What is the animation production process in Miyazaki Hayao?

1. Generally, animation scripts with lens as the unit are praised and written with lens as the unit, which is not only conducive to the creator to better grasp the narrative rhythm and plot development of the whole script, but also conducive to the smooth development of the director's next stage of work, especially conducive to the clear implementation of the original intention of the screenwriter in the creative stage of screen design's shot. For personal creative habits, you can also use the serial number to mark the lens. This is like an architect recording scales in the process of creation, so that he can have a concrete understanding of his works from small to large. 2. The artistic effect of the picture is also the focus of the description. Cartoon screen is a static visual sensory experience art, including unified role modeling style, scene design style and the overall style composed of them. Picture style is the first and most direct experience that cartoons present to the audience. Animation writers must have their own unique imagination and interpretation of the artistic style of the whole cartoon at the beginning of their creation, and it is also an important mission of script creation to skillfully express the abstract picture environment details in their minds to directors and designers in words. Although it is not the responsibility of the screenwriter to finalize the design of the artistic effect of the screen in the animation production chain, because the script is the soul of the whole animation, the screenwriter's feeling of the artistic effect of the screen is an important factor that can not be ignored by the director and the designer of the artistic effect of the screen, and sometimes even a decisive factor. 3. Make clear the basic concepts of Jingbie: distant view, panoramic view, middle view and close-up. . . . Lens is the basic unit of montage, scenery is the basic form of lens, and the rhythm of scenery is the concrete embodiment of montage style. Cartoon montage style is a dynamic film and television sensory experience based on picture style, which is an overall style composed of animation rhythm and lens. Montage style is the deep charm of animation and the symbolic expression of animation as an audio-visual art of film and television. 4. Clearly express the motion of the camera. Camera movement is also an important aspect of comic montage style, in which pushing, pulling, shaking and moving are the most basic skills, and of course, there are following, ascending, descending, leaning, swinging, hanging, empty, cutting, synthesizing, long, returning, zooming and subjective shooting. Because the camera lens is supposed to exist, it is easier to control the shooting angle, the camera movement mode, the change of shooting speed, the replacement of lens focal length, the use of light and shadow and color than the conventional film, and the subjective factors of the creator are more obvious. Different from traditional film creation, the creativity of cartoon montage is particularly prominent in the early stage. The script of the animation screenwriter expresses his subjective understanding of the animation montage style in abstract words, which makes it take shape before the actual production of the lens. The director visualizes the script according to his own understanding, and the task of post-editing is to arrange the combination mechanically in strict accordance with the director's design. Therefore, montage is a way of thinking and artistic expression for the script creation of animation writers. 5. Always pay attention to the words and deeds of the characters. The dialogues and actions of dramatic characters are the driving force of the development of cartoon plots and the breakthrough point of plot tension; In contrast, the development of the plot and the character of the characters are also the internal causes of the characters' words and deeds. Character words and deeds control tests the ability of animation writers to understand and grasp the character and plot development. The description of the characters' words and deeds in the animation script should be specific and meticulous, and try to consider the habits of the characters and some small moves. Although the screenwriter needs to consider all aspects of animation creation when creating, it should be remembered that the screenwriter is not a designer, and the script cannot limit how the animation should be shot, how the dialogue should be said, how the characters should move, and how the lens should be cut. The message conveyed by the script to the director and designer should be why the plot develops like this, why the characters say so, why they move like this, and why the lens is edited like this. "Why" embodies the drama of cartoons, which not only limits the style direction of cartoons, but also provides a broad creative space for downstream creative links: how to design, make and shoot is the responsibility and authority of directors and designers. Thank you for your adoption.