Six Thoughts on the Micro-film Return

Comments return to microfilm 1

I waited for him to come back day and night, but you didn't know he was always by your side. You are expecting his retu

Comments return to microfilm 1

I waited for him to come back day and night, but you didn't know he was always by your side. You are expecting his return, and you are forgetting the trace of his return.

You said you forgot, because of the trauma on your head and the scar in your heart, you didn't want to remember that chaotic time, those people who were more chaotic. You hate them, so isn't it a relief for you to forget them

But can you really forget?

If you can really forget, why not forgive what you love and take your beloved daughter? Whenever Danny comes to you, you don't want to look her in the eye. Never willing to accept her apology to you. You just said coldly, "I won't forgive you, Danny, I won't." Why don't you even accept your own daughter? I think it's because you love that man deeply.

But do you really love him?

If you really love him, why only remember to take away the daughter you love, but never remember the person you love? Is it because of the loss of billions? Or are you hurt too much by him? Thinking of those painful memories one after another will make you forget, even him.

But are you really willing to forget him?

Why do you forget, but remember the date when he came back? On the 5th, you read again and again, expecting. You said, "My wife will come back on the 5th, and I have to pick him up." On the 5th of every month, I can also see your lonely figure. You are standing in the cold wind with a sign. Then 10 years, 20 years later, your figure is no longer tall and straight, your face is full of wrinkles, only your expectant eyes, as always.

But this is not a time train after all. You can't wait for him to pass.

But that doesn't mean he's gone On the contrary, he was always there. Can't you see the helplessness in the eyes of the comrade who sent you to the railway station? Can't you hear the sadness in the voice of the comrades who read the letter? But you have never found or thought about the familiar face and unforgettable memory of that strange comrade.

This is the story of "coming back", a forgotten half-life yearning.

Review of the microfilm "Return" Part II

As for Return, I saw it for the first time not long after its release. At that time, I just thought it was a "lively" movie. I didn't quite understand what the movie was about, and I soon forgot it. I saw "Return" again in this semester's film appreciation class, which is also considered as fate. Combining my two ideas, I found my own feeling a little. It seems that my appreciation and understanding of a movie have returned.

First of all, I have to talk about this director who I personally like very much. Zhang Yimou is one of the representatives of the "fifth generation directors", and his films combine national culture, social thinking, cultural roots and film innovation. He persistently explores the potential of film language, pursues the strength of composition, the richness of ideas and the fullness of colors, and gives people a strong visual impact through unconventional picture modeling, reaching a unique artistic realm. Zhang Dao is a photographer. Photography plays an extraordinary role in film creation, involving not only aesthetics and technology, but also shots and scheduling, expressing the inner feelings and emotions of characters. Really good photography almost controls the quality of every shot, so most of Zhang's films are full of beautiful pictures, which make the audience never tire of watching them. Of course, "return" is the return of Master Zhang's style after many years, and it is also a return to him!

The film is mainly about: Lu, a reform-through-labour prisoner who has been isolated from his family for many years, fled his hometown because of missing him on the way to rural areas. Because of the times, his daughter prevented him from going home to see his wife, and it was many years later. After the end of the Cultural Revolution, Lu finally went home, only to find that everything at home had long been unrecognizable-his daughter Dandan gave up her ballet dream and became an ordinary female worker; What impressed me most was that his beloved wife Feng no longer knew him because of illness. Deep feelings and life changes forced Lu to make the most absurd but reasonable life choice for him.

Although some people commented that when Zhang Dao confidently transformed the literary skeleton and established the script, the weakness of drama and literature was exposed in an unobstructed view, he felt that there was no conflict at all in the return. But privately, I think that even though the film is not reasonable in all aspects, it makes us feel sad and thoughtful from the heart in the audience's narrative, and looks back on life with art, which makes us more or less increase some wisdom in our own life experience.

Lu has been in the desert of northwest China for twenty years. Poor environment, such as lack of spirit and political rigor, finally shattered the luxurious self-esteem of his old literati. The reflection on the prosperous half-life in silence made him confirm his deep love for euphemism, and in his memory, she became his perfect destination. He came back, and what does Feng Wanyu look like in his memory? A sentence in "Return"-"After the Cultural Revolution, Lu Yanshi and Feng, who were deeply missed, finally reunited. Wan Yu lost her memory, but Lu Yanshi tried her best to remind her. " After more than 20 years of life, I feel lonely and sad for almost half my life. It seems that Lu Yanmi is back, and Lu Yanmi will never come back. Maybe Feng is right. "You are not Lu." All she can do is hold up a sign with his name on it at the station and wait day after day until the world gets old, the ocean dries up and the rocks rot.

