Which family is good for wedding photography in Xiamen?

All the good ones are in the studio, but it depends on what level of store you want to go to.

There are not many good shops, but what is the image of pure high-end workshops? He Hua took pictures?

This is a representative shop in this area.

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This poem, with an extremely concise pen, depicts a picture of a cold mountain staying, a tourist staying at dusk and a snowman as the material. Poetry is written in chronological order. The first sentence is about the feeling of tourists traveling on the mountain road at dusk, the second sentence is about what they saw at the boarding house, and the last two sentences are about what they heard at the boarding house after nightfall. Each poem constitutes an independent picture and is interrelated. There are pictures in the poem, but the feelings are seen outside.

At the beginning of the poem, the words "the setting sun is far away" are used to outline a picture of the twilight and the long mountain road. There is no clear description of the characters in the poem, but it makes readers feel that their people are ready to go, and their feelings are vividly on the paper. Here, it is a word "far" that points to a vivid picture and reveals a poetic scene. It gives people hints and imagination. From this word, the reader will naturally want to see someone marching on the mountain road at dusk, and infer his lonely and tired travel situation and his desire to stay. Next, the second sentence of the poem asks the reader to follow the pedestrian's line of sight, along this mountain road, and invest in the home for the night. The cold weather and poor house are the portrayal of this family. And the word "poor" should be the impression formed after seeing the hut from a distance to knocking at the door. Writing "sunset" before the previous sentence "Cangshan is far away" and writing "cold weather" before this sentence "Baijia is poor" are all ways to increase the level and weight of the poem. The long mountain road has made people feel that the road is far away, and it is even farther to see the sunset; The humble hut has made people feel poor, and it is even poorer in winter. Looking at the context, the word "cold weather" in this sentence also has its connecting link. Inheritance is to further render the color of sunset road; Revelation is the foreshadowing of a snowstorm at night.

These first two poems, which add up to only ten words, have already written the scenes of hiking and house. The last two poems, "Chai Men smells dogs barking, and returns to people in the snowy night", were written after he stayed in Shanjia. In terms of words, "Chai Men" is connected with "White House", "snow" is connected with "cold" and "night" is connected with "sunset". In this way, from the perspective of the whole poem, although the second half of the poem opens up another poetic realm, it is closely connected with the first half, so as not to make readers feel out of touch. But here, the cause has made a leap. It seems that since the "dog barks" at night, most travelers who are tired of hiking have already gone to bed; There should be something to describe from dusk to night, from cold invasion to snowstorm, from entering the hut to going to bed, but the pen skips this paragraph and omits some plots, making the poem particularly refined and more compact. The poet deliberated between various choices. If this effort is not made, perhaps the second half of the poem should further describe the depression of people living in houses, write about the desolation of mountain houses and the silence of the environment, or write about the coming of snow at night. Otherwise, you can also write about your own travel and your thoughts after staying overnight. But the poet put these things aside and didn't write. Unexpectedly, he saw a noisy dog barking in the silence. This shows the change of scale, giving people the feeling that a strange peak suddenly appeared on the flat ground.

As far as writing is concerned, the first half of a poem is written according to what you see and hear, and the second half is written according to what you hear and hear. Because, since the night has come and people have gone to bed, it is impossible to write what they have seen and heard, but only what they have heard and heard. The sentence "Chai Men" should be written in the dark and heard on the couch in the hospital; The word "snowstorm" should not be seen, but heard, because I heard all kinds of voices and knew that someone had come back in the snowstorm. I only wrote "Smell the dog barking" here, probably because it was the first sound to break the still night, and it was also the first sound I heard, but what I actually heard was not only the dog barking, but also the sound of Melissa Zhou, knocking at the door, the sound of Chai Men's switch, the sound of family members' response, and so on. These sounds are intertwined. Although the person who spent the night was not in the hospital and had never seen it, it was enough to conceive the picture of returning from the snowstorm from this noisy sound.

When the poem was written here, its meaning was not extended and it came to an abrupt end. It didn't take long to explain the feelings of people who listened to these voices and conceived this picture. However, the feeling of desolation in the mountains revealed from it is self-evident that it triggers the feelings of travelers in the quiet night.

