Deep mouth of photographic lampshade

Miss acacia, the room is lukewarm, the incense burner is fragrant, and even the embroidered mandarin ducks are fragrant. Such an environment is unimaginable. -Wen's "Bodhisattva Man"

The day of returning home is behind the bird's return to the earth, but the idea of returning home has existed before the spring flowers bloom. -Xue Daoheng's "Homecoming"

Who sent the brocade book, the word geese returned, and the moon was full of the West Building. -Li Qingzhao's "A Piece of Plum"

For example, the "lonely cloud" bears the loneliness of the poor and the lonely.

Tao Yuanming's ode to the poor: "All ethnic groups have their own support, and they come alone."

Du Fu's Tourists: "Lonely clouds also travel in groups, and immortals return." Du Fu seems to be particularly interested in a solitary cloud floating in the vast sky, so he repeatedly describes it in his poems. For example, article 16 of Twenty Qinzhou Miscellaneous Poems says, "Clouds are rolling in sunny days". Jianghan said, "We live far apart". Stay with your sons, Zhang Bagou, and bring prostitutes to enjoy the cool, and it will rain at night. It says "the cloud is dark on the head" and "the wild old man" says "the cloud should not be by the piano table."

"Warm clouds" bring the feeling of spring.

Luo Yin's "Send Xu Bei Wei Shui": "Warm clouds and sparse willows hang, and horses cross the Wei Shui Bridge."

"Stop the Cloud" is full of yearning for relatives and friends. Tao Yuanming's "Stop the Cloud": "When the cloud stops, it will rain. Eight tables are faint and the road is blocked. "

Xin Qiji's "He Xinlang": "Scratching my head at the east window and remembering the poem" Stop the Cloud "is the flavor at this time."

Wang Zhi's Talking about Swallows in Lushui, Volume 7, Calligraphy and Painting Gate, said: "The courtyard is deep, the camp is lonely, and the teacher is Li Cheng's landscape, which is quite impressive. One day, the government hosted a banquet in Zhang Le, and drums were played in the yard to celebrate the festival. Suddenly, I stopped and looked up, and the drums didn't continue. Surprised, the satrap summoned him and asked him. He said to him,' Be happy for the second time. It doesn't matter if there are lonely clouds flying around. I want to write and meditate for a long time, and I am ungrateful. "The satrap laughed it off."

The extension of Li Bai's life has become an extension of the image of the moon.

"Looking up, I found it was moonlight, sinking back again, and I suddenly thought of home" is a common carrier of homesickness, but it is a subtle trigger of potential subconscious.

"The bright moon hangs high in the Tianshan Mountains, between the sea of clouds and the wind, and comes from thousands of miles, patting the Yumenguan battlements." The beautiful moon is stained with the desolate and tragic tone of the frontier fortress army.

"A bright moon hangs in Beijing, and ten thousand hammers wash it. The autumn wind blows, never ending, blowing to Yumenguan. " The pain of missing a woman's boudoir pervades the sky in Wan Li, which is beautiful.

When Li Bai was a child, the moon was "white jade plate" and "Yaotai mirror" ("I didn't know the moon when I was a child, so I called it white jade plate. Also suspected Yao Tai mirror, flying in the blue clouds ");

Friends are far away, and the moonlight turns into his feelings, following him everywhere ("the moon is a little worried, I will go to the west with you");

The moon can bring his aloof temperament ("Wan Liyun rolls the blue mountains, and the lonely moon flows through the sky");

It can also be a carrier of lofty sentiments that he enjoys when his career is successful ("I made a name for the Imperial Capital and returned to Emei");

Looking at the moon in the clear night can be Qu Yuan's query ("Who is the neighbor of Chang 'e who lives alone? ");

The golden bottle means that the moon enjoys the happiness of life in time ("Oh, let a man with spirit take risks where he likes, and never point his golden cup at the moon empty!") );

There is a moon that can be given, and there is no moon that can be resurrected ("a person is in the water and can't see the moon." Seeing that the moon is fine, pedestrians in the water are not good ");

Putting wine in the moon can stimulate the meditation that life is short ("Today people don't see Gu Yue, but this month they looked at the ancients"); Holding a harp as the moon, you can enter Tao Yuanming's realm with a stringed harp;

The moon can not only be drunk, but also be regarded as a person beyond the time limit of life ("when the moon sings loudly, the song has been forgotten"); You can invite them as your lonely friends ("Until, hold up my cup, I ask the bright moon, bring me my shadow and let the three of us").

The moon can lean on people, and the spatial position of people remains unchanged; Here's "I want to go to the blue sky to hug the bright moon", in fact, the moon can "hug". People fly to get close to the moon, and the space position of the moon remains unchanged. The beauty of the moon lies not only in imagination, but also in its purity and beauty. It has the ethereal spirit of "blue sky" and the purity of "brightness", and the thoughts of "escape" and "strength" are intertwined in sincere feelings.