What moved me most was the last scene of the movie: in a snowy station, Lu Yanshi held a sign with his name written on it and accompanied Feng to watch the crowd leaving the station. Someone said, "True love is not gazing at each other, but looking in the same direction." I don't know if this means it here, but I think they have cultivated love into the most perfect family relationship. In fact, every bystander will construct a happy ending in his mind, but this is not in the film. It is a tragedy to destroy what was originally beautiful.

Zhang Dao described a love story in sadness and helplessness, and the reason for this story was that helpless era. The calm of the last scene may really not be inner peace, but a helpless acceptance of the status quo. At this time, this is not only a tragedy of love, but also a tragedy of the times. I don't know if this sentence is appropriate. I just think this sentence seems to be an eternal answer for us to reflect on modern history. However, for a period of time in the past, we really have to calm down and seriously reflect on whether people have accommodated the times or the times have controlled us, because we always have to find a sense of belonging in life and openly pursue our own happiness. Nonsense, until the names of the actors appeared on the black screen, he remained in his seat, controlled by the aftertaste of the story. In this China expression of China people's love and thoughts, we are indifferent, but how to say it in our hearts, we should be calm for a long time.

(Excerpted from a passage in Hu's Behavioral Film Review: "A person is looking forward to landing in the depths of his own spirit and returning to his past; Another person is waiting for Feng to return to his present and future in reality. The persistence of each other only makes it impossible for two people to meet again in a sober reality. This is the love of two rails watching each other, lingering but hopeless? No vows of eternal love, no roses, no intimate feelings. Simple emotional presentation is so subtle and restrained. Chinese-style love and Chinese-style expression make simple plots secrete great energy. Until the names of the cast members appeared on the black screen, I was still locked in my seat, controlled by the aftertaste of the story. " )

Review of "Return" Microfilm (Ⅲ)

Fang Hung-chien in Chen Yan's Fortress Besieged was tepid and didn't dare to hold his head high in front of others. He is always half-hunched, with his head down, and can't help glancing at it. When he was angry with his wife, he slammed the door resolutely. In a word, the not-so-bad intellectuals who had a little experience but were incompetent, envied others' success and could not completely annihilate their conscience and deceive others were vividly portrayed. After reading the novel, I feel that the image of Fang Hung-chien should be the one played by Chen.

Chen's new book (which should be a wily old fox) has come out, and I can't help reading it. He is still an intellectual, but his hair is gray and his beard has not been shaved. He still has the image of a period. When he fled, his whole body was scattered with cinders. However, he is still a somewhat weak and lofty intellectual at heart. Only this one is more humble in appearance than Fang Hung-chien, but calmer and more determined in heart.

The film has no grand narrative and basically consists of two parts. Part of it is the different reactions of different people after Lu (played by Chen) escaped from prison during the Cultural Revolution. The prison instructor talked with his wife (Feng)' s daughter Dandan, telling them to draw a line with Lu and watch their home day and night. When Lu sneaked home in the middle of the night in the heavy rain, his wife secretly wiped her tears inside the door and dared not open the door. When he met his daughter in the corridor, Dandan called him, "How do you know Lu?" When Lu Rang Dan Dan told his mother to wait for him at the railway station at eight o'clock the next day, Dan Dan resolutely opposed it and reported to the instructor. Lu wrote a note on the doorframe couplet with a corner of red paper and handed it home. His wife steamed the steamed bread regardless and packed his things. The next day, the tragic scene was shocking. When different people were running on the crowded, noisy and crude train overpass, Feng saw the land under the overpass waving to her, and also saw those people in uniform running after him. She had to shout at the top of her lungs, "Run, run …" Her husband didn't run away, but ran towards her. Yes, for a person in the dark, this is his only light.

And their daughter, who stayed at the door all night, woke up to find her mother gone and ran to the train station. Want to catch up with mom and not let her see dad, so that she can get the chance of Wu Qinghua, the heroine of the ballet Red women soldiers? Still can't bear to see mom get hurt? However, he was finally caught, only a stone's throw away, and Feng's head bled heavily.