This is a landscape poem, but it is not a masterpiece based on local materials, but the poet's nostalgia for his travels in previous years. Wanling is an ancient county town established in Han Dynasty, and renamed Xuancheng in Sui Dynasty (now Xuancheng in Anhui Province). Surrounded by yangshan on three sides, Zhuxi River and Wanxi River, with green mountains and green waters and beautiful scenery. Xie Tiao, a poet in the Southern Qi Dynasty, was once the magistrate of Xuancheng, with a high-rise building, which was called Xie Gong Lou in the world and Zhang Die Lou in the Tang Dynasty. Li Bai, a poet in the prosperous Tang Dynasty, visited Xuancheng and went to Xiegong Building for drinking and writing poems many times. Probably caused by the legacy of Taibai, Xiegong Building became a restaurant. Lu Guimeng misses the small towns in the south of the Yangtze River with these places of interest.

Shen Deqian, a person of A Qing Dynasty, appreciated the last sentence of this poem and commented: "A beautiful sentence is a picture in the poem." ("Tang Poetry") This comment is not unseen, but its beauty lies not only in depicting picturesque scenery, but also in melting the poet's deep affection. The whole poem, the first two sentences are nostalgia for the old tour of Wanling in Pingwei, saying that he once visited the good place of Lingyangshan, where there are traces of Xie Tiao and Li Bai. The last two sentences are the deepest impressions left by the memories of that year: in the evening, walking slowly beside Zhuxi and Wanxi, the setting sun shines obliquely on the water, the reflection of the overlapping buildings is reflected in the water, and its wine flag seems to fall in the spring water. That scene is the most thought-provoking. Why stir up thoughts? What thoughts have been triggered? The poet didn't say it, and there is no need to say it. The first two sentences have pointed out the poet's admiration for Xie Tiao and Li Bai, while the thoughts and feelings contained in this landscape painting described in the last two sentences are self-evident and related to their deeds.

Xie Tiao was dissatisfied when he became the satrap of Xuancheng. "Although the rivers and seas did not follow, the mountains and rivers and forests began here" ("Early Xuancheng County"). When Li Bai went to Xuancheng, he also complained, "Although the water is still flowing, the knife is cut, and the wine is drowned, the sorrow is still coming" ("Farewell Minister Shu Yun of Xie Tiao Village in Xuanzhou"). However, after all, Xie Tiao still enjoys prosperity, and Li Bai is often a luxury traveler. The green Lingyang Mountain, the high-rise buildings built in Xie Tiao and the high-rise buildings drunk by Li Bai are really desirable. And I am a humble cloth, not ignorant. Although I have swam through this beautiful place, I can't add another charm to it. Personally, he lived up to his predecessor; In The Times, he was deeply in decline. Therefore, looking back at the old tour of that year, only that scene was full of confused death and decline, which left him an unforgettable deep impression. This is the sunset in the west, the flowing spring water, the swaying wine flag in the evening breeze and the broken reflection in the running water, which constitutes a poetic picture and evokes infinite feelings. It can be seen that this landscape poem that misses the old tour is essentially a poem that cherishes historical sites and harms nature.

The artistic feature of this poem obviously lies in refining words and casting sentences, melting feelings into the scenery, so it is picturesque and implicit. The first two issues indicate the time and place, show places of interest and historical sites, express the feelings of nostalgia and yearning, with clean language, rich meanings and vivid images, which fully shows the poet's sophisticated artistic talent. The last two sentences go deep into the theme, highlight the impression, describe vividly, see the emptiness with reality, and convey vividly with form, which is called "painting a book" and focuses on freehand brushwork. In Li Shangyin's Jinse, the hopeless confusion of "a moment that was supposed to last forever came and went unconsciously" is very similar in Lu Guimeng's poems. Perhaps this is the characteristic of this poem. The art of poetry is developing in the direction of vividly expressing some impressions and feelings, which is a quite common trend in the late Tang Dynasty, and this poem is one of them.

This is one of Du Fu's quatrains, full of emotion and meaning. Only 28 years old, but it contains rich content of life in the times. If the poet wrote a memoir about the period before and after An Shi Rebellion, he might as well use it to name the book.

