How is the form composition in design applied to photography? Paper 1000 words

Fabric shape remodeling mainly refers to the texture design of clothing materials, that is, on the basis of the original fabrics and other auxiliary materials, using various means, combined with color, material, space, light and shadow and other factors, the original fabrics have undergone tremendous changes in shape, texture or texture, even qualitative changes, enriching their original appearance, and interpreting fashion concepts in a brand-new and extremely free way, broadening the application scope of materials.

Keywords: clothing material fabric texture modeling design

Although we are in an era of rapid clothing development, some clothing styles just copy history, and the innovation of clothing itself seems to be at the end of the road. However, we will still find that in the field of modern clothing design, in addition to style modeling and clothing color, the application and treatment of fabrics are increasingly prominent. As early as 1970s and 1980s, western and Japanese designers integrated postmodern art and deconstruction ideas into the innovation of materials, which triggered revolutionary changes in clothing art, and some shocking and alternative designs constantly impacted the public's eyes. In domestic design works, we often see some shoddy imitations, but it is not difficult to find that the modeling and performance of clothing fabrics need to be based on the designer's full understanding of the physical and chemical properties of various fabrics, and by combining traditional or modern scientific and technological means, the original modeling can be changed to produce new texture and visual effects. Fabric shape design is not only the representation of material style, but also the expression of fashion designer's concept and personality style. At present, material design has become a brand-new branch of fashion design.

The aesthetic feeling of clothing fabric is mainly reflected in the texture of the material. Texture is different psychological feelings given by touch, such as roughness and smoothness, softness and hardness, lightness and heaviness. The visual effect of texture can not only enrich the morphological expression of fabric, but also have dynamic and creative expressionist aesthetic characteristics. Therefore, from the application and performance of fabric texture, we can directly see whether the designer's concept expression is accurate.

First, the thinking method and composition form of garment fabric shape remodeling

Conception method of garment fabric shape remodeling

Fabric shape design must first determine the theme and conceive around the needs of the overall style of clothing, in order to achieve the coordination and unity of design and fabric internal quality. Inspiration is the soul of art, an important process for designers to create thinking and the basis for completing a successful design. But inspiration is not readily available, and designers need to have good artistic expression ability and professional practice foundation. There are also many sources of inspiration. Such as various biological and natural phenomena in nature: ripples in water or desert, shapes and colors of plants, rough rocks and mottled walls.

As a visual art, fabric form design draws lessons from and integrates modern painting, architecture, photography, music, drama, movies and other art forms. For example, the structure and space in architecture, the rhythm and rhythm in music, the lines and colors in modern art, and even the texture and texture in the sense of touch may inspire us to apply them to the design of materials. In particular, the influence of costumes of different national cultures on material design, such as folds, tailoring, pile, lace and other three-dimensional material modeling in western costumes; Embroidery, knitting, knotting, inlaying, rolling and other technological forms in the oriental tradition; Straw, feathers, fur, etc. Indigenous peoples in Africa and India have become a favorite source of inspiration for designers when designing materials.

The rapid development of high technology also provides necessary conditions and means for fabric shape design and processing, which makes it possible for designers to inspire and create, and also promotes the progress of textile manufacturing industry and the development of new products. Designers collect desirable inspiration from all kinds of materials, information and affairs, and combine the spirit of the times and fashion trends to deeply select and reorganize all aspects of inspiration from the perspective of creation and design, so as to find out the most suitable design scheme. Modern designers spend a lot of energy looking for new materials, new technologies and new technological experiments, hoping to break through the inherent pattern of clothing and create a brand-new clothing culture and way of wearing.

Shape remodeling of clothing fabrics

Composition of form simulation: simulating natural forms, such as coral shells, plants, flowers, etc., taking natural colors, textures and shapes as design inspiration sources, and using concrete or abstract methods to express and reshape according to the characteristics of natural forms. The so-called figurative composition technique is to use fabrics to completely simulate the natural texture, shape and color for processing; Abstract composition refers to extracting relatively typical forms from concrete forms to design, grasping the volume and texture of fabrics, "simplifying" various forms and shapes, expressing the three-dimensional form of fabrics with abstract symbolic graphics, and mastering the composition principles of basic points, lines and surface elements, which makes this method easy to master.

Formation of morphological spatial hierarchy: the fabric is reconstructed with the same elements as the unit and deformed according to different laws, such as combining the same or different elements to produce rich three-dimensional forms. The so-called spatial sense of elements is to form a surface through the multi-level combination of elements, and the multi-level combination of surfaces forms a space, resulting in a spatial level of contrast between reality and reality, ups and downs and patchwork.

