Photographic mirror transportation

There are two main ways to move the lens, hand-held shooting and mechanical rocker arm; Both shooting forms should strive to maintain the stability and level of the picture.

Shoot in the lens by moving the camera position, changing the lens optical axis or changing the lens focal length. This way of shooting is called moving lens.

There are two ways to move the lens: fixed lens and moving lens.

Action shots: push, pull, shake, move, rise, throw, fall and follow.

Push the lens: the lens is close to the performance theme, and the scene is from big to small.

Highlight the subject, show the psychological changes of the characters, and strengthen the appeal of the lens.

Pull the lens: it can enlarge the story environment and create an atmosphere.

Shake the lens: it can explain the overall environment.

Moving lens: the relationship between characters and scenes can be introduced to display the environmental information in different levels.

Follow the camera: the camera moves with the theme, which can be used to enhance the appeal of the camera, emphasize the excessive relationship of sports information expression space, render the tense story atmosphere, strengthen the visual experience of the audience and have a stronger sense of substitution.

Up and down shots: show a vast space or introduce the place where the story takes place.

Integrated lens: Integrated motion camera refers to the camera shooting that organically combines various motion camera modes such as pushing, pulling, shaking, moving, following and lifting in one lens to varying degrees.

The integrated lens produces more complex and changeable picture effects, which is conducive to recording and expressing a relatively complete plot in a scene in one lens.

Head-up lens, head-down lens, head-up lens, tilt lens.

(Dutch lens): It can be used to create a strange, tense and crisis story atmosphere.

Subjective shot: from the viewer's first perspective, the picture has a stronger sense of generation.

Zoom lens: a lens whose focus changes, shifting the main body of the lens performance center to another main body (with the change of depth of field).

Long shot: A long shot tells a complete story and can also pave the way better.

Empty shot: generally refers to the shot without characters in the picture, which appears at the beginning of the film; The continuation before the climax of the story or the buffer at the end of the story.