Li Guinian was a famous singer in Kaiyuan period. Du Fu's first encounter with Li Guinian coincided with his youth and the so-called "Kaiyuan Prosperity". At that time, princes and nobles generally loved literature and art, and Du Fu, because of his early talent, was extended by Li Fan, the king of Qi, and Cui Di, the secretary supervisor, so that he could enjoy Li Guinian's singing in their mansion. An outstanding artist is not only a product of a specific era, but also a symbol of a specific era. In Du Fu's mind, Li Guinian is closely connected with the prosperous Kaiyuan era and his romantic youth life. Decades later, they met again in Jiangnan. At this time, after eight years of turmoil, the Tang Dynasty has fallen from the peak of prosperity and fallen into many contradictions. Du Fu drifted to Tanzhou, "loose cloth and tangled bones, running around bitter and tepid", and his later situation was extremely bleak; Li Guinian also lives south of the Yangtze River. "Every time there is a beautiful scene, he sings a few songs and hears them in his seat, so he has to hide his face and cry and stop drinking" (Miscellanies of Ming Taizu). This encounter will naturally lead to the infinite vicissitudes of Du Fu's life, which has long been smoldering in his chest. "It's a common thing in Qi Wang's family, and Cui has heard it several times before." Although the poet is recalling his past contacts with Li Guinian, what he reveals is his deep nostalgia for the "Kaiyuan Shengshi". These two sentences seem very light, but the feelings they contain are deep and dignified. "Wang Qi Zhai Li" and "Cui Tang Jiu Qian" seem to blurt out, but in the eyes of the parties, the place where these two literary celebrities often gather gracefully is undoubtedly the rich and colorful source of spiritual culture in the prosperous era of Kaiyuan, and their names are enough to evoke good memories of the prosperous era. In those days, it was "unusual" to get in touch with an art star like Li Guinian, but it was not difficult to get in touch with him several times. Looking back now, it is simply an unreachable dream. The feeling of separation between heaven and earth contained here can only be tasted by combining the following two sentences. In the overlapping singing and chanting, the two poems reveal infinite attachment to the prosperity of Kaiyuan, as if to prolong the aftertaste.

Dream-like memories can't change the present reality after all. "It's the beautiful scenery in the south of the Yangtze River, and it's the season of falling flowers." Jiangnan, with its beautiful scenery, was originally a paradise for poets in Chengping era. Now I am really in it, facing the "lost season" with withered eyes and the wandering artists with white hair. The season of falling flowers seems to be an impromptu work, but it seems to have ulterior motives, intentionally or unintentionally. Readers who are familiar with the times and Du Fu's life experience will associate these four words with the decline of the world, social unrest, the decline of the poet and illness, but they don't think the poet is deliberately metaphorical. This writing style is particularly confusing. In addition, the two function words "exactly" and "you" in the two sentences are tossed and turned, revealing infinite feelings between the lines. The beautiful scenery in the south of the Yangtze River is in a strong contrast with the chaotic life experience of being divorced from the times and sinking. An old singer and an old poet reunited in the wandering, and the flowing scenery dotted with two haggard old people became a typical portrayal of the vicissitudes of the times. It mercilessly confirmed that the "Kaiyuan Shengshi" has become a historical relic, and an earth-shaking change has reduced Du Fu and Li Guinian, who experienced the prosperity, to an unfortunate level. There is no doubt that the feelings are profound, but the poet wrote that "falling flowers meet the monarch again", but he accepted it with a gloomy mood, pregnant with deep sighs and painful sadness in silence. I don't want to say a word about this "beginning and ending", which is really meaningful. Shen Deqian commented on this poem: "The meaning has not been applied, and the case has not been solved". The meaning of this "inapplicability" is not difficult to understand for Li Guinian, a party with similar experience; For readers who are good at understanding people and discussing the world in later generations, it is not difficult to grasp. For example, Li Guinian sang in "The Palace of Eternal Life Tanci": "At that time, the sky was clear, but now the drums are beating along the street", "I can't sing endless dreams of rise and fall, I can't play endless lamentations, and my eyes are full of sadness" and so on. Although I sing repeatedly, the meaning is not more than Du Fu's poems, but it seems that the playwright has deduced it from Du Fu's poems.

