How to shoot raw in the red epic?

Before, my brothers and sisters in the group asked me why there was no proxy file for the latest red camera data, and I didn't know how to get into FCP. Here, I want to say sorry to them first, because the r3D file without proxy file was shot by the latest product EPIC of Red Company, and the R3D file of this machine adopted a brand-new video coding. In other words, it is impossible to import the data taken by Red EPIC into FCP with my plug-in.

Sorry, brothers and sisters! I was negligent!

I spent some time doing a simple test this afternoon. Actually, the solution is simple. Go to the official download and install the most plug-ins.

RED Final Cut Studio 3 installer (version: 30.5.0)

Address:/downloads/4f56854d6261f95a5700066d.

Of course, the camera designed by Red Team uses the principle of shooting RAW format to record dynamic image materials. So we also need to download a software, which can be fine-tuned later. It's called REDCINE-X PRO. Color temperature adjustment, dimming and so on can basically be done with it, which can make up for the shortcomings in the previous period.

REDCINE-X PRO (version: 14 ...)

Address:/downloads/4fad7fd417ef027cd8000eb1.

On the Development History of Red

This is a very magical story. A mad scientist with passion and wealth led an equally enthusiastic team of scientists and began to realize their dreams. In the end, when the realization of science and technology becomes possible, their success will also go down in history. Originated in 2005, the first RED ONE camera was first shipped in August 2007.

In the field of sunglasses and sportswear brands, JIM JANNARD is the founder and owner of Oakley, and he began to realize the ultimate pursuit and make the best camera in the world.

He and several leaders, in a parking warehouse, began to gradually change the face and pattern of the film industry. Just like the concept of digital SLR camera, the camera designed by Red Team uses the principle of shooting RAW format to record dynamic image materials. At that time, the frames of 4K imaging could reach 30 frames per second. Therefore, after years of scientific research efforts, digital movies are finally "born".

On the I principle of RAW

RAW originally meant "raw". The principle is: RAW image is the original data that CMOS sensor converts the collected light source signal into digital signal. RAW file is a kind of file that shoots the original information of digital sensor and records some original data (metadata, such as ISO, shutter speed, aperture value, color temperature, etc.). ) camera shooting production. RAW can be conceptualized as "original image coding structure" or more vividly called "digital negative".

Red MX 1

4.5K@30 frames, 4K@30 frames, 3K@60 frames, 2K@ 120 frames.

Dynamic range: 13+ file

Support PL focal plane

The net weight is 4.5 kilograms.

Fuselage: $25,000

EPIC (epic)

5K@ 120 frame, 4K@ 150 frame, 3K@200 frame and 2K@300 frame.

Dynamic range: 13.5, and the highest 18 HDRx.

Support Canon autofocus lens or PL focal plane.

The depth of field is equivalent to S35mm dynamic film or APS-H static lens.

The fuselage is one-third the size of hongyi.

Fuselage: $34,500

Setting: $58,000.

Finally, say some common sense. If you have done enough preliminary work, you can edit it directly with "Recording and Transcription" of Final Cut Pro. Choose Apple ProRes 422HQ or Apple ProRes 4444 as the encoding. Before importing, just set preferences in Recording and Transferring. However, it is worth reminding that the video size after transcoding in Final Cut Pro is 2K, and I haven't found a way to set the size yet. If you make 4K or other sizes, you can only use the software REDCINE-X PRO to cooperate.

However, this latest plug-in of Red will report an error if the Mac system is in Chinese when using Fcp to "record and transmit" imported materials, and it can be used normally when switching to English.

In short, brothers and sisters try more themselves! I wish you success in your work and good health!