These historical mistakes of Gao Xixi’s New Three Kingdoms are the most fatal and horrific.

Speaking of the historical TV series "New Romance of the Three Kingdoms", I believe everyone has watched it. If netizens who like this TV series also know that this TV series is quite interesting. In 2010, I spent 1 It seems very expensive to spend more than 100 million yuan to shoot this TV series. Of course, the director is the well-known Gao Xixi. The show has mixed reviews, but there is one thing that makes people think it is very scary and a very serious historical error. So What exactly is it? Follow me to continue to reveal the secrets!

Chapter 1: Mianfu

Hanfu has a unique form, and its basic characteristics are crossed collars, right lapels, and tie Belt, wide sleeves.

As the Son of Heaven, the most formal attire worn by the emperor on the most formal occasions is the Mianfu. There are six types of crown uniforms from high to low, which are mainly distinguished by the number and length of the "闒" on the crown and the type and number of "seals" decorated on the clothes and skirts. However, they are all worn with a black top. The red lower Shang is the so-called Xuan Yi Shang. The imperial robes used by the emperor were equipped with twelve robes, large fur coats, and mysterious clothes. The top is decorated with six chapters of sun, moon, stars, mountains, dragons and Chinese insects, the lower part is embroidered with six chapters of algae, fire, rice, Zongyi, Fu and Fu, and the bottom is twelve chapters, so it is also called the Twelve Chapter service.

Pattern, ***Nine chapters.

The color of the old version of Zhongmou is wrong. It is a pity that the Wuqiaomian only appeared in the Tang Dynasty. As for the new version on the right, I can only say something wrong: First of all, it does not conform to the shape of Hanfu. There is no cross-collar, so forget it. I also accept the reverse collar. Why do you have a stand-up collar? It can be said to be leading the trend.

The next thing is a common problem in Gao Xixi's version throughout the play, which makes people feel that the entire production team has no basic historical knowledge. Four words: hair left unknotted. I've seen the picture of the left lapel in a video, but I don't have it on hand at the moment. I'll make it up later. I would like to ask Gao Xixi, Wu Huan Hua is ahead of schedule?

I really admire the so-called designers nowadays, can’t they survive if they don’t do something new and different?! I am the first to have drooping Hu sleeves attached to the bunt. I saw such a ridiculous combination once, Gao Xixi, this drama is a classic...

I know that "The Romance of the Three Kingdoms" is not history, but the background of the story is that period of history. Can the crew read a little about it? What is the official record of this period of historical records? I really don’t know if the copper thing on the head of the person on the right can be called the Jinxian Crown. As for the dark area below, it is said that he is wearing the Jinxian Crown and the Liang Guan. I It seems that not half of it conforms to the shape.

The fault of historical dramas lies in their time-traveling nature. In Gao Xixi’s Three Kingdoms drama, I discovered the Qing Dynasty more than a thousand years later.

If the crew thinks that the Han sword is difficult to copy, why not use the Han sword? Why can the old version use the imitation Han sword so well? Why can't we learn from our predecessors? Maybe I should be glad that Tang Dynasty did not appear. Knife...

Let’s not talk about actors. First of all, let me ask you, what kind of thing is Uncle Zhuge playing in the new version? Is it a piano? Don't tell me it's a piano. Although I'm a little ignorant, I'm not to the point where I can't even recognize the piano. Then I also want to ask, what is that thing on Uncle Zhuge’s head, a miniature pickpocket? Then look at the second group, a couple. May I ask if the handsome guy on the right knows that wearing something like a scale crown on your head is treason? That thing can only be worn by emperors. If your lord wants to wear it, he must think twice. Looking at the clothes, it's probably half-arm length? It's not that long. That's the back? The sleeves are a bit shorter, okay, that's the fashion designer's new idea: half arms + back. Oh...I forgot to mention that both half arms and backs were only created hundreds of years later. The third group is the highlight. Let’s take a look at the “Lu Bu among men” on the right. I suddenly discovered that the combination of half arm + back cannot be considered a classic. Look at our Lord Lu Bu’s, the combination of round collar robe + half arm is How cool.

