I want to find a film about women's self-improvement in China.

From 65438 to 0995, Xu Anhua' s Forty Women caused a sensation in China film industry. At the end of the year, the 32nd Taiwan Film Golden Horse Award was awarded to the film. In the film, Xu Anhua tells the ordinary story of an ordinary family from the unique perspective of women in a soothing tone, which is delicate and full of affinity. The whole movie deals with a very heavy theme in a vivid way, so it can attract people. The film shows the living conditions of ordinary people in Hong Kong and all kinds of helplessness, joys and sorrows. The style is extremely soft and smooth, full of human touch, which makes people feel very comfortable and quiet, and the hardship and optimism of a middle-aged woman in life shown in the film deeply touched all the audience. Many details in the film are part of our lives, and even the characters in it are ourselves. So, in laughter again and again, we gradually feel the sweetness and warmth of life, just like walking on a tree-lined path in the afternoon and autumn sunshine.

Xiao Fangfang, the leading actor, gave a perfect performance without trace, vividly depicting the joys and sorrows of a 40-year-old woman under the dual pressure of career and family. Her mastery of emotional control is amazing. This film won the Berlin film after Maggie Cheung. Roy Chiao, who plays the demented old man, is equally wonderful. In addition, Tan, Luo Lan and other roles are well matched, and Japanese musicians and photographers from Taiwan Province Province have also made outstanding contributions.

[Edit this paragraph] Award winning record

This film won six awards, including best film, best director, best actor, best actress, best supporting actor and best screenwriter, at the 196 15 Hong Kong Film Awards.

The 15th Hong Kong Film Awards for Best Film

Xu Anhua, Best Director of the 5th1Hong Kong Film Awards

Chen Wenqiang, Best Screenwriter at the 5th1Hong Kong Film Awards.

Roy Chiao, the leading actor of the 5th1Hong Kong Film Awards.

Xiao Fangfang, the heroine of the 5th1Hong Kong Film Awards.

Luo Jiaying, Best Supporting Actor at the15th Hong Kong Film Awards.

The 32 nd Taiwan Golden Horse Award for Best Drama: Forty Women

Best Actress in the 32nd Golden Horse Awards: Forty Women in Xiao Fangfang.

Best Supporting Actor in the 32nd Golden Horse Awards: Forty Women in Luo Jiaying.

Best Photography in the 32nd Golden Horse Awards: Forty Women in Li Pingbin.

Best Actress at the 45th Berlin International Film Festival: Forty Women in Xiao Fangfang.

Xiao Fangfang vividly interprets the strong personality of the protagonist who lives in the cracks and strives for self-improvement, and has won many titles for her.

Quite a big foot

The husband was shot for ignorance and the child died. Facing the hardships of life, Zhang Meili, a young woman from the western countryside, understood some truth. She put all her feelings on her children and asked the village chief to be a "king of children".

Zhang Meili is enthusiastic, philosophical, natural and sincere, chivalrous, and treats students as her own. She teaches a group of mud children in a mud house. She taught them to read and make sentences in her strong local dialect; She leads the children to sing, dance and play games with an out-of-tune voice and awkward posture; She touched and influenced Yu Xia, an urban beauty, with inch by inch tenderness; She won the support of the children with her brave chivalry; She played a love swan song with her face covered. She wrote a touching "beautiful life" with her "beautiful feet"!

Zhang Meili and a group of children are singing and dancing in the flying loess, welcoming Yu Xia, a beautiful young female teacher who teaches in Beijing. Life on the yellow land subtly changed Yu Xia's life track, and at the same time gradually changed the footprint of "Beautiful Bigfoot".

