Pure art film "pure art"

By chance, Scud meets Lucy Berline (played by Ellie Sidi ally sheedy), a neighbor who lives upstairs, and finds that she lives in many well-shot portraits. When asked, she knew that Lucy had taken it. When she had a good impression on Lucy, she felt that her works had psychological connotations, so she chatted with her about her feelings. Lucy's answer is quite meaningful: "I haven't been deconstructed like this for a long time." Dangdang talked about Lucy to the editor-in-chief of Picture and brought a collection of Lucy's works to the editor-in-chief The editor-in-chief and the magazine owner were surprised, but Lucy was in new york. It turns out that Lou Heezen is a famous American pioneer in photography. Ten years ago, she suddenly disappeared from the film industry and mysteriously went to Berlin, and the photography industry gradually forgot her. Now that Lucy has returned to new york, the picture wants to re-launch her and put her in charge.

After Thad and Lucy became friends, they found that Lucy was gay and had a decadent life. She is addicted to drugs and promiscuous with a group of fallen friends all day. Su De is a very enterprising and dedicated person. In order to do a good job, she ignored her boyfriend's misunderstanding and forcibly joined Lucy's circle. Not only did she take drugs, but she also slept with Lucy. They seemed to fall in love with the same sex. Lucy is a little masculine. She plays a lesbian in Homosexuality and lives with her girlfriend Greta from Berlin. Lucy is also a person who pursues self-satisfaction. She used to pursue satisfaction in photography, and later she got this satisfaction in drug abuse and homosexuality. So she despised art and moved to Berlin to live with Greta. Ten years later, she brought her girlfriend back to new york. Since I met the young Sade, attracted by her innocence, purity and distinctive sexiness, Lucy fell in love with her, and the art in her heart gradually revived.

The climax of this film.

Picture decided to launch a special page for Lucy and publish her series of works. Lucy was generous enough to let Lucy decide the content and form of the work, while Lucy appointed this issue as her own editor. I am bent on making a good magazine and want to know what kind of work Lucy is going to shoot. He also offered to provide Lucy with a studio in new york, where artists live, to help her arrange equipment and find models, and so on. Lucy said that she never posed, but only made impromptu documentary works, and declined her kindness and didn't tell her what she thought of the works. Seeing the deadline approaching day by day, Thadder was anxious, while Lucy did nothing. Instead, she travels from time to time, as if she didn't care about the manuscript of the picture. In fact, Lucy's heart is full of contradictions at the moment. She is struggling between returning to art and decadent, between Saidel and Greta.

Sensitive Berlin girlfriend Greta saw Lucy's infidelity and threatened to commit suicide. At the same time, Dangdang kept pressing for the manuscript, so Lucy told Dangdang that she would go back to Berlin with her girlfriend, but she would go to her hometown in the northern suburbs of new york before leaving. She invited Dangdang to go with her. In order to live up to the magazine's publishing plan, and for the sake of my career and future, I promised to travel with Lucy. So, in the country villa, they had a passionate sex scene. The next morning, when Soder was about to wake up, Lucy photographed Soder lying in bed with them in the early morning.

After returning to new york, Lucy gave Scud two sets of works, Greta and Scud. That day happened to be the deadline of the magazine, and Su De hurriedly handed Lucy's Greta to the editor-in-chief. The editor-in-chief and magazine owner were disappointed after reading the works, thinking that this group of works had no internal connection, no context, was very dull and completely incomprehensible. Obviously, this magazine is going out of business, and the editor-in-chief and boss are very angry and very dissatisfied with Thurd's irresponsibility. Seeing that my career and future were at stake, I took out the passionate job that Lucy took for herself in the country. As soon as the work was released, the editing room was filled with amazement. The editor-in-chief and boss praised this as a masterpiece.

Film ending

On the morning when the magazine was published, Soder was surprised and sad to learn that Lucy had passed away. Su De came to work in the editorial department and got a new magazine. Lucy's works for herself are published on the cover, and the middle page is also a big shot of Lucy, including their sex scenes. The editor-in-chief and the boss came to congratulate Su De and express their appreciation for her work. At this time, the beautiful female colleague who asked her how to get promoted at the beginning of the movie looked at the clatter with "I finally understand" eyes, revealing a self-righteous expression of feeling sorry for the clatter. If Dangdang and Lucy symbolize the present and past of pure art respectively, then the editor-in-chief and boss of Picture symbolize the commercialization of pure art in the post-industrial period, the western art system today, and the operating mechanism of curators and cultural enterprises. In the past, modernism pursued the purity of avant-garde art with formal innovation, while conceptual art in the post-modern period pursued the purity of conceptual art with the support of contemporary philosophical theory and social and cultural criticism. However, in today's commercial society, pure artistic ideas cannot survive for a day, and contemporary art needs commercial works. The selection of works by Picture magazine is actually a commercial operation, and the context of works emphasized by the magazine is the socio-economic condition for the survival and development of cultural enterprises. An insignificant person who only appears at the beginning and end of the film, a clever female colleague who only cares about how to get promoted, symbolizes people who know nothing about contemporary art. These ignorant people are audiences dominated by pictures and artistic systems, and they constitute the social foundation for the acceptance of contemporary art. ..