Traditional Culture Encyclopedia - Photography major - Four men in Wang Qiyao's life
Four men in Wang Qiyao's life
The most touching thing is that Mr. Cheng took care of Wang Qiyao before and after running, asking for nothing in return and doing his best. After Wang Qiyao successfully gave birth to Vivian, Mr. Cheng drank the baby's full moon wine and woke up on the sofa in the middle of the night. Moonlight is like water, and he seems to be lying in the water. There is a sweet and sour yellow wine smell in the room. He just felt very calm. He heard Wang Qiyao calling him and then responded. Wang Qiyao said he didn't know what she meant.
Mr. Cheng said with a smile, I know. Wang Qiyao said you didn't know. Mr. Cheng went on to say slowly that he knew the Tao, and now he has come to this step. As long as I take that step, you must agree. But I know you don't like me, and you are willing to marry me just because I am so moved, and what I want is love between men and women. Even if we are together and married, it is far away.
So I figured it out, I just want to be friends with you, but between people, it is "if you don't advance, you will retreat." When you can't get in, you can only return it. With these words, Mr. Cheng slept soundly. The next day, instead of going to Wang Qiyao, he went to see Jiang Lili and asked her to take care of Wang Qiyao in the future. Wang Qiyao himself stopped going.
It can be said that Mr. Cheng is an out-and-out good man and a pure child. His love for Wang Qiyao is true love, without possessiveness and selfishness. He just wants to make her better and take care of her, even if that person is not himself. It's a bit like "fenglingdu fell in love at first sight, Yang Guo fell in love at first sight and missed life".
When I was a child, I only knew that the prince and princess lived a happy life later; When I grew up, I had some love experiences before I realized how difficult it was for people in two of a kind to meet the right person at the right time. True love is a rare thing in the world. If you can't marry love, marry a good man.
? The second is Director Li. As for director Li, although there is not much ink about him and his relationship in the novel, when we first met, we can say that our hearts fluctuated. This kind of fluctuation may not be the kind of love between men and women, but more like feeling that you have a constant temperature shelter.
Director Li is an old hand in the romantic field, so he is very good at showing his nature, understanding and considerate, just right, and Li's personal aura and charm, as well as the power in his hand, make him feel very admired and trusted wholeheartedly.
Director Li is not insincere about Wang Qiyao, because I can see that Wang Qiyao has ambition but no one can rely on him, and although there are people coming and going around, Director Li has no heart-to-heart communication, and they feel quite like "far apart-far apart". What Wang Qiyao wants from Director Li is a sense of security, and what Director Li wants from Wang Qiyao is also a sense of security.
The previous sense of security can protect her from the wind and rain. The latter's sense of security is that when she is tired on the pommel horse, there is a starlight waiting for her and a small harbor for her to dock.
The third is Kang Mingxun, and Wang Qiyao is a typical example of changing friends into lovers. At that time, I lived a cold and quiet "peaceful" life, lived in the apartments of "Miss Shanghai" and "Alice", and enthusiastically admired and indulged Mr. Cheng ... All these overflowing materials, reputations and feelings were dispelled as in the past.
Wang Qiyao in Peace is a phoenix perched on a short branch. So when Kang Mingxun appeared, there were Jenny Yan and Sasha, four people sitting around the fire in the cold rainy day, chatting every day, feeling the warmth that touched her heart, and her ambition was gone at this time. She wants to settle down.
In Peace, when the four meet for the first time at Wang Qiyao's house, Wang Qiyao has tears in his eyes. "How many days of clearing the pot and cooling the stove, today is finally steaming and vivid. Chicken soup was stewed on the coal stove, and she ordered a kerosene stove to cook. The frying pan is ringing, which is also the voice of life. The guest's voice came from the room. Although it is not exciting, it is from the heart. "
It's like driving for a long time on a stormy evening. It's getting dark and your hands are frozen, but you finally get home one second before dark. You pushed open the door and brought in a blizzard, but the warm dim light and warmth at home suddenly wrapped you up. You put on your soft slippers, and mom comes to warm your hands. The steaming food is already on the table. You took the first sip of soup on the table, and it felt very suitable and soft. This is the intimate warmth with fireworks in the secular world. This is Wang Qiyao's mood.
Life is divided into face and lining. Those honors and wealth on the face are for others to see, and those intimate, friendly and warm feelings that you really feel inside are the heart of life.
In the twilight, the four people by the fireside were half bright and half dark, and the fire shone on their faces. They are silent and steady, chatting with each other tenderly, as if forgotten by time and plunged into the abyss of time. Everything said goes in one ear and out the other, the most trivial gossip in daily life. There seems to be no past, no tomorrow, only tonight.
This is the lining of life, the most intimate. Wang Qiyao is also in her mid-twenties, and gradually realized that this simple and plain value is the most attractive. The love with Kang Mingxun was born in this finely divided day. It's not Mr. Cheng's love at first sight, nor is it director Li's responsibility to take care of everything. This is a long-term flow. This man has been gentle for many years.
Another one is the old carat. When they met, Wang Qiyao was already an aunt. Daughter Weiwei and son-in-law Kobayashi went to the United States again, and Wang Qiyao watched the light and shadow move every day. And old Clara is a young man, a blank sheet of paper. Although he likes to pretend to be mature, he will always be a young man, with some innocence and naivety.
One is to appreciate the other person as a beauty in the painting with longing, and the other is to let the other person accompany him through the long days and nights. If you insist, there will be no love between two people. How can feelings with obvious purpose be called love?
So when the beautiful woman in the painting came down and became a pillow man, old Clara chickened out. He realized his wish, so he relaxed and listened to those old records that had been dusty for a long time. After all, old Clara is also a modern young man. When he comes into contact with the real skin of a beautiful woman, he knows that he is a "barrier" far away from her after all.
Only Wang Qiyao, who was poor and smart for half his life, came to Old Kela and even wanted to rely on him, because he was lonely, in the dark night. Maybe Wang Qiyao knows what's going on. She knows she will lose, but she can make the loss come later! So when she showed old Clara her card, the carved wooden box, she said she wouldn't ask him to postpone it for a few years. She just wants him to stay with her, but it won't last long. ...
It turns out that loneliness can really devour people's nerves and people's will. You can bear it when you are young, but it will be hard when you are old. It is very happy to have company, even if it is noisy.
Several men in Wang Qiyao's life represent all women's needs for love at different stages of their lives. When we were young, we were ambitious, we looked forward to it, we felt different, and we despised those who loved us. When you are in your mid-twenties and want to get married, what you want is the person who will accompany you for a lifetime. Two people can wrap a wool felt on the sofa and spend an afternoon without saying anything, which is dull and meaningful; When you get old, you just want a companion to pick up your dropped oranges, that's all.
However, when we look at Wang Qiyao and our life from the perspective of God, those people and things have gone forever. Fortunately, however, for each of us, great things are like water drops in the stream of time, not to mention subtle joys and sorrows. Whether it is love or good, it has become the precipitation of time and will never emerge.
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