The rickshaw pulled all the way, and the sky on the strip was like a bottomless ditch, and a ditch at the junction of Yin and Yang separated the home from the theater. There are street lamps hanging high above the head, and the deep mouth of the iron cover shines with a piece of white, three sections of white, dazzling white. The people on the rickshaw slid silently, with street lamps on their heads, one after another, and the moon in the underworld floated in the bottomless gutter, one after another. -Zhang Ailing

As early as the Book of Songs, the moon was a beautiful image: "The bright moon, people crowded around" (The Book of Songs, the national wind, the morning wind and the moon coming out), which showed the purity of the image. After thousands of years of aesthetic accumulation, in Cao Cao's "Short Songs", "When will it be as bright as the moon? Trouble comes from this and can't be cut off ",which is to beautify the infinity of sadness with the boundless transparency of the moon." "Tao Qian's" Flowers in the morning and flowers in the evening, Dai Yue hoes home "reflects the poet's leisure with a mid-month tour. Xie Lingyun's "Bright Moon Shines on Snow, Strong and Sad" is about the combination of the transparency of moonlight and the whiteness of snow. Let the north wind blow violently in the meantime, drive straight in, qualitatively characterize this pure universe as "sadness", and quantitatively show the sadness all over the sky. In the Tang Dynasty, the symbolic meaning of the moon image became stable and popular in homesickness.

Perhaps because Li Bai likes lightness, the most commonly used color word in his poems is "white". Almost everything can be white in his creation. White jade, white stone, white cloud, white snow, white frost, white waves, white day and Bai Ou are self-evident. Even the rain has white rain;

"White rain reflects the cold mountain, and the forest is like silver and bamboo" ("Su Hu"), which is really an unexpected wonderful pen.

Others, such as "How vivid the sky is and the stars are like white stones" ("Imitating the ancient" I "),

"White clouds reflect the water and shake the empty city, while white dew drops the beads and falls on the autumn moon" ("The West Tower of Jinling sings under the moon")

"Clouds and blue temples are tied, and sorrow seems to rush back to snow" ("Farewell")

"The bright moon does not return to the blue sea, and the white clouds are full of sorrow" ("Crying for Chaoqingheng")

"Dongting Bai Bo sparse forest, Hong Yan began to enter Wu Yunfei" ("Linjiang Festival King Song"),

For example, "daytime" refers to the sun with special charm. The word "daytime" has a radiant atmosphere. White is used to describe the brightness of the sun, giving people brilliant associations.

Cao Zhi said that "the wind blows during the day" ("preface");

Zuo Si said that "the sky is crisp and the day is comfortable" (the fifth part of "Ode to History");

Bao Zhao said that "a day in the middle shines all over the world" (the fifth part of "Learning Gong Liu Gan Ti");

Li Shangyin said "March and a half in the daytime" ("Untitled").

The Heron Tower by Wang Zhihuan, a poet in the prosperous Tang Dynasty, said: "The mountains cover the daytime, and the sea exhausts the golden river. But as long as you go up a flight of stairs, you can broaden your horizons by 300 miles. "

The word "daytime" at the beginning coincides with the optimistic spirit in the poem. The scenery written in this poem is the scenery at sunset and dusk, but it is not bleak and hazy at dusk, but gives people a brilliant feeling.

"Green window" refers to the green screen window. However, in his poems, there is another warm family atmosphere, boudoir atmosphere.

Such as Liu's "jathyapple": "Tonight I know that spring is warm, and the sound of insects is new through the green screen window."

Li Shen's "Song of Yingying": "Green window girl, broom is seventeen years old."

Wen Tingyun's "Bodhisattva Man": "Flowers fall and cry, and the green window is full of dreams."

Wei Zhuang's "Bodhisattva Man": "Advise me to go home early, and the green window is like a flower."

Su Shi's "Zhao Jun Complaint": "Who makes the three tricks of huanyi shake the dream of the window?"

"Picking up jade" means picking up the feathers of a bluebird, which was considered as an ornament in ancient times. If you only take it literally, the meaning is simple. But in poetry, "picking up Cui" is a word full of emotion and charm.

This word may first be found in Cao Zhi's Ode to Luoshen: "You are a mixture of souls, a companion of wanderers, or a clean actor, or a temple on the Champs, or a pearl picker or a jade picker."

Since then, the word "Picking up Cuicui" has appeared in poetry, which is often associated with young and beautiful women, beautiful scenery by the water and beautiful memories, which makes people feel nostalgic and yearning.

For example, the eighth poem of Du Fu's Autumn Xing: "Beauty meets Cui Chun, and the fairy couple moves back to the same boat." It is a beautiful memory of Chang 'an's peaceful and stable life before the Anshi Rebellion.

Sun Guangxian's Eight Pairen: "Shatou, Yue Nv, competes for greenery and calls back the sunset."

Zhang Xian's "Magnolia": "Weeks are forgotten at dusk, and the leaves are uncertain."

Li Jia's wife's spring: "I remember Yingying picking up the Cui couple and sharing the cold food in Fengcheng." It is also very atmospheric to write about women swimming by the water in spring.

"Nanpu", a place with a big water and a small water, is not called Pu, but a place where the current branches. "Nanpu" is nothing more than a Pukou in the south, and its original intention is very simple.

