The scenery of the mountain ... Extracurricular translation?

Wangyuanshan

On August 9th, the day the atomic bomb was dropped on Nagasaki, a photographer from the Japanese army, Yosuke Yamaha, was sent to the destroyed city. ?

1on August 9, 945, Nagasaki was dropped with an atomic bomb. On the same day, Yosuke Yamamoto, a photographer who served in the Japanese army, was sent to this ruined city.

About 100 photos he took the next day constitute the most complete photo record without nuclear destruction. Hiroshima, which was destroyed three days ago, basically escaped the camera lens on the first day after the bombing.

The hundreds of photos he took the next day can be described as the most complete image record of the nuclear destructive force. Hiroshima, which was also destroyed three days ago, was basically not photographed by the camera on the first day of the bombing.

Therefore, the work of systematically recording the impact of nuclear weapons on human beings after a few hours of use is left to Yamamoto, and, as happened, it is a great and simple art.

Some photos of Yamahata show the charred bodies in a special way that nuclear fireballs scorch the victims. ?

Yamauchi recorded the impact on human beings just a few hours after the explosion of nuclear weapons in a great and concise artistic way. Some photos at the end of the mountain show bodies charred by nuclear fireballs in a unique way.

They have been burned by light-technically, by "heat pulse"-and their bodies are often branded with patterns of clothes, and the colors of clothes absorb light to varying degrees. ?

They were burned by light-in technical terms, by "heat pulse"-and the bodies were usually branded with patterns of clothes, because different colors absorb different light.

A photo shows a horse twisted and deformed by the car it is pulling. The other shows a pile of things that used to be human, hanging on a protrusion and falling into a ditch. ?

A photo shows a twisted horse curled up under the carriage it pulled. The other shows a pile of things hanging down from the protrusion and extending into the ditch, which shows that this is also a human remains.

The third picture shows a girl who somehow survived. She stood at the opening of a bomb shelter with a mysterious smile and shocked us with the scene of ordinary life. Otherwise, it seems to have been left behind forever in the scene we witnessed.

In the third photo, a little girl stood at the door of the bomb shelter. Somehow, although she experienced a disaster, she was unscathed. There is a strange smile on her face, which is shocking.

Extending around is a rubble field dotted with fires, with mountains in the background. ?

If it weren't for this photo, in the scene we are witnessing now, the original daily life is gone forever. Large tracts of ruins and rubble have been stretched into the distance, and residual fires are scattered in the meantime. The background of this scene is endless mountains.

We can see the mountains because the city is gone. This lack even contains the core of the problem more than the wreckage. The real significance of this event lies not in what is left behind, but in what has disappeared.

We can see the mountains in the distance because the whole city has been burned to the ground. The destruction of the city can better explain the core essence of the problem than the broken wall The real impact of this incident is not what is left in the city, but what has disappeared. ?

It took only a few seconds for the United States to destroy Nagasaki with the world's second atomic bomb, but it took 50 years for the photos of Yamaha to be sent back to the United States from Nagasaki. ?

It took only a few seconds for the United States to level Nagasaki with the world's second atomic bomb. However, it took 50 years for Yamauchi to travel from Nagasaki to the United States to take photos of this incident.

They were first exhibited in the United States in 1995 at the International Photography Center in new york. ?

The photo was first exhibited in the United States at 1995 new york International Photography Center.

Although half a century late, they are still news. These photos show the fate of a city, but their significance is universal, because in our nuclear weapons age, what happened in Nagasaki may happen in any city in the world in an instant. ?

Half a century later, these photos still have news effect. These photos show the fate of a single city, but they are of universal significance, because in our nuclear weapons era, the disaster that happened in Nagasaki could happen in any city in the world in the blink of an eye. Through these photos, Nagasaki cleared its name.

In the photo, Nagasaki is unique. Nagasaki has been in the shadow of Hiroshima, as if human imagination was exhausted in the wreckage of the first destroyed city, and it did not even reach the suburbs of the second city. ?

It has always existed in the shadow of Hiroshima, because it seems that human imagination stopped and disappeared after reaching the ruins of Hiroshima, the first destroyed city, and even the edge of Nagasaki could not be reached.

However, in some ways, the bombing of Nagasaki is a better symbol of the nuclear danger still hanging over our heads. ? Facts have proved that once nuclear weapons are used, we can use them again.

However, the disaster in Nagasaki, to some extent, is a more powerful symbol of the nuclear threat cloud hanging over our heads. It proves that once human beings kill people with nuclear weapons, they will repeat the same mistakes.

It puts forward a series of ideas-this series continues to threaten everyone while thousands of nuclear weapons still exist. ?

It brings the concept of serial destruction, that is, thousands of nuclear weapons continue to exist, and each of us may be threatened.

The unpredictable and open feature of this series is implied by the fact that the second bomb was originally intended to be dropped on Ogura City, which survived the fate of Nagasaki I only because the bad weather protected it from being seen. )?

