the corners will be unbalanced, and the later cropping will be difficult to correct.

The last few pictures were taken on 12-24 for your reference.

Thank you Wukong for inviting me to answer.

How to shoot with Nikon 14-24 lens?

Nikon 14-24/2.8, one of Nikon's large ternary lenses.

This shot is of an old man with a history of ten years.

How to use it? In fact, you should pay attention to distortion when using this lens, it's as simple as that.

Everything else is similar to other shots.

On the whole, this shot is very good. After all, it is one of the big ternary lenses, with sharp picture quality and quite good picture color. It is a sharp weapon to shoot scenery.

In fact, I like to use it to shoot humanities best, and I like the impact brought by its distortion.

It can be shot very close and focused, and the work makes people understand the key points.

It is also the best choice to shoot the starry sky, with a large field of vision and a relatively large constant aperture, and the effect of shooting the starry sky is also quite good.

This lens is also unparalleled when shooting backlight. In addition, it is easy to use foreground composition when shooting scenery, and it is also quite visually impactful.

The above is my opinion, and friends are welcome to add or comment.

Sword dance images, western photographers, welcome to pay attention.

Nikon AF-S 14-24mm/F2.8 ED lens is an excellent super wide-angle lens, which has been born for more than 10 years. From the day she was born, she was favored by Nikon fans.

I used this lens at 20 1 1. It feels good. I went to Tibet with her, went to Xinjiang, entered the desert, stepped on the waves, went forward bravely, and used many beautiful pictures she took all the way. Now the skin has worn off a lot and become rustic, but her excellent imaging has not changed. Still makes me fondle admiringly.

People who see 14-24/2.8 for the first time will definitely feel "exaggerated". The front lens is exaggerated, and the lens diameter (not the filter diameter, 14-24/2.8 does not provide an external filter) reaches 98 mm, that's right! 9.8 centimeters!

It can be seen from the focal length of 14-24 that this is a good lens for wide-angle landscape photography. Judging from the aperture of F2.8, it is a good starry camera lens with a wide angle of 14. At the same time, it is nano-coated, with fast focusing and excellent image quality. Wide-angle vision is good, the aperture of 2.8 is full of luminous flux, the imaging effect is high, and the impact force is strong, which is very suitable for shooting scenery, sunset glow, grassland and city night scenes. Can it be okay? It's a classic in wide angle.

14-24/2.8 has a big "crown" hood, which looks lovely. The whole mirror body contracts in three stages from top to bottom. The technical contents of 14-24/2.8 are clearly written on the back of the mirror: nanocrystalline coating, SWM ultrasonic focusing motor, ED ultra-low dispersion lens, IF internal focusing and aspheric lens.

14-24/2.8 adopts external zoom design. When zooming to 14mm end, the front lens group is outermost and the 24mm end is innermost. Because it is surrounded by a cured hood, this external zoom has no effect on the total length of the lens.

Lens structure (group/film): 1/group 14 film (2 ED lenses, 3 aspheric lenses,1nanocrystalline coating), 35mm( 135) frame. Camera angle: 1 14-84 Camera angle uses Nikon DX format: 90-6 1 minimum f/ Stop: 22 Nearest focal length (macro setting): 0.28 m Maximum reproduction ratio (macro setting): 1/6.7 Diameter x length (.

This is a photo I took with her.

This lens is a super wide-angle lens, suitable for shooting landscapes, buildings and themes. There are several aspects to pay attention to when shooting with this lens. Let's have a look.

First, the advantages and disadvantages of super wide-angle lens.

First of all, the lens positioning is a pure landscape lens. No one uses this lens to take portraits, because the distortion is very serious, and the ultra-wide angle will consume more content. If the control is not good, the picture will be chaotic.

Using it to shoot the scenery advantage can bring a very shocking visual impact, and the picture is magnificent, especially for those narrow seats to shoot spectacular scenery, which will highlight its visual angle advantage.