The second part is a plain story composed of countless images, a paper sign that says "How to know Lu", an ancient overpass at a railway station and two iron gates. What has changed is that the two young people who pushed the door wore different times ... a box of letters, and the person who read the letters ... Lu Ping turned against him. After he got out of prison, Feng thought he had hurt Fang's master and kicked him out. Because Feng has intentional memory impairment. In order to arouse her memories, Lu wrote and told Feng to "come back on the fifth". From then on, Feng went to the station on time on the 5th of every month to pick up people with a sign. Even if Lu came out of the station, Feng refused to recognize him. Lu's familiar piano sound only made her rely on it for a short time. Finally, Lu had to send Feng the letters that he couldn't send on all kinds of messy papers in prison for more than ten years, so as to take this opportunity to accompany her every day, let her live in his world, and add some new letters and give her some suggestions at the right time.

Lu became not only Feng's letter reader, but also her car pick-up. On the 5th of every month, she was sent to the station by autocracy tricycle until the last passenger left the station and the staff boarded tiemenguan. From white-haired to white-haired, from vigorous footsteps to octogenarian, they finally stopped in front of Lu, holding a sign with their names on it, gently brushing away the snowflakes on Feng's body, which was infinitely affectionate and seemed helpless. ...

This movie, many people think, is the second part of The Hawthorn Tree Love. The love story described here is true, but it is so sad; It is more of a kind of waiting for relatives, repairing historical damage, and insisting on a belief. Lu never left, although sad and helpless, but without complaint, firm and persistent. This feeling of being close to faith is very touching. As Chen himself said, "There is another thing called healing and moving. Knowing that something is broken is bonding and healing bit by bit. This will also produce feelings and tears. I think this society needs it. "

It is these details, this plain narrative way, that put an ordinary love in an ordinary family into this history, which has heavy significance. It is impossible for an ordinary family to live in one room. Even if people come back, they get political treatment and jobs. However, their love cannot be gathered, and their hearts are full of scars. Feng has always only agreed with this learned university professor, but the bearded man in reality can't get close to her world because of Master Fang's invasion. Lu has to be her letter reader in life, and she always looks up at the window of her house at night.

Their daughter, at an early age, put her in a cruel and inhuman position of choosing her own political future or abandoning her family. She was instilled with the view that her father was a bad person. Her injury is invisible and is hated by countless people today. However, I think she is enduring the deepest pain and the most innocent injury. At the age when we should have accepted the truth, fairness and civilization, we were dragged to the guillotine of morality and humanity, and abandoned our conscience and affection. However, in the end, the bewitch dispersed, but she was suffering silently. Not only did I not get the favorite dance role I dreamed of, but I couldn't even dance. I became a female worker in a wool mill. Sadly, my mother kicked her out and banned her from living at home. A child, in the process of pursuing "progress", chose the way of "progress", but lost everything, which made her conscience always blame her. Even if she finally confessed to her father, even if her mother let her go home, their family could not be reunited. I believe that her life will be spent in repentance. What a heavy yoke it is! ..... Of course, Master Fang who killed Feng was also put in prison, which didn't make Lu happy at all, and didn't make me happy at all. At that time, no winner was a victim. Remind me that there are no eggs under the nest. Isn't it painful?

Review of "Return" Microfilm (IV)

Today, we watched a touching animated film-The Return of the Great Sage.

The main story of this film is: the Monkey King, the Great Sage of Qitian, made a scene in the Heavenly Palace, angered the Buddha, and was sealed at the foot of Wuzhishan Mountain, which was sealed by French and Indian for 500 years. After that, the human world was messed up by monsters, and people were miserable. A kid named Jiang Liuer, in order to avoid the pursuit of Shan Yao, accidentally untied the seal of the Monkey King, and the Monkey King escorted Jiang Liuer home. Along the way, the group experienced many ups and downs, and Jiang Liuer died to save the Monkey King. The Monkey King was moved by Jiang Liuer's kindness and simplicity, and finally broke away from the seal and defeated the mountain demon king.

