Traditional Culture Encyclopedia - Photography and portraiture - The Artistic Features of Zhu Ziqing's Winter
The Artistic Features of Zhu Ziqing's Winter
The sketch "Winter" uses the current photography technology in advance, shakes out three close-ups of winter by changing the lens, and reproduces a number of small pictures in the main picture, which are large, medium and small, and the streets are glued together, supplemented by primary and secondary, forming a unique set of different landscapes in winter, which has a unique charm.
The first picture is an old house, a dim "foreign lamp" and a black boiler. Father and son are sitting together eating steaming tofu. The heat flow rolls in the old house, driving away the cold wave and bringing spring-like warmth to the icy night here. Wenzhong and his son are enjoying a rare family happiness. This picture looks unremarkable, and everything is a cliche, but if you enlarge the fine things like black aluminum pot, snow-white tofu and orange light, it will suddenly become an expansion of the visual image in space.
concrete details
The second picture is an empty mountain valley, namely Taizhou. The picture jumps out of the noisy dust margin and enters the situation of loose wind and birds' shadows. A new set of visual images flashed in the author's pen. The long street, where no one is seen during the day and the handle is lit at night, seems to be "wintering", and the "generous window" facing the street always flashes the smiling faces of the mother and son to welcome the author back. This set of pictures adopts the method of contrast, which is true in outer space.
The external landscape is "empty" and lonely, while the inner world not only implies the author's unspeakable loneliness, but also reveals his infinite satisfaction and nostalgia for his wife. In contrast, the close-up of mother and child smiles is fixed on the whole picture, striking and clear, unforgettable.
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