Why is Venus a brokeback? What about the sculpture art in ancient Greece?

Aphrodite of Milos, commonly known as Venus of Milos, Venus with Broken Arm, Venus Statue, etc., is a marble statue with a height of 24 cm. Alexandros was created around 15 BC and is now in the Louvre in Paris, France. Venus of Milos is noble and dignified, full of life, quiet and great, simple and noble, which is different from delicate and exquisite beauty and delicate and handsome beauty.

It has been the most famous statue in the world for more than p>1 years. Her artistic charm is eternal and infinite. Dignified figure, rich skin, elegant face, subtle smile, slightly twisted charm and noble standing posture all constitute a harmonious and beautiful posture.

In the spring of p>182, the statue of Venus was unearthed from the ruins of a theater on the island of Milos in ancient Greece, which immediately attracted the attention of the whole world. From the first day the statue was discovered, it was recognized as the most beautiful female statue in ancient Greece so far. This statue is also the treasure of the three major town halls of the Louvre. From this statue of Venus, we can see the beauty of ancient Greece, which is not only spiritual, but also tangible. It is hard to imagine the prototype of Venus, but people can feel that wonderful time from her.

the tradition of western sculpture originated from the ancient Greek and Roman cultures, but the ancient Greek sculpture was deeply influenced by the ancient Egyptian sculpture. Around 4 BC, ancient Egyptian sculptures suddenly flourished and formed the first heyday in the history of human sculpture. Ancient Egyptian sculpture has accurate modeling, stylized language and inner and mysterious spiritual outlook.

In the ancient dynasty, a large number of monumental sculptures appeared, some of which were even masterpieces that could make all mankind proud. The most representative one is the Sphinx of Giza, which is 2 meters high and 5 meters long, and its face is only 5 meters high. Together with the adjacent pyramids, it constitutes an architectural mystery. It obeys the "positive law" program in shape, and seems to be a sphinx with a king's headscarf, which is close to the portrait of a Pharaoh. It is a reflection of the sacrificial and religious functions of Egyptian sculpture at that time. Like other portraits of Pharaoh, it gives people the impression that it is solemn, majestic, vigorous and stable, like an unshakable mountain.

Whether it is the Sphinx, the portrait of Pharaoh, or other ancient Egyptian sculptures, they always follow the program of "positive law". Through them, we can feel that the aesthetic ideal of ancient Egyptian sculptures is to pursue "eternity". The aesthetic ideal of ancient Greek sculpture is to pursue "true beauty". Ancient Greek sculptors created a new and lively form and a perfect state of sculpture by relying more and more on the artist's spirituality and talent.

and little by little from the plane to small fluctuations. So they left behind historical models of realistic sculptures such as discus thrower and Venus of Milos. The development of ancient Greek sculpture can be roughly divided into three stages: antique period, classical period and Hellenistic period. In the "archaic period", ancient Greek sculpture was in the exploration stage. It borrowed the "frontal law" rule of ancient Egyptian sculpture to make portraits, forming an "archaic" program. Most of the statues in this period were primitive and rigid, and the center of gravity of the statues always fell between the feet.

When a group of nude statues of young people made in the 5th century BC were discovered, people saw that the old program was broken, and the center of gravity of the human body fell on one foot, so the whole human body relaxed and looked natural and real. Therefore, the appearance of this group of young nude statues marks the entry of ancient Greek sculpture into the "classical period". The "classical period" is the heyday of ancient Greek sculpture. At this time, sculpture is pursuing "true perfection" and the realm of objective and true beauty has reached its peak. In the history of culture, the historical period from Alexander's expedition to the surrender of the Ptolemaic dynasty in Egypt to the Roman Empire is usually called the "Hellenistic period".

The theme of "Hellenistic Period" is quite rich, and the areas where it appeared are also very extensive. In a sense, it has formed a kind of cultural expansion, and its influence has covered the whole of Europe, and it has become the foundation stone of the whole western art. Its culture of advocating the beauty of objective truth is the initial embodiment of western civilization's emphasis on speculation and objective truth. Ancient Greek sculpture created a beautiful synthesis, and it was full of praise for the human body itself, which can be realized from many nude sculptures in this period. On the other hand, the custom of advocating nudity also gives the sculpture language a vivid opportunity.