Yu Xia is not adapted to the hard life in the mainland. She was surprised at the severity of water shortage in the mountain village, and Zhang Meili's simple enthusiasm often made her laugh and cry, even flew into a rage, because Zhang Meili washed her expensive coat. Seeing the sincere and optimistic Zhang Meili, it is hard for Yu Xia to imagine Zhang Meili's suffering experience. In the days of getting along with each other day and night, the misunderstanding, conflict, understanding and moving between the two women unfolded through calm water and subtle things, and Zhang Meili's image was full and vivid. Yu Xia was unconsciously shocked by Zhang Meili's beautiful mind. When her husband came to take her back to Beijing, Yu Xia finally chose yellow land, simplicity and sincerity, so she broke up with her husband. After Yu Xia became pregnant, Zhang Meili sent Yu Xia back to Beijing to have a baby, but Yu Xia quietly gave up the baby and returned to the mountain village school. Zhang Meili put Yu Xia on her back, crying and cursing. As a rural woman who has lost her husband and children, having children of her own is the greatest happiness. Zhang Meili can't figure out how Yu Xia didn't want this child. Yu Xia also cried on Zhang Meili's back. She can't tell this simple woman her ominous premonition about her marriage prospects. It was in order to avoid the future misfortune of her child that she had to give up reluctantly. Two women with completely different life experiences are telling the same pain in their hearts with the same tears at this time, expressing the same desire for children and life. At that moment, there was no difference between them. The most essential emotions in their hearts were completely integrated and shone with the most beautiful human light.

In order to buy computers for children, she asked for help everywhere. When she looked for the "rich man" in the village, and the "rich man" said that as long as she drank a bottle of white wine in one breath, Zhang Meili drank a bottle of "Erguotou" without hesitation. At this time, Zhang Meili is definitely a heroine who sacrificed her life for justice.

After volunteering, Yu Xia graduated from Loess University and Bigfoot Class. Here, she experienced the secret of emotion, understood the essence of life and realized the true meaning of life. Out of gratitude, Yu Xia invited Zhang Meili and the children to visit Beijing. Zhang Meili came to Beijing with her children, with a complex mood of self-esteem and inferiority. Facing the modernization of the city and the slow pace and prejudice of some people in the city, Zhang Meili became emotional and told the children something to change poverty and life destiny.

In the shackles of secularism and culture, the relationship between Zhang Meili, as a "third party", and the film projectionist Wang Shu is also quite bitter and interesting. With the development of the plot, Zhang Meili reluctantly bid farewell to that bittersweet love.

In an accident, Zhang Meili's life was dying. Zhang Meili accepted death calmly, just as she accepted the hardships of life. Facing death, she said with a smile: People came into this world crying, but they had to leave with a smile. ...

The children sang sad children's songs in hoarse voices to see her off; Yu Xia said goodbye to her with tears on her face; Wang Shu sat at the entrance of the village like a sculpture, silently guarding her grave ... The sound of "beautiful feet" is far away and the sound is endless. ...

She explained to us the optimism in her life.

Winning record

In 2002, the Golden Rooster Award for Chinese films included four awards: best film, best director, best actress and best supporting actress.

The film is directed by the famous director Yang Yazhou, and the heroine Zhang Meili is played by Ni Ping, which is her comeback after 14. This film is a forward-looking excellent work, which realizes the integration of ideology, artistry and appreciation. Through an ordinary mountain village woman's sustenance and pursuit of her own destiny value and emotion, it is revealed that people need to be completely awakened from ignorance and poverty if they want to completely change their backward living conditions. Movies not only bring people artistic enjoyment, but also give people a strong sense of reality, so that there have always been audiences who believe that the role of Zhang Meili exists in reality.

Beautiful Bigfoot: Moved by sincerity.

Director Yang Yazhou's fame may not be loud enough, but we can read his concern for the civilian world, as well as a touch of humanity's bright color and warmth from his few works.

This film basically continues Yang Yazhou's delicate and plain style, and eulogizes the beauty of human nature through the image of Zhang Meili, a female teacher in a mountain village. Zhang Meili is the soul of this film, a simple and kind ordinary woman with the same simple temperament and generous mind as the Loess Plateau. This film focuses on the selfless quality of Zhang Meili's dedication to education. She only knew how to fight, work hard, be wronged and even sacrifice her body for her children and school, but she never knew how to plan for herself and finally gave her life. Zhang Meili doesn't think she is beautiful. She always says she is unsuccessful. In fact, she is the truly beautiful winner. She wrote a song of life with true feelings and love, and cultivated a most brilliant flower of human nature.

