How does the Spring Festival Evening Edition "Only this Youth" embody the "Three Distance Rule"?

How does the Spring Festival Evening Edition "Only this Youth" embody the "Three Distance Rule"? As follows:

At the same time, the composition of A Thousand Miles of Rivers and Mountains brings together the "three-distance method" of framing and composition, which makes the picture ups and downs and has a strong sense of rhythm.

At the beginning of the dance, the composition is flat, and the water waves in front of the stage create a scene, presenting a distant and open picture with a deep spatial distance. From the twisting postures of three female dancers in the foreground, and gazing at the "turquoise" starring the middle shot, three or four groups of statues in the foreground clearly show the endless weather of Wan Li.

In the dance section where the dancers gather in a triangle, the dancers slowly turn around and make great efforts to generate, the ground center of gravity moves with the extension of the left foot, and the breath rhythm is separated from each other, forming the image of "seeing the peak from the ridge, the distance is different", similar to the principle of "height" in painting.

There is an old saying: "Climbing from the foot of the mountain is lofty". Towering is the most suitable way to describe the mountain. Its horizon is often at the bottom of the picture, with outstanding visual effects and grandeur. Therefore, the movement of this dance also strengthens the rhythm and intensity, which is in contrast with the ethereal and flowing water before, highlighting the turquoise Leng Yan with steep peaks and towering cliffs.

In literati landscape painting, "profound" is the most difficult to express. There is an old saying: "Looking at the front of the mountain from afar." However, in Only This Green, the director covered his face with a sleeve, walked backwards and dragged the ground, and completed a "far-reaching" visual composition.

The focus of "green waist" in the visual center, the rapid dispersion of "mountain" after gathering, and the repetition of the action of "female doppelganger" behind the stage have formed the visual effect of green "reflection" in front of the mountain and behind the mountain, and also realized the "isomorphism of mind and matter" that the director wanted to express, and fully realized the artistic expression of empathy.

Behind the "national tide" and "poetry fever" is the improvement of national strength and cultural self-confidence;

With the continuous improvement of China's comprehensive national strength, its enthusiasm for poetry, Hanfu, culture, national trends and classicism is a manifestation of its enthusiasm for traditional culture. Today, when the mobile Internet is connected to the whole world, in the face of the once-in-a-century great changes, "China culture has always advocated' collecting the last words of a hundred years and adopting the last rhymes of a thousand years'", and the traditional culture of China is most likely to conform to the aesthetic habits of China people.