I will not comment on the new version of All Living Beings.

PS: Uncle Zhuge’s lightning rod is to remind us all that when watching the new version of "The Romance of the Three Kingdoms", we must pay attention to taking lightning protection measures in advance.

About armor. I'm not very good at armor and haven't studied it very much, but I have reluctantly read some e-books. After looking at it, I always feel that armor can become a flaw in historical dramas every time. In the old version on the left, the soldier has that The piece of armor is very classic, and the one on Lord Pang Tong on the right is the same. However, in comparison, it is very superfluous, a bit like a turtle shell... Well, I won’t go into details. As for the scale armor and leather armor, the two versions are almost the same. , in short, it’s not quite right, but it seems that the production of the new version is better on the surface, but actually? The armor pieces of the old version are all connected one by one with thin ropes. It is said that the new version uses adhesive tape...orz is really Gorgeous. There are also problems with the cap tassel. The cap tassel worn during the Han Dynasty should have been made of hard feathers. In this regard, "Emperor Wu of the Han Dynasty" did a relatively good job. A picture is attached at the back.

Regarding sitting, everyone is familiar with the idiom "sitting on the floor", but sitting does not mean using *** to sit directly on the seat. I highly doubt the overall level of the entire production team of the new version. Even the level of the Three Kingdoms period People don’t even know how to sit still, how can any drama produced with the face to shout and shout be better than the old version?! (History lishixinzhi.com)

Sometimes, it really depends on the details. Success or failure, I would like to draw the attention of all the judges.

Detail 1: Regarding the issue of wearing shoes indoors, the ancients were very fond of cleanliness. Whether they were going to court or visiting someone’s home, they would take off their shoes and place them at the door before entering the house. Show respect for people. We can now clearly see the two pictures on the left. The people are not wearing shoes, and on the right, it is obvious that a kneeling person is wearing shoes, but he is in someone else's house, which is super rude...

Detail 2: About the bun. I really don’t want to say more about this. This is entirely the responsibility of styling. I have watched so many historical dramas, including dramas, and this method of tying hair is really rare in the new version of the Three Kingdoms. If you don’t know how to tie your hair if you put on makeup, Please refer to the TV series "Emperor Wu of Han", which has detailed tutorials. I forgot which episode it is in.

Detail 3: About props. The same prop is made from an unearthed national treasure, the Cuojin Boshan stove from the Western Han Dynasty. Unfortunately, the new version is not as classic as the old version...

Also, I forgot to mention just now, the bride’s head Whether it is a veil, a hijab, or anything else, it probably only appeared in the middle and late Ming Dynasty. Even in the Tang Dynasty, the bride only used a round fan to symbolically cover her face during the evening ceremony. And what you are talking about I think may be something like a power fence. In ancient times, when women went out, they had to wear something on their heads to cover their faces. Even in the Tang Dynasty, when the world was very open, women went out. I also need to wear a toy. This is reflected in the old version. I don’t know if it exists in the new version, but I haven’t seen it yet.

About women's hairstyles

Although Three Kingdoms is a man's drama, women still play a very important role in it. So, so and so, so and so said that without women, one would not be a man. The world! (Okay, I admit this is a line) Hey... sigh, behind a successful man, there is more than one great woman... not necessarily three, but maybe four or five There may be N others that we don’t know about at all... orz... Well, I admit that I have been a little confused recently, so let’s not talk nonsense. I roughly summarized it, and also borrowed it from other people’s summaries. As far as I can see so far, there are roughly the following types of women’s hairstyles in the old version:

First, The most common "double-hanging type", whether it is a maid or a young lady, I estimate that this type has the highest appearance rate. This type is also very common in other costume dramas. The double-hanging comb braiding method is to divide the top of the hair into two large strands, comb them into symmetrical buns or rings, and hang them relatively on both sides. This hairstyle is mostly used by palace maids, maids, or underage girls. According to records, it began in the Qin Dynasty and continued into modern times. The most typical ones are the double-ya bun and the double-hanging bun. This hairstyle is particularly common in surviving ancient paintings. The maids of the donors at the Thousand Buddha Cave in Dunhuang and the palace attendants in Yan Liben's "Pictures of Emperors" all have similar hairstyles. Its variations generally include "double Ya bun", "hanging bun", "double flat bun", etc.

