Which friend told me the story of this photo?

Czech 1968: The background is a road that extends far below the tall buildings on both sides, and in the foreground is Kodeka's arm with a watch. This is mandatory concept insertion. Watches are visible time made by people, and the hand hanging over the downtown shows this idea: Kodeka's own alienation and invasion of the city. Kodeka took many photos with his body. "I take pictures of my life ... my feet and my watch. When I am tired, I lie down. If I still want to shoot, and there is no one around, I will shoot my feet … I will shoot where I sleep and where I live. This is my self-defined principle ... I don't want to change others or the world. " In the social function and philosophy of photography, Kodeka pays more attention to the latter.

1 Impression is intuition. Kodeka said: "1 Impression is very important to me. I often take a photo where I was standing, and then make any necessary corrections if the situation permits. " For photographers, it is completely intuitive to complete value judgment in an instant. "Intuition, no matter how thin and unpredictable its composition is, no matter how incredible its form is, it is the only criterion for judging truth." (Marcel Proust) Intuition is the focus of emotions, experiences and ideas in life. The blue sheep walked between jumps on the steep path, and the macaques climbed and pranced on the high branches in the forest by instinct. If you don't succeed, you will die. All living things rely on intuition to save people. Intuition can't exhaust everything, but it sends out high-pressure jets in the most important holes.

The important content of intuition is experience. Experience is the purification of impression. Whenever we see that a familiar impression has risen to experience, we press the shutter to frame this "experience" and superimpose it on the previous "experience" that has been dormant in memory for a long time. The more frames you experience, the more opportunities you have to fly to the front frame. There will be no psychological appeal for no reason-the richness of the heart brings opportunities and the richness of visual inspection. Memories, a psychological ruin that no normal person can resist. The works that have been made constantly remind us of experience, which "breaks down the imprisonment of the scope of experience not only in time dimension, but also in space dimension (Walter Benjamin)". Photos let us appreciate the years and get rid of them. It can not only "reproduce the past", but also serve as a dynamic starting point for igniting future memories. When we analyze Kodka, another Czech photographer will appear in our mind. He is Pav Stracha,1born in Prague on February 20th, 944. Russian October Revolution, western philosophy and modernist literary thoughts enriched and blended Prague Thought. Stetcha's works remind viewers of this richness and confusion in many ways. Stecha and Kodeka have one thing in common, that is, they provide a philosophical perspective in their calm and simple narration, and all political enthusiasm and social ideals are drowned out by speculative pictures. The description of individual special things is the life of art. When describing, the more emotional Kudka and Stecha are, the more cold and anxious their styles become. "Worry is far from being an obstacle to action. On the contrary, it is a condition for action. It's the same thing as everyone's heavy responsibility for everyone. This responsibility makes us great even if we suffer "(Sartre). Speculative color and anxious consciousness, Prague, a famous cultural city in Europe in the Middle Ages, "gave birth to generations of writers and artists, many of whom have such characteristics."