Qu Yuan said in "Nine Songs of Hebo": "Children fight with each other and travel eastward to send beauties to Nanpu." After he used it, Nanpu was infected with parting feelings and had a richer feeling. Later poets often use this word when writing farewell. I always use "Nanpu" when I write Pukou.

Such as Jiang Yan's "Biefu": "Spring grass is green and spring water is green. How painful it is to send you to Nanpu! "

Bai Juyi's Nanpu Bie: "Nanpu is sad, and the west wind rolls autumn. As soon as I see heartbroken, I can't go back. "

Fan Chengda's "Heng Tang": "Nanpu, the riverside is green, and the stone bridge and Zhu Tower are still there. Every year, I will send a guest to Hengtang Road and paint a boat in drizzle. "

Xin Qiji's "Zhu Yingtai Near": "Baochai Point, Peach Leaf Horizontal, Smoke Willow Dark Nanpu."

Both "leaning on the bar" and "leaning on the bar" mean leaning on the bar, but the words "leaning on the bar" and "leaning on the bar" in poetry have many meanings, either expressing nostalgia, melancholy or expressing grief and generosity.

Du Mu's "Early Spring Feelings for Mr. Xing in Zhangzhou": "I have heard your name for a long time and I feel a lot. Where can I lean against the railing? " It just shows that leaning against the railing or leaning against the railing is a way to express feelings, and these two words are also infected with rich feelings and charm.

For example, Li Jing's "Puhuan Xisha": "The drizzle dreams of chickens, and the small building blows through jade, which is chilly. How many tears are infinitely hateful, leaning against the railing. "

Li Yu's Tao Sha Ling: "Don't lean on the fence alone, it is infinite and easy to see when you are away."

Feng Yansi's "Magpie Stepping on Branches": "The people on the railing disappeared at noon, so they hid their faces and wept and thought about everything."

Jiang Kui's Little Crimson Lips: "What's the significance of today? Looking back on the past with railings, the willows danced irregularly. "

Yue Fei's "Man Jiang Hong": "Angry hair rushes to the crown, leaning against the railing to rest the drizzle." The "railings" in these poems are associated with some exciting feelings.

For another example, "Banqiao" is a wooden bridge, but it is more poetic than "Wooden Bridge".

Liu Yuxi's "Yang Liuzhi": "The spring river has a bright future, and the old slab bridge was built twenty years ago. I once said goodbye to Beauty Bridge, but I wish I could never hear from you again. "

Wen Tingyun's "Good Morning Walk": "Chicken sounds like a thatched cottage, and frost is on the bridge." The word "Banqiao" also has a special charm, and it would be boring if it was replaced by "single-plank bridge".

"Lilac knot" refers to the sadness in the heart.

Li Shangyin's Gift: "Bananas don't show lilac knots, but they miss each other in the spring breeze."

Li Xun's Biography of the River: "What's the difference with lilac knot? Because of parting, the national voice book is absolutely unique. "

Niuqiao's gratitude: "Since Nanpubie, I have been worried about seeing lilac knots."

Li Jing's Spread the Huanxi Sand: "The bluebird doesn't talk outside the cloud, and the lilacs are sad in the rain." "Lilac knot" is used in this sense.

However, some people wrote from another angle, Lu Guimeng's Lilacs: "People on the river don't ask, but they are drunk outside the cloud for ten years. Diligently untie the lilac knot and let the branches spread in spring. " To "untie the lilac knot" means to let the lilac buds open. When the lilac flowers open, spring will be more lively and rich. This poem is lyrical in words and innovative in usage, which makes people feel very fresh.

It's also an expression of sadness. Du Fu's "From Beijing to Fengxian, 500 words of love story" said: "Worry stops in the south and you can't lick the hole."

Li Qunyu's Rainy Night said: "Poverty is more important than mountains, and people are overwhelmed all year round."

Shi Xiaoyou's "Magnolia to Judge Zhao" says: "Spring worries are more important than resentment, and you don't believe in horses."

They all take mountains as metaphors, but their artistic conception and colors are different. Du Fu is concerned about the country and the people, taking Mount Zhongnan as a metaphor, which is solemn and serious. Li Qunyu wrote about poverty, so he felt oppressed. Shi Xiaoyou wrote about leaving sorrow, which is more important than mountains, and even horses can't carry it, which is related to the travel situation.

Most people only pay attention to the color of flowers. Is there any light in the flower? Sensitive writers and artists will think there is. The word "lantern" often appears in Tang poetry.

For example, Wang Bo's "Suburb Xing": "Rain goes to flowers, and wind goes to night shadows."

Qian Qi's "Agate Cup Song": "Flowers come and go, and the shadows are high and low beside Yushan."

Li Deyu's Forty Rhymes of Dream Poems: "Flowers are bright in the morning, and songs are coquettish in the evening." The word "flower" can sometimes be interpreted as "color", but "color" is not as vivid and interesting as "flower". Because "lantern" has more meanings than "color", such as the feeling of flashing, which makes people feel more interesting.