Four poems, from Village of Emperor Qi's "Smell" song to Cui's face, and then to the emphasis on "Hui", "Wen" and "Hui" in the south of the Yangtze River, connect the vicissitudes of the times and great changes in life in the past 40 years. Although there is no poem directly related to the life experience of the times, it is not difficult for readers to feel the shadow of the great turmoil that brought havoc to the material wealth and cultural prosperity of the Tang Dynasty and the great disasters and trauma it caused to people through the poet's memories. It can indeed be said that "the chaos of the World Games, the rise and fall of the New Year, and the desolation of each other are all among them" (Sun Zhu's comment). Just as there is no set on the stage of an old play, the audience can imagine a very broad spatial background and event process through the singing performance of the actors; Also like a novel, it often reflects an era through a person's fate. The successful creation of this poem seems to tell us how much capacity this short genre of quatrains can have among great poets with high artistic generalization and rich life experience, and what artistic realm can be achieved when expressing such rich content.

The whole poem tells the people's hatred of war and the pain caused by her husband's answer to the old man. In this case, local officials have to extort money, and the people are even more miserable. This is one of the famous poems in which the poet deeply understands the sufferings of the people and expresses deep sympathy.

After Tianbao, the wars of the Tang Dynasty against ethnic minorities in northwest and southwest became more and more frequent. This continuous large-scale war has not only brought heavy disasters to the border ethnic minorities, but also brought the same misfortune to the people of the Central Plains.

According to Zi Jian, Volume 2 16: "In the tenth year of Tianbao, in April, Jiannan was fresh in the negotiation of Nanzhao Manchu, and lost to Lunan. When Zhong Tong sent 80,000 soldiers, ... the army was defeated and 60,000 soldiers died. Zhong Tong was spared. Yang Guozhong concealed his failure, but still told his merits. ..... Make and raise soldiers from Beijing and Henan to attack Nanzhao. People heard that Yunnan was troubled and there was no war, and the foot soldiers died in 1899, so they had to recruit Moken. Yang suggested separating people and sending flail to the army. ..... So Monkey was sad and resentful, and his parents and wife gave him gifts and cried there. " This historical record can be interpreted as the interpretation of this poem. This poem artistically reproduces this social reality.

Xing is a genre of Yuefu songs. Du Fu's Car Shop did not follow the ancient theme, but originated from something, that is, a famous story, a self-created theme, which profoundly reflected the people's suffering life in the form of Yuefu folk songs.

Poetry begins with an objective description that suddenly rises, and with vigorous brushwork, the wind blows, and suddenly shows a huge and exciting farewell picture in front of readers: chariots rumble, war horses scream, and the arrested poor people put on military uniforms and bring bows and arrows, and are marching forward under the escort of officials. Husband's parents and wife are scrambling to find and shout their loved ones in the queue, tearing their clothes, beating their chests and feet, urging and calling. The dust raised by chariots and horses covered the sky, and even the Weihe Bridge in the northwest of Xianyang was covered. The cries of thousands of people merged into a loud noise and echoed in the clouds. "Father, mother, son, wife, staring at you", the pillar and main labor force of a family, was taken away, leaving only the old, weak, women and children, which is a huge disaster for a family. Why not help the old and bring the young away? An ordinary word "Zou" embodies the poet's strong emotional color! Relatives were suddenly caught and rushed to the battlefield, and the family chased the call sign to do life and death parting at that moment. How hasty and sad this is! "They ran after you, crying, and they tugged at your sleeve", four actions in a row, showing in detail the sentimentality, sadness, resentment and despair of the people who saw him off. In the poet's pen, the dust is pervasive and the traffic of horses and chariots is dazzling; Crying everywhere, straight into the sky, deafening! This description gives readers a strong sense of hearing and vision, showing the tragedy of the separation of thousands of families, which is shocking!

Then, starting from "and every time a bystander asks you questions", the poet asks the parties, that is, the soldiers who joined the army, to talk directly by asking questions.