Yang Yazhou's description is based on truth and credibility. Zhang's husband is illiterate. He was shot for a crime many years ago. Realizing the importance of culture, he resolutely embarked on the road of education. She started teaching her children, but they were gone when they were seven. With these experiences and changes, it is beyond reproach to understand her hope and love for children and her enthusiasm and enthusiasm for education. The film didn't flatter Zhang Meili as the perfect artistic image of Gao Daquan. She may not be well educated, and her spelling needs to be corrected by Yu Xia, a volunteer teacher from Beijing. She also has secular desires, and secretly trysts with Wang Shu, a projectionist with a wife and children. These humanized plots don't feel rough. On the contrary, they enrich the connotation of Zhang Meili and strengthen the persuasiveness of this character.

You may also see this film as a transformation process of two women's hearts from separation to understanding, respect and finally integration. Yu Xia came to this remote place voluntarily from Beijing to avoid an unhappy marriage. Her arrival brought not only the nourishment of knowledge, but also the breath of the outside world to this mountain village where it hasn't rained for a long time. Yu Xia looked at Zhang Meili with the eyes of a city resident. At first, she felt incredible, but gradually, through Zhang Meili's guilt after washing clothes, she tried her best to get orange juice and other details of life. She realized that Zhang was completely sincere, and she was gradually influenced. Especially when Zhang Wei was insulted by Yang after raising money to buy a computer and drinking with Yang flour, he was completely moved by the fearless spirit embodied in this ordinary woman. As a woman, she finally understood Zhang Meili's hardships and shed heartfelt tears.

In fact, in a deeper sense, Yu Xia is the symbol carrier of urban culture, while Zhang Meili is the symbol of rural culture. The opposite play between them is actually the conflict and collision between the two cultures. As a witness, Yu Xia examined and questioned the two cultures. Although she was moved by Zhang Meili's selfless generosity, she also denied the backward factors in Zhang Meili's unique mountain culture. She urged Zhang Meili to clarify her relationship with Wang Shu and put forward a woman's just request. At the end of the film, when Zhang Meili spits out the word "the dagger in the smile" on her deathbed, she is deeply shocked by the tolerance and endurance that this woman can have. She couldn't help crying, which was actually a silent protest against the disrespect and unfairness of rural culture to individuals. As for the divorce with Liu Zhipeng, it is a break between Yu Xia and the indifferent urban culture. Yang Yazhou may not be inclined, but he must have a gentle exhortation for not knowing how to fight for the individual, otherwise he won't let Zhang Meili in the hospital bed regret that she didn't have a good love talk like a city dweller. Of course, he finally let Yu Xia choose Shan Xiang. At the end of the movie, Yu Xia jumped down from the loess slope. In front of the camera, Yu Xia was covered with dust and tears. She expressed her respect for Zhang Meili's noble character and her closest contact with the land with her own actions. From this perspective, after all, Yang Yazhou always stands on the side of truth.

Under the guidance of Yang Yazhou, the actors gave wonderful performances. I was really taken aback when Ni Ping appeared on the screen in a plain, unadorned country dress. She devoted herself to the film and was very dedicated. She vividly explained Zhang Meili's simplicity and persistence, as well as her shyness when facing her lover. She really deserves the Golden Rooster Award for Best Actress. Yu Xia is a difficult role to play, because it is easy to be melodramatic, but Yolanda successfully grasped the essence of the characters and made a very normal and natural transition from Yu Xia to Zhang Meili. In addition, there are a few tears in the film that shed inadvertently, and the crying at the end of the film is very affectionate and natural. Sun plays a projectionist who is timid at home but has an affair. There are also some ditties in the film, which is a breakthrough performance. Ge Zhijun plays Yang Flour, a village boss. He explained that the northwest man is an expert and naturally familiar with it.

