The camera is talking: a catalogue of film modeling language analysis

order

The first chapter color

Ballet for Two: Visual Communication of Action

First, the overall style: blue-gray tone

Second, where there is light and color, there is a stage.

Third, the warmth of red symbolizes.

1. Red Ribbon: I'm here and my mother is there.

2. Red cheongsam: a dream in my mother's heart

Edward Scissorhands: Color Fairy Tales and Black and White Fables

First, the interpretation of the main color of the film

1. Grey-black series

(1) Environment: dark gray castle.

(2) Character: Edward

2. Pink series

3. Beauty and harmony of green tree carving

4 white ice sculptures and snowflakes

Second, the color double contrast

1. Comparison of environmental colors

(1) Telling stories and stories happening

(2) Grey Castle and Fairy Tale Community

(3) Old castles and communities themselves: internal and external comparison

2. Character color contrast: clothing and heart

(1) Edward

(2) Small town people

(3) Edward and the citizens

Third, the essence of fairy tales: sadness and warmth

The warmth in memory: a cold and a warm.

First, the eternal theme of returning home and poetic realistic image style

The second is the dual space-time of interweaving cold and warm colors and causal entanglement.

Swings and mirrors: illusory modeling symbols.

My 19 19: A historical oil painting.

First, realistic painting and movies.

Second, the pursuit of form: black and white space-time and color space-time

Third, portrait processing.

Fourth, other photographic modeling languages.

Coastline: The coast between green and red.

First, the extreme oppression of green.

Second, the red crazy exit.

Third, the sound of the waves, at the end of the song, people are distracted.

Banned Books on the Bedside: Color Picture-in-Picture and Plane Montage

First, the growth of women: writing or being written?

1. Shao Qing Yan Na and pillow grass

2. Green radish and pillow grass

3. Nuozi and Qing Shaoran: I wrote, so I am.

Second, color picture-in-picture and plane montage

1.

(1) Black and white childhood

(2) Colored pillow grass

(3) Color Hong Kong

2. The interweaving of black and white and color, hearing and vision.

In the third chapter, everyone has thirteen forbidden books by the pillow.

Chapter II Sports Photography

Handsome female soldier: expressing emotion with moving camera

I. Film Creation and Life

Second, the overall photography modeling concept

Third, how to shoot in the basketball game

Fourth, let the moving lens be full of emotion.

Tell your secrets: psychological movies and sports photography

First, the film type.

Second, sports lens and characters' psychology

Thirdly, the coordination and application of other modeling elements

Love in the sky: finding beauty in the depths of imperfection

First, the release of passion and psychological emotions in sports scenes.

Second, environmental modeling and the beauty of human nature

Third, the hypothetical pursuit of light and color.

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Crash landing: the expressive force of sports lens

First, the style of the film.

Second, the motion lens.

Third, the design and application of motion lens

1. Move and shake the lens.

Step 2 hold the moving lens

3. Use of throwing lens

Fourth, others.

Two-dimensional spatial thinking mode restricts the expressive force of action shots.

First, the lens and theme performance

Second, move the lens and lift it.

Third, lighting and lighting.

Fourth, perspective and image style.

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Life in War: The Motion Lens of Digital Documentary

First, the trilogy of life

Secondly, the sports lens shows the bipolar life.

Third, the post-modern kaleidoscope: a journey without an end

Chapter III Light

Kara is a dog: a broken life divided by light and shadow

First, the space of light and shadow reproduction: fragmented life

1. The light of the pyramid: God's right to speak

2. light points: dividing an incomplete life

Second, the expression space of light and shadow: cage image

1. The composition of the light and shadow of the figure's appearance sets the tone of "cage"

2. The design of special prospect makes the cage image more obvious.

3. Line of sight change inside and outside the cage: off and off

4. Second child, alone in the "cage"

5. Spatial contrast: big cage and small cage

Third, rational realism: a calm and cruel attitude towards photography

1. An old concept: new realism

2. A new attitude: calm, cruel and not involved.

3. A picture combining the old with the new: an old Beijing style painting.

Conclusion: Nothing has changed, except that you are no longer in my dream.

"Purple Butterfly": The camera shake, light and shadow overlap in a cruel age, creating a sad life.

1. Here we go: The train is coming in.

Second, Baroque: Baroque image style

The etymology, significance and characteristics of 1. baroque

2. Shake the camera: turbulent times, overlapping lives

3. Great light ratio: the prospect of martyrs and the drama of fate.

3. Bloody: The blue-gray tone creates a cruel romantic mood.

1. Cruel content: the subversion of individual love and hate in the era of big collective.

2. Romantic form: blue-gray tone, creating a sad mark of the times.

Baskin: An analysis of the lens modeling of the relationship between four groups of characters

1. Ding Hui and Yi Dan: Both the present time and the past time may exist in the future time.

2. Ding Hui and Xie Ming: My beginning is my end.

3. Stuart and Yiling: The future is a dissipated song.

Kawasaki and Yidan: Every phrase and sentence is an end and a beginning, and every poem is an epitaph.

Conclusion: Butterfly image

Reading eyes: You are the light, and you are the desire of the rainbow.

First, flowers are not flowers.

Second, light is reality, and it is the deep desire for love in the soul.

Thirdly, the semantic structure of the image

Fourth, the picture and photography skills.

1. color: broken rainbow.

2. Image processing

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Chapter IV Space, Environment and Scenery

Chapter V Style

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