Comment on the movie "Hanjiang Monster" (600 words)

The Hanjiang monster is good, super-class and well done, with touching plot and humorous lines. I recommend it. Plot: In the summer of 2006, a monster appeared in the Han River in Seoul, South Korea. It is very big and has an infectious virus. The citizens who are resting on the shore are stunned by this strange scene. Then the monster suddenly fell to the ground and began to kill unscrupulously. It chewed up human bodies and ate them alive, and panicked people began to flee everywhere. Kang Dou (Song Kanghao), who runs a small business by the Han River, heard the news and ran out of the house to see what had happened ... But at this moment, he saw his daughter Xianxiu (elegant Shicheng ornaments) behind him, and the monster was approaching her step by step with his mouth open ... Seeing that his daughter was swallowed up by the monster, Kang Dou almost collapsed. But a mysterious phone call aroused new hope in his heart ... So his father (Bian Xifeng) and sister (Bae Doo Na) embarked on a hard road of blood and tears together with Kang Dou ... As early as 2000, the US military stationed in South Korea poured toxic chemicals into the pool, and these "drugs" flowed directly into the Han River along the sewer, leading to the variation of aquatic organisms and a series of tragedies. Han Monster, also known as "Pool", attracted Korean A-list stars, Bae Doo Na and Bian Xifeng. They added a lot of color to the film with their excellent performances. In addition, movie stories are also an important reason to attract audiences. "The Monster of the Han River" describes the extremely horrible aliens hiding in the Han River, killing people and spreading viruses. According to film director Bong Joon ho, the idea of this film originated from his childhood living near the Han River. When he was a child, he fantasized about the hidden monsters in the Han River. When I grew up, I finally made a movie, which was a wish. Although he participated in the shooting technique of the classic sci-fi horror film Alien before shooting, Bong Joon ho stressed that he had no intention to compare with similar thrillers in Hollywood. "The Hanjiang Monster has added many Korean cultural features and is very oriental." Since its release in South Korea, Hanjiang Monster has set a new record with the speed of "Monster", creating the highest box office record in Korean film history. In South Korea with a total population of 48.78 million, almost a quarter of people have seen this film. Sina Entertainment News/M/C/2007-03-2100521486745.html The first Asian Film Awards was announced at the Hong Kong Convention and Exhibition Center on the evening of March 20th. The Korean film "Hanjiang Monster" swept the four awards of best film, best actor, best photography and best visual effects to become the biggest winner, leaving only the best editing among the five nominations. China's films are not without success. Jia won the best director for The Three Gorges Good Man and the best production designer for The Wedding Banquet. Although it seems to be a tie, judging from the weight and popularity of the awards, this grand gathering of top filmmakers in Asia ended in a great victory for Korean films. Rain, Monster, is not only the first grand prize set by the Hong Kong International Film Festival, but also attracts Asian first-line filmmakers such as Tony Leung Chiu Wai, Andy Lau, Japan, Korea, Japan, Korea, Lee Byunghun and Yu He. The Korean film "Hanjiang Monster" is undoubtedly the most popular among the previous five nominations, but the prospects of the finalists are not optimistic. However, the whole award ceremony looks like a commendation meeting for the "Hanjiang Monster". At first, Song Kanghao, an unremarkable Korean movie star, snatched the title of best actor from Andy Lau, Ken Watanabe and other big names with her unpretentious acting skills. Even when she met the golden lion film "The Three Gorges Good Man", she won the best film unequivocally together, which was a hit. In addition, Rain, the popular king of South Korea, also showed his popularity through his debut novel Electronic Man Doesn't Matter. Throughout the awarding process, the host mentioned that it rained for more than ten times, and his appearance won the highest decibel of fans at the venue that night. The whole venue became the home of Korean filmmakers. China and China can't hide their embarrassment. Hong Kong has won respect. Compared with the scenery of Korean filmmakers, the mainland delegation barely passed the exam. Jia, who was humiliated by the Hong Kong Academy Awards, once again won glory for China filmmakers and won the honor of best director. The dispute between Gong Li and Zhang Ziyi, two generations of scheming girls hyped by the media, turned out to be just a flower in the mirror. They didn't even attend the award ceremony. Miki Nakatani, who won the prize in Japan, did her part and succeeded in winning the title of Fantasia. Ning Hao, who didn't show up for a blog time, made a low-key appearance this time, failed to win the best screenplay, and made a good start with Crazy Stone. As the owner, Hong Kong films almost returned empty-handed. Not only did Du Qifeng's "Let's Go" lose in the competition for best film and director, but even Jin Peida, who had been predicted by the media as the best original music, was upstaged by the Indonesian and Austrian film "Java Opera". Andy Lau, the iconic figure of Hong Kong films, won the Asian box office superstar award from the film festival. So far, this handsome and diligent superstar has contributed 654.38+0.7 billion to Hong Kong movies. Xiao Fangfang, who has appeared in 230 films, also won the Asian Film Outstanding Contribution Award on his 60th birthday. Asian Film Awards-Rebirth of Hong Kong International Film Festival? Compared with the well-known Hong Kong Film Awards, the Hong Kong International Film Festival, which mainland fans are not familiar with, has now gone through 365,438+0 years. This year, the Hong Kong Film Festival followed the trend and made positive changes, and set up the Asian Film Awards for the first time, which instantly focused the attention of the whole Asia-this is also the genius of Hong Kong people. Although there are two international A-level film festivals in Asia, Shanghai Film Festival and Tokyo Film Festival, due to various factors, the two major film festivals seem to have reached the end of the road. Busan Film Festival is bustling, but more like a hypermarket. Only the Hong Kong International Film Festival occupies a favorable climate, a favorable place and a harmonious people, but it has not received enough development and attention. The most profound thing about coming to Hong Kong to cover the film festival is the enthusiasm and unique language advantage of Hong Kong people. No matter the staff or the stars, their English is very good. Watching the stars of Japan and South Korea perform some awkward broken English on the stage, and then watching the stars of Hong Kong, you will feel that it is really appropriate for Hong Kong to play the role of host. The establishment of the Asian Film Awards not only attracts big-name stars, but also highlights the charm of competition. Of course, it is a win-win situation. For the whole of Asia, directors from Chinese mainland attacked the city at the three major film festivals of Venice, Berlin and Cannes, which seemed to be mainstream, but in fact they were marginal; Korean films have sprung up suddenly, but they have not been widely recognized. Japanese films have already won the respect of the world, but they continue to be in a downturn; Although Hong Kong's movies are in recession, quality products are still visible. These Asian film leaders also need such a platform to attract the attention of the world, and the goal of Hong Kong people must be far more short-sighted than the Asian film stage. All in all, the Hong Kong International Film Festival still has a long way to go, but it is not an idiotic dream to build Cannes in the East. Zhang Han is from Hongkong.