Oil painting knowledge: four methods of making oil painting texture

How celebrity painters make oil painting texture: painter Ai Xuan mixes quick-drying oil with white pigment (Japanese quick-drying oil and white pigment can dry thoroughly within 24 hours after mixing), and uses a large-scale wolf hair oil painting pen to spread fluffy texture on the places where the picture needs rubbing. He Duoling, a painter, used "modeling" to mold ointment (which has the characteristics of strong plasticity and easy drying) into texture, and changed the brushwork according to the texture of the object.

Before making oil painting texture, you should be familiar with its commonly used materials. Such as sand, lime powder, marble powder, hematite powder, glass, sawdust, weeds, etc.

No matter what material you add in the production process, it will affect the adhesion of color. If a large number of additives are used, varnish can be used to increase the adhesion of this medium and make the surface shiny. The following is the production method of oil painting texture, which is simple and can ensure the color of oil painting.

First, use white powder or lithopone to make the white latex into paste, and use a brush or painting knife to make mottled texture of pen marks where needed, or coat the bottom with white powder paste, and use a knife, comb, roller, etc. To create the desired texture.

2. Dissolve Dama or Marti resin in turpentine, and then mix white pigment. When it reaches a certain consistency, use a brush or a big painting knife to make the ideal texture on the glued canvas. After turpentine volatilizes, the lead white will harden quickly (about two minutes), so we should grasp the time properly. If it is too late, the paint will harden and texture making will be difficult.

Thirdly, it is very convenient to use propylene pigment or propylene plastic paste for texture, because propylene materials dry quickly and can also be piled up. However, if it is used on oil-based or colored oil film, propylene pigment is easy to peel off, so it should be polished with sandpaper before use.

Fourthly, in the process of painting, we can directly make uneven and rough effects through color changes such as thinness, thickness, thinness and thickness, or we can mix granular materials such as sand, sawdust, broken glass and bread crumbs into pigments to make textures.