Traditional Culture Encyclopedia - Photography and portraiture - Interpretation of texture

Interpretation of texture

Textures are explained as follows:

Refers to the aesthetic feeling produced by the image of plastic arts in the true expression of texture. In painting, printmaking, sculpture, photography and other arts, through different lines, colors, light and shade, corresponding brush strokes, knife cutting and lighting, we can truly show the special texture of objects.

Specific introduction:

Texture usually refers to the structural properties of a material, such as cloth, cosmetics, etc. It also refers to the quality or qualification of the role. Texture refers to the aesthetic feeling produced by the image of plastic arts when it truly expresses texture. Refers to the feeling of the material and quality of something.

Texture generally refers to the structural characteristics of certain substances, such as cloth and cosmetics. Also indicates a person's quality or ability. Texture is the characteristic of various objects in plastic arts through various expressions. Such as the softness, weight, thickness and roughness of steel, bamboo, ceramics, glass and woolen cloth. Texture is a kind of Chinese, and English is the "aesthetic feeling" produced by texture.

Introduction to related allusions:

The History of the Three Kingdoms and the Biography of Japanese recorded for the first time that the Komori study recorded the color of a piece of cloth: five pieces of red dragon brocade, ten pieces of Judy satin and three pieces of brocade. Pei Songzhi took this sentence as his own guess. No, as we know today, the soil vein is still qualitative, the soil is red and purple, and the purple is the quality. Now there is a saying called "quality", which is the essence and composition of things.

Tan Sitong wrote in Bao Bei and Jacky: "All laws and regulations, all relics, can not be circulated, can not be copied by future generations. This is the essence of Zhou Gong's borrowing method. Xiao Hong wrote in the second chapter of Ma Bole: "People in ancient China rarely moved, so all the furniture was made of wood, because the wood was too dense. "

In painting, printmaking, sculpture, photography and other arts, different lines, colors, light and shade, as well as the corresponding brush strokes, knife techniques and light can truly reflect the texture of objects, the softness or roughness of skin, the luster of jewelry, the transparency of glass, the hardness of steel, the elegance of silk and so on. Texture is an organic content.