(The second atomic bomb was originally prepared for Kokura, but it was only because of the bad weather and poor aerial view that Kokura was saved from Nagasaki's bad luck. This shows the unpredictability and unpredictability of the threat of nuclear weapons series. )

Therefore, each photo is not so much an image of what happened half a century ago as a window on the wall of the photography center, showing what will happen soon in new york. ?

Therefore, rather than recording what happened half a century ago, each photo seems to be a window embedded in the wall of the photography center. Through it, people can see what may happen in new york soon.

In addition, no matter where the exhibition goes, the threatened future seen from these "windows" will be roughly accurate, because although every intact city is different, all the cities that suffered nuclear destruction look similar.

Moreover, no matter where these exhibits go, the threatened future scenes displayed by these "windows" are generally accurate, because although every intact city is very different from other cities, the appearance of any city hit by nuclear destruction will be almost the same. ?

Photos of mountain leaves provide a glimpse of the end of the world. ?

The photos at the end of the mountain give people a glimpse of the end of the world.

However, in our time, the challenge we face is not only to understand the nuclear danger, but to seize the opportunity given by God to eliminate it once and for all.

However, in this era, our challenge is not only to recognize the existence of the nuclear threat, but also to seize this godsend opportunity to completely eliminate the nuclear threat.

Besides, it seems that we need another photo to compete with the destroyed Nagasaki-a photo that shows not what we will lose because of failure, but what we will gain because of success. ? What kind of picture would it be?

Therefore, in addition to these photos, we need other photos to offset the negative feelings brought by the destroyed Nagasaki; The photos we need are not to show what we will lose because of failure, but to show what we will gain because of success. But what kind of photo should this be?

How do you show the opposite of the end of the world? Should it be Nagasaki, which was intact before the atomic bomb exploded, or Ogura, which survived?

How do you show the opposite of the end of the world? Is it a complete and vibrant picture of Nagasaki before the bombing? Or a small warehouse that escaped?

Should it be a child, a mother and son, or perhaps the earth itself? No word is appropriate, because how can we give a definite form to those things that can take on infinite forms, that is, all human lives now and in the future?

Or a child, or a mother and her child, or the earth itself? None of them can fully achieve their goals. The reason is, how can we show the infinite vitality of all mankind in the present and future in a limited form?

Facing the end or continuation of the world, imagination must remain incomplete. Only action can be satisfied.

Facing the end of the world or the future of the world, imagination is really out of reach. Only action can be satisfactory.

Once upon a time, it was natural for a new generation to come into this world. ?

In the past, it was natural for a new generation to come into this world.

Now, only through the action of faith and collective will can we ensure their right to exist, and they can exist. ?

Now, they can only be realized through the actions and collective will of today's people full of faith, and we must guarantee their right to exist.

Fulfilling this behavior is the greatest responsibility of contemporary people. The gift of time is the gift of life, forever, if we know how to accept it.

The greatest responsibility in today's world is to take such actions. The gift of time will always be the gift of life, as long as we know how to accept such a gift.

English translation skills:

First, transform syntax.

As the name implies, sentence transformation is to transform the voice, part of speech and sentence pattern of the original sentence in the title, so as to make the sentence to be translated conform to the Chinese/English expression habits, methods and ways.

1. In voice, change the active voice into the passive voice (Chinese-English translation), or change the passive voice into the active voice (English-Chinese translation).

2. In part of speech, change the original verbs into prepositions, adjectives, adverbs and nouns, change nouns into verbs, adjectives and pronouns, or change adjectives into phrases and adverbs.

3. In terms of sentence composition, change the subject into predication, attribute, adverbial and object, change the predicate into predication, subject and attribute, or change the attribute into subject and adverbial.

4. In sentence patterns, simple sentences and complex sentences can be interchanged, complex sentences can be interchanged, or attributive clauses can be transformed into adverbial clauses.

Second, the ellipsis translation method

This is contrary to the first addition translation method, which requires you to delete parts that do not conform to Chinese or English expressions, thinking habits or language habits, so as to avoid heavy and complicated translated sentences.

Third, the merger method

Combinatorial translation method is to combine multiple short sentences or simple sentences into a complex sentence or complex sentence, which often appears in Chinese-English translation topics, such as attributive clauses, adverbial clauses and object clauses.

This is because Chinese sentences like the so-called "scattered form and scattered spirit", that is, the sentence structure is loose, but the meaning is closely related, so Chinese often uses simple sentences to express this feeling. English, on the other hand, emphasizes form and strict structure, so it uses complex sentences and long sentences. Therefore, we should also pay attention to the use of prepositions, conjunctions and participles in Chinese-English translation.

Fourth, split method.

Of course, in English-Chinese translation, we should adopt the completely opposite tactic-split method, that is, split a long and difficult sentence into short sentences and simple sentences, and add words appropriately to make the sentence smooth. Finally, pay attention to adjust the word order according to Chinese habits to achieve the purpose of both understanding and awkwardness.

Verb (abbreviation of verb) insertion method

That is to say, the sentences that cannot be handled are inserted into the translated sentences with brackets and double commas, but this method is mostly used in translation and rarely in interpretation.