Traditional Culture Encyclopedia - Photography and portraiture - Are there any eggs at the unknown end?

Are there any eggs at the unknown end?

There are no eggs at the end of the movie Nobody. The film ends with Mr. He watching the cakes on the streets of Hong Kong and Secretary Ye burning incense and praying in the temple. Everything is normal, but it's urgent.

But in the movie Nobody, there are many scenes worth savoring, such as:

The story that Eric Wang and Abel told at first was bloody and cruel. There was another scene when the Japanese army was drinking water. Well water stinks. Those four dirty things that can't be seen clearly are four dead Japanese soldiers and a family of four who are victims of another time and space.

When the Japanese buried people alive with cement, there was a young lamb bleating outside the window. The moral is too obvious. China people are fish on the chopping board of the Japanese army, and they are even more lambs to be slaughtered.

The spy minister (Dapeng) stood between the Japanese flag and the national party flag, implying that he was a fence-sitter, courting both sides and profiting from it.

When Cheng Er tells the story of Hong Kong, the first shot is to pay tribute to Ho Fan, a Hong Kong photographer. The light and shadow of the underground sidewalk is the embodiment of his aesthetic perception of Hong Kong in that era.

The educational significance of the film nobody;

The meaning of "unknown" lies in "calming things down", leaving no trace of "emptiness". With extremely restrained film language, it presents the most chaotic and darkest period in China's modern history and depicts an extremely special "unknown" group.

This group of "nameless" groups come from all sides and have various forces behind them. After a complicated battle of wits and courage, the party with the strongest revolutionary will, the highest ideals and beliefs and the clearest way forward naturally won the final victory.