Traditional Culture Encyclopedia - Photography major - Black and white photography skills in street photography
Black and white photography skills in street photography
The so-called street photography is to go out and take pictures! All the street shots come out.
Bresson, one of the founders of Magellan, the greatest street photographer, pointed out that at the decisive moment, all the changes of pictures and light and shadow are fleeting, so a good camera that can shoot freely in the street must have fast focusing ability, not only fast but also accurate. At the beginning, the author mentioned that the biggest feature of Sony A7 is its fast focusing and excellent continuous shooting speed, which is generally 2.5 frames per second in continuous shooting mode and 5 frames per second in continuous shooting. This time, with Toshiba EXCERIA memory card, the author writes 90MB/s per second and shoots with RAW+JPEG, which hardly takes up too much buffer time, so it is very suitable for taking pictures on the street.
F5.6, 1/20 .
ISO200, 5.6, 1/250, 0.7 ev.
F8, 1/640, ISO200, -0.3 eV.
ISO200 postal code 3.5, 1/25.
About street photography
Street photography (SNAPSHOT/ street photography), I think, is the subject matter and presentation mode that most photographers like. As long as you step out of the house, it is the beginning of street photography. Street shooting can be casual or rigorous. You can press the shutter at will to capture what you see. At present, almost everyone has a tool that can generate images. We can always take this kind of photo action, including purposeful street shooting and aimless street shooting, but the image effect and connotation of the two will be very different.
F5.6, 1/ 100,ISO 125,+ 1EV .
F8, 1/25,ISO 125,+ 1EV .
ISO640 f 2.8, 1/40 .
ISO3200, 5.6, 1/25, 0.3 ev.
Theme selection of street shooting
The most interesting thing about photography is that different things always happen in different time and space. The job of street photographers is to record and collect these things.
Some people say that street photography is a real practice place for photographers, because everything that happens on the street will catch you off guard. Street photography can cultivate the following abilities: foresight, responsiveness, judgment and patience.
ISO200, 5.6, 1/200, 0.7 ev.
F5.6, 1/ 15
ISO200 F8, 1/320 .
ISO400 F4, 1/500 .
Preview ability means that we usually find some objects or scenes first, think that some things or stories will happen here, and then start waiting, hoping that some elements can appear here to join these objects or scenes, generate new sparks, and even surpass the original things and walk in front of others, in order to shoot different contents and results. In all types of photography, reaction should be extremely important, especially news photographers and street photographers. After something happens, sometimes we don't even have time to compose and concentrate, so our reaction is very important. Coupled with judgment, it is very important for us to decide whether to press this shutter within 1/60 seconds and what kind of picture will appear after pressing it.
Street photography is always waiting, but some photographers have said that he never takes more photos in one place than the second, because he is convinced that there will always be better photos waiting for him.
F5.6, 1/25 .
F5.6, 1/320, ISO400,+1.3 electron volts.
F2.8, 1/30, ISO3200, -0.3 eV.
How to master the light of black and white/street photography
Many friends who like street shooting especially like to present it in black and white photography. There are several reasons, that is, the theme should be clear, the tone and content should be unified, and the aesthetics of light and shadow are presented most of the time. Daido Moriyama, a Japanese photographer who is famous for his street shooting, is famous for his black-and-white Gao Fancha, coarse-grained and crumbling pictures, which has aroused the imitation of street photographers all over the world.
The content of street photography is always nothing more than passers-by, objects on the street, charming scenes, the contrast between light and shadow and life, the contrast between true and false, and so on. As long as you grasp these key points a little, you can experience and enjoy the fun of street shooting, find the direction you are interested in and shoot well, and you can shoot yourself.
ISO200 f 1 1, 1/ 125 .
ISO800 F5, 1/ 100 .
F4, 1/50, ISO800, -0.3 eV.
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