After watching this movie, my eyes are moist. Jiang Liuer, he's just a kid! Why should strength, power and money worry about these? Jiang Liuer in The Journey to the West is obviously the epitome of Tang Priest, but he is different from Tang Priest. He always reads the curse, but regards the Monkey King as his friend and idol. Pig Bajie, the role of soy sauce in this drama, has a big stomach as big as his heart. That year, he was tackled by the Monkey King and turned into a pig. But after seeing the Monkey King, I felt pity in my mouth, so I threw my hatred out of my mind. What I admire most is the Monkey King, the highlight of this film. The Monkey King, the Great Sage of Qitian, thought about life several times after being deprived of his strength, but it ended fruitlessly until the last moment: Jiang Liuer was killed by the demon king to help him. He finally understood: strength is not the most important thing, the most important thing is family. Finally, he broke through France and India and defeated the Lich King.

? The movie Return of the Great Sage has taught me a lot: many people have lost their way on the long road of life, but as long as they always keep a kind heart, the light of hope will light up the way forward.

Review of Chapter 5 of the Return Microfilm

Walking on the way to the movies, my heart was full of blood, and I kept chatting with my friends around me about movies. From the trailer of the movie and the hype of the news media, I know that this is a very popular animated blockbuster, but after watching it in the cinema for only one and a half hours, I know that this movie is not only good-looking, but also worth the ticket price. This film brings us more truth.

The four main characters in this film are the Monkey King, Jiang Liuer, Zhu Bajie and Chaos. The Monkey King's illness is like hatred, and his martial arts is high. Jiang Liuer is innocent, brave and fearless, and worships the Monkey King. Bajie was lazy, but he understood the truth and persuaded the Monkey King. Chaos is the demon king on the Five Elements Mountain. Jealous of the Monkey King, she was finally defeated by the Monkey King. The film tells the story that the Monkey King, who has been lonely for 500 years at the foot of Wuxing Mountain, was unexpectedly unsealed by Tang Priest, a young monk with a common name of Jiang Liuer, and found his original heart in the adventure with the other side, thus completing his self-redemption.

At the last moment of the movie, when the Great Sage came back, my eyes were wet. After suffering, the hero never dies. Finally, he has infinite magic and the ability to protect river spirits and overcome evil! Maintaining justice requires sufficient strength and courage. Jiang Liuer went to save the girl, knowing that he was going to die, but he still went to save the girl. The river went to save the Great Sage. Didn't he go to die? The seal of the Great Sage's right hand sealed the spell of the Great Sage. Didn't he die when he went to save the river to save boys and girls? I admire their courage and spirit of not being afraid of sacrifice. Their righteous expression and positive energy in their hearts are more worth learning.

? The Return of the Great Sage on a Journey to the West has some shortcomings, but it is really a good movie. It tells me the truth of justice and courage. Let me understand what positive energy is. Let me understand a truth, evil is invincible. I want to be as brave as the Monkey King, as brave as a river and full of faith. I want to learn from the characters in the movie, learn their advantages and make myself.

Review of "Return" Microfilm (VI)

They are awake and confused in deja vu, awake in instinctive firmness and beauty, and confused in unspeakable memory pain.

That night, she didn't open the door. After that, she never locked the door again. She never locked the door, and finally closed her heart. He is bitter that she no longer knows him, but appreciates her in her ignorance, understands her and understands her all her life.

The deepest memory of people lies in the most painful and moving. She happily recalled his name all her life, and she was "lost" in the closed stormy night for half her life. How could she not know him? This question mark is not for Feng, but for the man named. She once forgot to tell him, "I only have you in my heart!"

In those years, he became her only concern, and she became the only one waiting for him. How could she not know "Yan Zhi" in her heart? Wan Yu is not only beautiful in his heart, but their daughter "Dandan" is submerged in the red world, but lost her light for the sake of shining. Untrained fatherly love did not stop childish heart.

A sad piece of paper was pressed under the glass, and a muddy tear fell on the glass, crisp and heartbreaking. Cold tears can't see the intangible warmth through the glass hug; A familiar and unfamiliar piano music awakens a heart that has been soaked in pain for many years. The heart is bleeding, but the man is still sleeping. No, how can a sleeping person cry? In the unforgettable memory, they are unique and snuggle up to each other. A basket of messy letters is a life they have never met in 20 years, while idle books are the warmth and sadness of a brief encounter.

With half a lifetime of "bad" to meet bad, finally understand that day is her best.

On the day when the snow was falling, they went to * * to meet a guest named "soul mate, a friend in need is a friend indeed", and that "guest" was their common memory: steaming on the fire, a cup of tea on the book, faint piano music and faint knowing laughter. ...

What returns is a person, a heart, a life, a happiness, an expectation and a watch.

Years, those years, those "Lao Fang" years are gone forever.