This film is very enjoyable. The figures with rich texture, the thick loess plateau, and the oil-like picture effect are expressed through the skillful lens language, which is very visual and impactful. The film uses a lot of teleport and overhead shots, thus showing an open and vibrant story scene, which plays a foil role in the rendering of characters' personalities. The composition is neat and not tired, often it is so high and free blue sky and white clouds, so low horizon and shabby school, which is very quiet and peaceful. Yang Yazhou likes shooting against the light. The dry land in the sun and the dazzling halo add a magnificent and dreamy atmosphere to the Loess Plateau. Children's chorus sounds from time to time, as if falling from the sky, ethereal and ethereal, very emotional.

In fact, there is a small problem with Yang Yazhou's films, that is, they are often irrelevant. Like Nothing to Steal, it makes everyone feel sad during the New Year. This "beautiful Bigfoot" actually has nothing to do with bigfoot, but there are two close-ups of beautiful Bigfoot at the beginning and end of the film. There are still many unreliable places in this film. Zhang Meili's long sermon to the children is too straightforward. The difference between urban and rural areas often seems to be manifested in the appearance of clothes, which is a bit superficial. For example, Zhang Meili tells children to stay away from those who wear sunglasses and leather clothes, which makes people feel a bit excessive and biased. Clips still fade in and out frequently, which has been criticized in Nothing to Steal. Although this technique can play a sensational role, excessive use buffers the already high emotions, causing emotional interruption and giving people a sense of burden. I don't know if director Yang can agree with these.

The way home

The memory of first love is the most wonderful feeling in life, and when the father who gave birth to the child has passed away, and when the elderly mother tells her dream of first love, the child not only realizes the sadness and emotion of first love, but also clearly reads the persistent pursuit of a better life. ...

My mother, whose real name is Zhao Di, was a well-known beauty when she was young. She is not only ingenious, but also brave enough to be the first girl in ten miles and eight townships to fall in love freely. She once secretly loved her father, a simple and humorous young teacher, who marked the best "pie rice" for her sweetheart on her blue and white bowl. She weaves the most brilliant "room beam red" all night to decorate his classroom; In order to hear his reading, she walked a long way to fetch water; In order to attract his attention, she waits for him to see the students off at the roadside every day.

Finally, our beauty and sincerity touched the young teacher Luo's heart. They fell in love romantically and traditionally. He gave her a red plastic hairpin as a symbol of love. However, at the moment when her heart just hit, tragedy came: Teacher Luo was inexplicably hit to the right, and the steamed dumplings specially made for him were taken away without eating. She was crazy and chased along the road with steamed dumplings, and everyone fell down. The steamed dumplings are rotten and the blue and white bowls are broken. ...

A skilled bowl shovel made a blue and white bowl, but it couldn't cure the girl's broken heart. Zhao Di is determined to drag her sick body to travel to find her first love. The tears of her blind mother can't stop Zhao Di's determination. She went on her way without telling Shanshan. She was unconscious and was sent back by passers-by. Stubborn Zhao Ti struggled to get up and risked his life to find it. Just then, Lao Luo came unexpectedly. She was lying in the hospital bed, and big tears rolled down from her beautiful and haggard eyes.

He never left her again. Two people have been in love for forty years, caring for each other and being soul mates.

After her husband's funeral, Zhao Di, an old woman, heard the most beautiful voice in the world in grief. That's a "literacy song" written by Teacher Luo-to be alive, to be ambitious, to be literate, to be knowledgeable ... Zhao Di walked to school along the path of that year. Among the teachers, her son, like Mr. Luo in those days, is teaching children to read with a simple, clear voice that travels through time and space. Suddenly, the figures of her son and husband changed in her eyes. In front of her eyes, there appeared a light and smart girl in the mood for love, dressed in a floral red coat, jumping on a path that made her unable to finish her first love.

Zhang Yimou said: "Mom and Dad is a movie about love, family and affection. A simple girl falls in love with a young man, and one love is a lifetime. Their love is sincere ... this is the first time I have expressed the love story of an era with poetry, romance, lyricism and simplicity ... and this movie is to give up richness and seek simplicity. " However, some film critics have commented that this film is a middle-aged man's longing for that kind of romance, that kind of beauty and innocence, with a kind of melodramatic infidelity.

