Traditional Culture Encyclopedia - Photography and portraiture - Review of the film Red Balloon
Review of the film Red Balloon
After reading a work, I believe you will have many feelings. It's time to take some time to write. Are you at a loss about this matter now? The following is my comment on the movie "Red Baron" for your reference only. Let's have a look.
Comments on the movie Red Baron 1 In my opinion, the movie Red Baron is an adult fairy tale about loneliness. There is little dialogue in the whole film. This film tells the story of the French boy Bastian who accidentally picked up A Le Baron Rouge. Le Ballon Rouge seems to be a little boy's pet, and has been following him, making his monotonous campus life colorful every day. However, the red balloon (Le Ballon Rouge) was robbed by a group of troublemakers who were jealous of Bastian, and Bastian tried his best to prevent the balloon from bursting and leaking. Just as he stared at the withered balloon and was at a loss, all the colorful balloons in Paris flew to Bastian, whose face was full of melancholy. He smiled brightly again, holding so many balloons tightly and letting them take themselves into the sky and soar freely in the vast sky of Paris.
The little boy's loneliness gave him an adventure, but because of loneliness, the red balloons were destroyed by other children, and finally miraculously all the red balloons in Paris flew to him. This ending seems too perfect, too perfect to be true. But we might as well understand this arrangement as an expectation. Born as a human being, everyone is lonely sometimes, perhaps because he thinks he is lonely or because he is isolated by others. As ordinary people, few of us can really enjoy loneliness, so the only thing we can do is to be lonely and expect not to be lonely.
But think about it carefully, can you change the status quo with expectations? Even if the little boy gets an adventure as a lucky boy, won't he be isolated again? As long as the person who isolated him still exists, as long as human nature is so cruel, as long as the world can't accommodate this alien, then the little boy will still be isolated or return to the ranks of loneliness. No matter how perfect the fairy tale is, the reality will definitely draw a blood stain in the end.
The movie Red Balloon II. The little boy is running in the streets of Paris with Le Ballon Rouge. I know one street. In Montmartre Heights, it's called Welland Street. I watched a documentary about this street. The film was shot after the street was demolished, so there was no film material, but the director collected all the photos about the street and put them together. In the end, it really turned into a whole street. When the boy ran over, the street was in ruins, and I think it was already being demolished at that time. It's the one with an upward staircase at the end leading to another block. In the movies, the streets of Paris are always in a mess, like the hair tips of a girl who just got up without clothes, winding and hiding, like hiding a heart. So I can't remember which is which. After watching a satisfactory French film, I vowed to remember the images on the streets of Paris. As for why? I don't know, is it a smile when I watch it again in another movie, or is the secret Paris plot full of twists and turns? Or really just think it looks good. There is no doubt that it is beautiful and the lens is indeed beautified, but why do photographers always choose Paris for beautification?
But unfortunately, this Welland street is the only time I smile now. Montmartre Highland also appeared in Angels Love Beauty, and the initial yearning for this highland appeared in the history class of high school, where the Paris Commune defended itself. But now it's very different from The Red Baron. The beautification of the field is very obvious, and people can see at a glance that this is a decorated Paris. Under the wide-angle lens, everything becomes gorgeous. Nowadays, in Le Rouche's My Best Friend, there are many streets in the old city of Paris. Taxi drivers know the history of every street like the back of their hands. This is a very proud thing. For example, bringing a foreign friend to Beijing to play makes the Bird's Nest and the Water Cube look a little shabby.
And Hou Mai's Bakery Girl. After reading it, I desperately recalled the appearance of those streets, and then dreamt that I could have a look when I suddenly went to Paris, but I still forgot now. Do I have a bad memory or are boring things easily forgotten by nature? But apart from those unknown streets, the names of some places are easy to remember. For example, in the French Film Archive, a group of young people met in The Dreamer, which opened the chain door. This is definitely not the case now, but as long as you remember the name, you still have a braid.
So Paris itself has become an efficient producer. It not only produces goods and art, but also produces various auras. Literary lovers should look for Baudelaire's footprints, because Paris is an open production workshop that accommodates all kinds of people to polish its aura, but there is only one brand. In this industrial chain, Paris is undoubtedly proud of being at the top end. Some cities produce microwave ovens and some cities produce works of art, but Paris is dismissive of this. It produced a belief in art.
This is especially true for movies. From metaphysics to metaphysics, from machines to characters, from content to form, Paris has fully nourished this film. Without Paris, there would be no such movie. Paris is a mecca for fans. Therefore, when the film itself is aimed at Paris, it is like a pilgrim measuring the distance from the starting point to Mecca with his feet. In the image, he tries to dress Paris with a coat that is not only true but also beautiful, while the viewer is silently captured by this mysterious visual worship. Therefore, movies about Paris, whether real or fantastic, have a "sacred record" characteristic, which strengthens the aura of the film holy city of Paris.
Le Ballon Rouge's Holy Record shows the fairy tale side of Paris, just as Angel's Love of Beauty shows the unique mysterious love of Paris. When the little boy runs in the streets of Paris, his essence is to show a fairy tale about Paris. If this story takes place in new york, it is only a fairy tale, not a fairy tale of new york. Only Paris has this privilege. The source of legitimacy of this privilege has been mentioned above, including the cultural accumulation and tolerance of Paris, as well as its status as a film holy city. So the Red Balloon, like all other movies about Paris, will inevitably show its aura. We are not aware of this aura, but we are deeply influenced by it, which is undeniable, because Paris and movies are both bisexual.
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