The composition of morphological diversity: the same elements are combined with fabric texture in different areas and densities, or rough and smooth, or convex and concave changes, resulting in different visual effects and rich texture contrast; Combining elements with different morphological characteristics and laws, using the method of wrong vision or creating new unit combinations, fabric morphology will produce different patterns and textures and visual effects.

Second, the means and methods of clothing fabric modeling remodeling

Craft making and expression of design concept are important links in garment fabric shape design. An excellent fabric remodeling work should not only be unique in conception, but also be perfect and exquisite in performance and production. In addition, the designer's understanding and selection of fabrics and the ability to coordinate with processing technology are also the key to correctly express the design theme style.

The remodeling of fabric shape design is a process that designers manually recreate and process the existing fabrics, so that the fabric appearance produces new texture effects and rich layering. The style of fabric will directly affect the artistic style of fashion design. Different textures of fabrics give people different impressions and aesthetic feelings, grasp the inherent characteristics of fabrics and show their characteristics in the most perfect form, so as to achieve the perfect unity of fabric shape design and internal quality.

The common methods of fabric shape design are as follows:

Three-dimensional design of fabric shape: various fabrics can be sewn by traditional hand or flat sewing machine, and the original shape of the fabric can also be changed by physical and chemical means to form a three-dimensional or embossed texture effect. Commonly used methods are: folding, pleating, folding, concavo-convex, pleating, pleating and so on. Most of them are used in the local design of clothing, and some of them are used in the whole fabric. In a word, when adopting these methods, it is a challenge to designers' creativity and practical ability to choose what kind of materials, what kind of processing methods and how to combine them with other materials to produce comparative effects.

Incremental design of fabric form: generally, it is a three-dimensional and multi-level design effect formed by single or more than two materials by means of bonding, hot pressing, sewing, mending and hanging embroidery on the basis of existing fabrics. Such as: the combination of various materials, such as beads, sequins, decals, embroidery, velvet embroidery, sewing, metal rivets, and infiltration.

Fabric shape reduction design: according to the design concept, destroy the existing fabrics, such as hollowing out, burning flowers, rotten flowers, spinning, cutting, polishing, etc., forming a patchwork and virtual and real effect.

Crochet design of fabric form: With the re-popularity of knitted garments, various fibers and crochet techniques have increasingly become the focus of fashion life. Lines, ropes, knots, ribbons and decorative lace with different textures are combined into various creative works by crocheting or knitting, forming a concave-convex, staggered, continuous and contrasting visual effect.

Comprehensive design of fabric form: when designing fabric form, various processing methods are often used, such as cutting overlap, embroidery hollowing and so on. The flexible application of comprehensive design expression method will enrich the expressive force of fabric and create unique texture and visual effect.

Third, the application of fabric shape design in clothing

Due to the fierce competition in the rapidly developing clothing field, every designer pursues a unique personality style in order to be invincible. In the past, the one-sided emphasis on modeling and material selection has gradually lost its market. Instead, it creates personalized clothing design with fabric shape changes, which shows that the concept of modern clothing design has been completely integrated with fabric shape design.

The shape remolding of fabrics should take clothing as the center, take the styles of various fabrics as the basis, integrate the designer's ideas and expression techniques, and bring the potential performance of fabrics and their own material styles into the best state, so that the fabric styles and expression forms can be integrated to form a unified design style. The coordination between fabric shape and clothing design is a crucial link in clothing design. Clothing fabric is not only the material basis of clothing modeling, but also an important embodiment of plastic arts. For example, simple style modeling can be combined with fabrics with three-dimensional sense and outstanding texture to show its strong visual impact, while simple and exquisite materials can adopt exaggerated and changeable modeling. If the two are not properly matched, there will be no primary and secondary visual effects, and the unity of form and style will not be achieved. Therefore, the relationship between fabric modeling and clothing modeling and color has become the main means of expression throughout the whole process of modern clothing design.

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Clothing itself is an ever-changing art, and its evolution speed can almost match the development and renewal of high technology. The influence of science and technology on clothing is mainly manifested in the development and application of fabrics, and art and technology are combined together as never before. Modern clothing design and fabric design have been integrated and presented to the world with brand-new design concepts and forms. Perfect design must have a good fabric form to match and express, which has become the common concept of modern fashion designers.

References:

[1] Chen Yanlin and Liu Jun, Clothing Material Design, Tianjin People's Fine Arts Publishing House, September 2002.

[2] (English) Catherine MacKay, Jane Rhein Maslow, Fashion Design: Technological Innovation and Practice, translated by Guo, Wu and Kuang Can, China Textile Publishing House, 1, 2005.