The scenery of this film is beautiful and colorful. Reality is expressed in black and white, and memories are expressed in color. The cold reality of the present tense is in sharp contrast with the beautiful memories of the past, while the heroine's persistent love falls on the beautiful Woods and winding mountain roads, and she waits for love in almost painful despair. The story takes place in an almost isolated space, and the beautiful natural environment adds a lot of color to the love of the film. No matter from the scene, story, performance or even soundtrack, Zhang Yimou is technically more mature as a director.

The story of history and reality in the film revolves around the plot of "reading and literacy", which is Zhang Yimou's consistent technique. The interweaving of civilization and ignorance. It's just that this movie downplayed the ignorant barbarism and violence, and simply showed a country girl's yearning and mystery for unknown civilization, thus becoming a catalyst for love. Like the Story of Autumn Chrysanthemum, the persistence of women won again, and the country girl kept love. This kind of beauty, only the elderly mother is telling, and at this time my father has passed away. In good memories, I can still feel a chill. The outside world is an unknown world of terror, and you can deprive rural girls of their love at any time. But this has been extremely diluted and hidden.

In February 2000, the film My Father and Mother directed by Zhang Yimou won the Silver Bear Award at the 50th Berlin Film Festival.

200 1 1 Sundance Film Festival, an important event in the American independent film industry, won the audience voting award in the category of "world movies" this year.

hot spring

Movie (Warm Spring) There are dozens of families living in a remote mountain village, and they live an unremarkable life. Kind and simple Xiaohua lives in an ordinary peasant family. Her father works in a black coal mine, and her mother is kind and virtuous. Who knows Xiaohua's father died in the storm when the coal mine collapsed, and his mother died of excessive blood loss during childbirth. The blind grandmother Xiaohua lives alone. The village chief had a big conflict with his daughter-in-law for Xiaohua's family and told the whole village not to mention the coal mine incident to Xiaohua. It never rains but it pours. Grandma Xiaohua died suddenly after learning the truth, leaving only poor orphan Xiaohua. No one in the poor mountain village wants to think more about Xiaohua's survival. Who knows that the most stingy couple at ordinary times played a small abacus and adopted Xiaohua. Xiaohua was abused and couldn't bear it anymore, so she fled the village.

One day, two dog, the son of the village head next door, picked up a faint girl at the entrance of the village, breaking the silence of the village for many years. The villagers are talking about the baby girl. Some people say that if the baby girl is a boy, she will be taken back. Others said that if she was raised, someone would take her away for nothing. The village chief has no choice but to promise that when the harvest is good in the village, whoever accepts the baby will give more rations. Everyone looked at it indifferently. Old father Zhu Bao staggered forward, picked up the girl who was still alive and walked home. Everyone who knew about Zhu Bao's father looked at it in surprise.

Zhu Bao's daughter-in-law, Vanilla, has not given birth for many years. When she learned that Zhu Bao's father had found a wild baby, she thought he wanted to fool her in public and let the whole village know that she couldn't have children. Zhu Bao also blamed his father for picking up a freeloader. After learning that Xiaohua is a homeless orphan, Zhu Bao, a kind father, left Xiaohua in his bad business under the pressure of his son and daughter-in-law.

Xiaohua is very sensible and loves grandpa dearly. Although Zhu Bao sighed a lot, Vanilla's face was gloomy and could drip water, but this did not affect the happiness of interdependence. There was laughter in the adobe room, and Vanilla was jealous and decided to send the little flower away.

Under the careful arrangement of her mother, vanilla cheated the simple floret again and again, but in the end she was not punished ... Vanilla became angry from embarrassment and took advantage of the opportunity to eat to vent her anger on floret. Dad Zhu Bao couldn't stand the face of vanilla, so he started a new stove with Xiaohua. From then on, the seven-year-old Xiaohua cooked for her grandfather every day, and her life was bitter and happy.