Second, the knotting style. In the hairpin-style comb braiding method, first gather the hair into a knot at the top, then divide the strands into knots with silk ropes, bend them into hairpins, and support them with pillars, towering over the head or both sides, giving a majestic look, and then decorated with various gold Hairpin jewelry is noble and gorgeous, mostly used for goddesses, concubines, ladies and virgins. For example, the goddess in Li Gonglin's "Portrait of Vimalakīrti" and Yuan Zhoulang's "Portrait of Du Qiuniang" all have this type of hairstyle. There are many such hairstyles in the Eighty-Seven Immortals Picture Scroll and the murals of Yongle Palace. Generally, there are several styles such as high servant girl, double servant girl, flat servant girl, hanging servant girl, etc., with many variations.

Third, the knotted vertebra pose. The method of combing and braiding in the knotted vertebra style is to gather the hair and knot it on the top of the head, in front of the head, behind the head or on both sides, and then tie it with silk ropes, roll it into one, two or three vertebrae, tie it with a hairpin, and stand it on the head. . According to the record of "The Origin of Things": "Sun Shou wore a fallen horse bun, Zhao Hede had his hair curled when he entered the palace, named Xinxing bun, and Meng Guang wore a vertebra bun." They are all similar to the knotted spine style, which implies solemnity, gentleness and elegance. From the Shang and Zhou dynasties to the Qin, Han, Sui, Tang, Song, Yuan, Ming and Qing dynasties, it was used continuously, with many changes. There are mainly several categories, such as the high-vertebral bun, the thrown-home bun, and the fallen-horse bun. (I guess this was very popular in the Tang Dynasty, and the bun became taller and taller)

Fourth, lily bun. The "lily bun" is combed and braided by dividing the net hair into strands and folding them together on the top of the head.

PS: Well, I won’t comment on the new version. Please forgive me, I really can’t see any famous hairstyle.

Part 2 of the review details

First, the long-sleeved dance. I don’t know if these two versions are both long-sleeved dances, because I have seen what long-sleeved dances are like. However, this kind of dance was very popular in the Han Dynasty. It is said that Mrs. Li and Zhao Feiyan were both masters in this area.

Second, the First Emperor passed down the imperial seal. The whereabouts of this thing are currently unknown, but this thing has always been a national treasure recorded in history books.

Let’s see how much effort was put into restoring it in both the old and new versions. Let’s look at the old version first. The small piece of gold inlaid in the corner is enough to prove that the old version’s prop set is very careful. It’s almost like when Wang Mang usurped the Han Dynasty and the Western Han Dynasty In the last years of the year, a certain queen mother was so angry that she grabbed the imperial seal and threw it towards Wang Mang. As a result, a small corner was knocked off, which was later repaired with gold inlay. This history is clearly recorded. As for the new version, I'm sorry that I couldn't find a clear recent photo. I can't clearly see the rice and the small gold-encrusted corner. Maybe when it is broadcast, I can get a clear picture. Let's take a look. . PS: The ribbon on the old version of the jade seal is very beautiful.

Third, a separate review of the new version. The third picture on the right is a story about a warrior in naked armor fighting against his horse Mengqi. Ah... The fourth picture is of course more classic. From the two armored soldiers, I seem to see the style of European knights in the Middle Ages. The helmets are really cool.

Then there is the one on the far left. I seem to see some shadows of the Song Dynasty police officers again, but when I look closely, it’s a shame. It’s a pity that they are not police officers... What is it? I don’t know... 囧