The disadvantage is that the lens is too old and the edge image quality is not good. The bulb head is not easy to filter, and even filtering is expensive, even exceeding the price of the lens itself.

Second: the theme suitable for it.

This kind of lens is most suitable for landscape photography, and only in landscape photography can it exert its greatest value, so it is very important to choose the right theme.

There are a lot of shooting contents with super wide-angle lens, and the choice of foreground is very important. When there is a prominent foreground in the picture, the whole picture will be smart. If it is just beautiful, without a suitable prospect, it will appear dull, although the perspective is wide but there is no focus.

depth control

This lens belongs to Nikon's super wide-angle large aperture lens. Although it is a large aperture, but only F2.8, shooting under this aperture will bring great depth of field, that is, the far and near scenery will be very clear.

Then at this time, we should pay attention to the control of depth of field, especially the choice of scene and composition, try to choose expressive scenes and pull out the far and near levels.

Change the angle of view

Give up head-up and lower the angle appropriately. Head-up can never give people a special feeling, because the field of vision of the human eye is too dull. If you try it, you may find something new, especially the super wide-angle lens.

Appropriate reduction of pore size

In fact, F2.8 is rarely used in normal scenery photography. If most shots are taken during the day or at sunrise and sunset, a small aperture can bring a clearer picture if the aperture is properly adjusted to F4- 16.

It is suggested to increase the aperture to shoot the starry sky in exchange for a lower ISO. If you have different opinions or other questions, please leave a message in the comments section. Thank you.

Nikon 14-24mm was once the only professional ultra-wide-angle lens worthy of first choice for Nikon users. However, due to the appearance of 16-35mmF4.0, many users now choose 14-24mm instead of16-35mm F4.0. ..

For landscape photography, 16-35mmF4.0 is enough, which is very good and convenient.

Nikon 14-24mm is a bulb head, which is just needed for architectural photography. It is troublesome to stain this lens.

If you are really obsessed with starry photography, I suggest you go directly to Sima's starry lens.

Nikon 14-24mm, what's the secret?

First, pay attention to cleaning the lens and keep the lens clean.

Use this lens as little as possible. If you don't really want to shoot, don't take out this lens and don't take off the hood.

Use this lens as little as possible and try to keep it clean and tidy.

Because it is dirty, it is more troublesome.

Cleaning will be more troublesome.

If it's not clean, you know.

Second, we should learn to use the RAW format, post-photoshop skills, correct exposure and post-composition.

Otherwise, you will have to spend a lot of money on the ND gradient mirror, which is a bit expensive, or rather, not cheap.

And the cleaning of this filter is also a very troublesome thing.

Think about it, you have to clean the lenses and filters of the lens. Don't you think it's a big head?

Fortunately, the tolerance of Nikon D800 series is quite good. In fact, in most cases, it is not necessary to use ND medium gray gradient mirror.

Big deal, surround it and expose it.

For those who need ND filter to increase exposure time, they can also take more shots and superimpose PS later.

However, many photographers who use Nikon are middle-aged and elderly, and they don't know much about the correct exposure and post-synthesis processing of RAW format. Therefore, these people often have to rely on filters.

If you must buy and use filters, you should pay attention to protect the cleanliness of the filters.

Use less, as little as possible, is the best way to keep clean.

Thirdly, 14-24mm is not recommended if it is only landscape photography.

Generally speaking, 14-24mm is mainly needed for urban architecture photography and architectural landscape photography.

If you are shooting natural scenery, there is no need to buy this 14-24mm lens.

In addition, if you are really obsessed with starry photography, there is no need to entangle this shot too much. In fact, it is the right way to go directly to the star camera.

Occasionally, 1424 will be used to take portraits of the environment. When taking a portrait with 1424, I should pay attention to putting the head of the character as close as possible to the center of the picture to reduce deformation.

Some city ballets use big light bulbs.

Nikon 14-24 is excellent, it is a very good wide-angle lens, Nikon 8 10 camera.