Which actors' performances can be called textbook acting?

Many actors have a problem that their acting is like their own, and the general audience will think that his acting is very good, because he is already familiar with this model, so he is familiar with it. The problem with this kind of acting is that no matter what movie audience can see the actors play themselves. For example, Andy Lau, early Leslie Cheung, many stars have this problem. Pay attention to me and share more useful knowledge with you in the future.

But Tony Leung Ka Fai is different. His acting skills vary according to the roles in the film. The latter mainly analyzes his performance in the underworld.

The cold and brave in black gold and the arrogance of big D in underworld are completely different styles.

In order to play black gold well, Tony Leung Ka Fai has written hundreds of thousands of biographies, and he has his own understanding from what he likes to wear to what he eats. This classic "Who is for and who is against after my speech?" Fully show the momentum of a big boss.

And when I look at his wife later, that kind of oppression is really felt by the audience who don't watch movies very much.

It is a failure to forcibly end the film for the hero. Andy Lau's whole movie was suppressed by Tony Leung Ka Fai.

According to the analysis of Gangdom, this film is a Hong Kong film I like very much. I have watched it five times. The whole movie can be said to be all in the play, and everyone's acting skills exploded. The script is also perfect, lighting control, picture editing. Perfect.

In the first act of Big D, I had a fight with another Jia Hui who was very good at acting. Start big D smile happily, suddenly face difficult Nick Cheung. Inviting him to eat a spoon (eating a spoon is the real experience of actor Lin Xue) implies that he is moody and likes to rise and tide wait for no man.

Nick Cheung's performance here is also excellent, without a line, but he showed that kind of effort incisively and vividly. Finally, Big D told him not to eat, which proved that Big D was afraid, and this meeting was going to have it both ways.

In the next scene, Big D has already tried on clothes and booked a dinner. Prove that he already thinks he is determined to win.

Tony Leung Ka Fai caught the slap well, but actually missed it. But the momentum was so strong that the photographer was scared for the first time and the camera fell off.

Even if the police came in from behind, they still showed an arrogant look.

The expression here is a close-up, which directly changed from a playful face to a rage.

Here, Tony Leung Ka Fai plays like a child and can't get what he wants. He was wronged first, and then turned into anger, which is also a manifestation of low emotional intelligence.

Big d's leg was knocked higher than the average person, which expressed this person's arrogance from body language. Acting is often manifested in these small details.

The light here is very useful, and the Milky Way has always liked this kind of light from a height. In the mobile army, in order to create this kind of light, they also specially changed the light bulb of the street lamp.

There is a sharp contrast between here and Yam Tat-wah, one is calm and the other is arrogant. Tony Leung Ka Fai expressed it through body language, waving his hands, laughing loudly and showing his breasts topless, which proved that Big D was not wary here.

On the other hand, Yam Tat-wah stood still, showed calmness, smiled and put his hands in front of him, which also had certain psychological basis, suggesting that he had been defending himself.

At the end of this scene, Tony Leung Ka Fai constantly shakes his legs through body language to express the character of Big D. ..

Tony Leung Ka Fai performed the last scene of burying a corpse four times, and he himself said it was very hard.