How to master three skills of stage photography

First, make good use of light sources: the limitations of light used in stage photography are relatively large, unlike the light that can be distributed at will in the studio; Unlike outdoor photography, you can freely choose the shooting time; The intensity of light is uncontrollable. Flash is usually not considered in stage photography for the simple reason. First, performance units and theaters are not allowed to use them, especially some high-level performances. Secondly, flash is not an ideal light source for stage photography. Therefore, the light source of stage photography mainly comes from the scene stage lighting, which is a very professional field. Usually, the lighting effect of a good performance is carefully designed, and the lighting engineer will set different lights according to the shape of the stage characters, such as face (face) lights, slap lights, back contour lights, set lights and so on. , and also according to the needs of the performance, the use of lighting to create emotional color. Fortunately, high-level performance itself has a broad source of ideals, as long as you are quick-thinking, skilled and ready to go. The design characteristics of stage lighting are: compared with supporting roles and scenery, the left and right beats of the protagonist are the strongest. This is for the sake of performance. The intensity of light can be self-adjusted relative to the audience's visual system, but the camera does not have this adjustment function. This is why we often complain that I pressed the shutter when I clearly saw the best lighting effect, why the protagonist was overexposed, but the background effect was gone. Therefore, when you want to show the atmosphere of the background, try to avoid shooting when the protagonist turns around and slaps; If you think the beauty of the protagonist is the best, and the protagonist just turns to face the slap, then you may have to sacrifice the background atmosphere and focus on capturing the moments of the character's body. Stage Photography Stage Photography Stage Photography Tip 2: Have a well-thought-out plan. The so-called well-thought-out plan is to be familiar with all kinds of performing arts, master the laws of each performing arts category, and be as knowledgeable as possible; Secondly, knowing your own repertoire before shooting is the key to your success. Although stage photography mainly relies on live snapshots, don't forget that the performance is done in one go, especially in dance performances, where jumping, rotating and fast dance steps are far faster than the 100-meter sprint on the sports field. Therefore, for each performance, the typical symbolic scenes and wonderful moments are limited, and it is most appropriate to describe the best shooting time on the stage with "fleeting". As the saying goes, "Practice makes perfect", flexibility, quick thinking and foresight of typical moments are all inherent qualities that a stage photographer must possess. When the technical operation of photography is no longer a problem, the deeper you know about the performing arts, the more handy you will be when you perform live. Stage Photography Stage Photography Stage Photography Tips 3: Master the above two points according to the situation, and stage photography can basically cope. However, we should pay attention to the unexpected situation at the performance site, observe the performers' live performances and be good at capturing them. There will be obvious differences in the interpretation of the same drama by different actors. Even in the same play, the interpretation of the same actor will be different because of the impromptu emotional infection between performers and the emotional interaction between performers and audience. This is precisely the charm of stage art, the essential difference between watching DVD at home and watching live performances, and the attraction of stage photography. Once this happens, it means that you have a chance to take unexpected good shots.