Kind little flowers don't hate uncles and aunts, and approach them again and again with sincere and gentle hearts. Once, she sent a handmade cake. Zhu Bao and Vanilla looked at the steamed bread in their hands and were deeply moved. The next day, Zhu Bao had a chat with Xiaohua by accident. Xiaohua confirmed that his uncle was talking to himself, dropped his corncob and rushed out of the hospital. She ran as fast as she could, fell down and got up again, and ran to the field to tell grandpa the news in one breath. Grandpa looked at Xiaohua's excited little face and bleeding little hand, and tears of distress could not stop flowing down.

The studious little flower carved all the words she secretly learned into the soil with a wooden stick. Grandpa looked at a big word carved in the soil and was very sad. He decided to go up the mountain to cut wicker and weave a basket for Xiaohua to exchange tuition. Countless wickers were woven into a basket with grandpa's temperature. Xiaohua finally went to school. She knew that grandpa would laugh at the first exam, so she took the first exam again.

As the days passed, Vanilla's stomach remained motionless. Vanilla Niang heard that eating grasshoppers can cure her illness, but Zhu Bao ignored her. When Xiaohua heard this, she secretly caught the grasshoppers on the road into the bottle. Zhu Bao and Vanilla looked at the 10 bottle of grasshoppers on the kang and were deeply shocked.

Xiaohua finally influenced Zhu Bao and Vanilla with her tolerance and kindness, and Vanilla shed tears of repentance. Grandpa and Xiaohua were invited back to the main house. They put on new clothes made of vanilla, looked at the rich food on the table, choked and swallowed hard. Xiaohua threw herself into Vanilla's arms and shouted out the first words she said to Vanilla since she came to this house.

Uncle Gen called on the villagers to raise money for Xiaohua and raise food, and the villagers responded positively. Uncle Gen told Zhu Bao's father that he had kept this secret for decades. In fact, Zhu Bao was also adopted by Zhu Bao's father. Zhu Bao learned about his life and knelt down to confess to his father. The family of four hugged each other and cried. 14 years later, Xiaohua University graduated and returned to her hometown to become a rural teacher. She wants to repay her grandfather with her actions. ...

[Edit this paragraph] The film "Warm Spring" was carefully produced by the director.

2 1 century today, looking back on the years we have passed, the times have improved and our lives have become rich, but the true feelings between people have gradually been replaced by indifference, and people seem to have unconsciously lost a precious thing-the true feelings between people.

The most precious thing in life is true feelings, which is also the theme that this film wants to reveal. Although a movie can't tell everything, the director only wants the audience to feel relaxed and get some touches and thoughts, even if only a little is enough. This is also the original intention of the director to create this film.

The story took place in a remote and poor mountain village in the late 1980s. Xiaohua, a lively and kind girl, lives a happy life under the care of her parents and grandmother, although she is not rich. Xiaohua Niang is going to have a baby soon. Her father went to work in a black coal mine to earn more money. On a rainy day, Xiaohua's father was buried in a collapsed coal mine, and Xiaohua's mother lost her life because of sudden fire and heavy bleeding caused by rain. Since then, Kobanawa's blind and sick grandmother has lived a life of living alone. The sensible floret supported the family on the verge of disintegration with her thin body. Her tears and all her efforts failed to keep her only relative, Grandma, and Xiaohua became an orphan. A story that happened in a deep mountain. The film revolves around a homeless orphan. Her greatest wish is to have a home of her own. A simple story implies profound truth. In the narrative process of the film, the director used warm, delicate and simple creative techniques to make the film truly depict a touch in the beautiful and smooth picture. From the story to the picture, there is no need for any "makeup", because it is true, so the audience is moved and shocked. The director doesn't need to be sensational, and the audience will not shed tears.

After four years of writing, the script is to strive for the authenticity and visibility of the play. Every detail in the film has been carefully scrutinized. Because the screenwriter and director are integrated, the collaboration and shooting techniques of the film remain unified in style. Through the choice of actors and scenes, the script was adjusted again, which further consolidated and sublimated the script, and the director's creative intention was also vividly reflected.

