Landscape photographer

The first photographer was Zhang Xiao, whose masterpiece was The Coastline.

China's landscape photography has developed two routes: one tends to record spectacular images with great contrast and explore the influence of social changes on the landscape. On the one hand, it is related to the huge gap between aesthetic culture and material desire caused by the rapid development of China in recent decades. On the other hand, it also shows the anxiety, confusion, depression and out-of-control emotions of contemporary China people, and his focus is not on coastal scenery, but on the social landscape records of coastal cities. Coastal areas are the forefront of China to keep up with the tide of globalization, which also reflects a series of problems such as material and spirit, development and destination, external and internal.

The second photographer is Rodin, whose masterpiece is National Highway 3 18.

Many people's impression of China National Highway 3 18 comes from the famous picture album "Landscape Avenue of China People" published by National Geographic magazine more than ten years ago. This is the perspective of Geography magazine, so most of the selected images are landscapes with extensive natural and humanistic representation. Angle Luo's "National Road 3 18" is an artist's perspective. From Shanghai to Zhangmu, Tibet, he recorded the natural landscape and cultural slices around 33 degrees north latitude. Personalized perspective allows us to experience the real sense of place.

! ! Supplement after class: I went to see Rodin's "3 18 National Road", which is a photo album and has been published. I think her reaction is not only to let us viewers experience a more authentic sense of place, but also to reflect a steep and harsh environment before the 3 18 National Road was inhabited. Photographed the most authentic living environment of people at that time. Truth reflects the relationship between man and nature.