During the filming, the director asked the actor: 1. If you want to move the audience, you must first move yourself. 100% integration into the role is the only choice for the success of this film. 2, to control the degree, when to put what is just right. 3, try to contrast, your own tears, let the audience's eyes flow down.

In terms of shooting techniques, except for moving the lens properly, the picture is basically still. The reason for this is that the director wants the audience to feel the beauty in the story quietly, and he doesn't want the attraction outside the story to destroy the audience's artistic conception.

In terms of art, interior furnishings and actors' modeling need to be real, not beautiful. In the choice of location, we emphasize contrast and pursue the beauty of natural scenery. Although Xiaohua's life and fate are sad, Xiaohua's heart is as pure and sunny as nature. She is always longing for a better life. This visual contrast will bring a strange feeling to the audience, instead of being gloomy because of pain.

The film "Warm Spring" gave the audience a heart-wrenching story. The truth in the story is felt by the audience, not told by the director. The beauty of this painting is displayed by nature rather than artificial dressing. The movie is to let the audience feel a kind of beauty in reality and experience a kind of truth in beauty.

This is a good film that must be seen. It's been a long time since I've seen a domestic movie so brilliant. Please let your children watch it with you. Prepare paper towels. The stationmaster finally recorded it from the local information station, and the effect was good. At present, there is no other place on the internet to download. This good film is not to be missed. Of course, let everyone share it with you.

Warm Spring, a small film with an investment of only 2 million yuan, earned120,000 box office before it was released in Beijing, Shanghai, Guangzhou and other big cities. It not only recovered the cost, but also made a profit of 2 million yuan and won the latest feature film "China Watch Award". This is a "warm spring phenomenon" that has aroused widespread concern in the film circle.

Warm Spring is the latest feature film shot by Shanxi Film Studio, which has only more than 90 employees. This film tells the story of a homeless orphan girl who wants to have a home in a remote mountain area. This touching and sensational story is the first work of young female directors Wulan Tana, which has been brewing for four years. The film entered the market with the strategy of "rural encircling the city". The film premiered in Shanxi province, and the box office income within one month was 1.5 million. The film was subsequently released in Shijiazhuang, Handan, Cangzhou and other places, and the audience was like a tide, leaving behind imported blockbusters that were popular in the same period. The film was released in Xinjiang, and it was still lively. It set a record of 600,000 box office in Urumqi and won the report of "65,438+10,000 in three days" from local media.

Li Shuishui, director of Shanxi Factory who came to Shanghai to promote the film, said that the film was very touching. In many places, cinemas once advertised "no emotion, no tears, no refund", and almost no refund was encountered. Shen, member of the Standing Committee of Shanxi Provincial Party Committee and Minister of Propaganda, said: "I haven't cried so much in 20 years after watching Flower Girl"; Zhang Ping, vice chairman of the Chinese Writers Association and a famous writer, said: "This is one of the most touching and authentic movies I have seen in recent years. It will make you cry thoroughly and then wash people clean. " Female directors Wulan Tana told the media frankly that he wanted to strengthen and highlight his true feelings about the world through this emotional story. Therefore, she used warm, delicate and simple creative techniques in the narrative process of the film, which made the film truly depict a kind of emotion in the beautiful and smooth picture. Judging from the reaction after the screening of Warm Spring, it is indeed a "big tear gas bomb" made by a small producer.

The United Cinema, which is responsible for the film's distribution and screening in Shanghai, is also optimistic about the film's market in Shanghai. According to the characteristics of Shanghai film market, they regard movies as the main works to be shown at fixed points. Can the phenomenon of "warm spring" reappear in Shanghai? Produce a box office miracle? The conclusion must be given by the market, of course, but whether the box office of Warm Spring is successful in Shanghai or not, its success in foreign film markets has brought reference experience to Shanghai's film creation and market operation.

Director's debut award of the 23rd China Golden Rooster Award;

The 27th Hundred Flowers Award Award for Best Feature Film.