And "passers-by" is a passerby, that is, Du Fu himself. The sad scene above was seen by the poet himself; The following sad words were heard by the poet himself. This enhances the realism of poetry. "Dotted line frequency" means frequent conscription, which is the "poetic eye" of the whole article. Hit the nail on the head, pointing out the root causes of the people's misery, the innocent sacrifice of the whole people and the barren land of the country. Then, taking a "pedestrian" who went to the battlefield at the age of fifteen and was still guarding the border at the age of forty as an example, the "frequency of point to line" was explained in detail to show the truth and reliability of the situation. "The blood in the side yard becomes a sea, and the heart of Emperor Wu is still fighting." "Huang Wu" is a metaphor for the Tang Dynasty in Chinese, but it actually refers to Xuanzong of the Tang Dynasty. Du Fu boldly pointed the finger at the supreme ruler, which was a fierce protest from the heart and fully expressed the poet's furious grief.

The poet wrote here, and his pen turned sharply, opening up another thrilling realm. The poet begins with "You don't smell" and reminds readers to turn their eyes from the bloody frontier fortress court to the vast inland in a conversational tone. The "Han family" in the poem also implies the Tang Dynasty. In Woye, Harada, east of Huashan Mountain, thousands of villages fell, the countryside was deserted, and thorns were everywhere. The poet's imagination, from the scene before him to the scene of the whole country, from a little to universal, not only expanded the expressive ability of poetry, but also deepened the expressive depth of poetry.

Since "whatever they are asked to do", poets have entered another level. "Elder" is a title of respect for poets. "Serviceman" is a self-proclaimed infantry. "County official" refers to the Tang Dynasty. The sentence "elder" shows the spiritual shackles imposed on them by the rulers, but the pressure can't be suppressed, and the next sentence will eventually lead to complaints. Dare to be angry and dare not speak, and then finally say it, so that the difficulties and fears of the recruiter are extremely delicate and true. These sentences are about current events. Because of "sticking to the west of the city", a large number of able-bodied men were drafted into the army. The reason for "sticking to the west of the city" is because "Emperor Wu's heart is still beating for the war". How do they pay? ? Also echoed the previous "and in thousands of villages in Qian Qian, nothing grows except weeds". In this way, social reality is revealed more and more profoundly. A few short five-word sentences were suddenly used here, which not only expressed the deep sadness of the guards, but also showed their eagerness to talk about their difficulties. In this way, through the dictation of the parties, the double disasters imposed on the people by the militaristic tactics of the rulers were exposed from two aspects: seizing soldiers and forcing rents.

The poet went on to sigh with emotion: nowadays, it is better to have a boy than a girl. Girls can still marry their neighbors, and boys can only die in battle. This is a heartfelt accusation of blood and tears. The preference for boys over girls is a common social psychology under the feudal social system. However, due to years of war, a large number of men died. Under this cruel social condition, people's social psychology has changed. This change reflects how seriously people's thoughts have been destroyed! Finally, the poet described the long-standing tragic reality in a sad style: on the ancient battlefield near Qinghai, the plains were dusty, the bones were exposed in the wild, the evil wind was piercing, and the ghosts were crying and howling. The cold and gloomy scene is chilling. Here, the bleak low tone is in sharp contrast with the buzzing atmosphere at the beginning, the sad ghost cry and the earth-shattering cry at the beginning. These are the consequences of "opening the border before it is over". At this point, the poet's full and hearty passion has been fully exerted, and the crime of belligerence in the Tang Dynasty has also been vividly displayed.

Chedian is a famous sentence of Du Fu, which has been highly praised by all dynasties. It reveals that the long-term military struggle of Xuanzong in Tang Dynasty brought great disasters to the people, which has profound ideological content. It is also outstanding in art, first of all, it contains feelings in the narrative. This narrative poem, whether described in the previous paragraph or passed down from generation to generation in the latter paragraph, naturally runs through the whole poem with the poet's strong and profound thoughts and feelings, and the image of the poet's anxiety seems to be displayed in front of the readers. Secondly, in the narrative order, the ups and downs echo before and after, comfortable and affordable, changeable and orderly. In the first paragraph, people are crying in Ma Si, and the noisy atmosphere is rolling with dust, paving the way for the second paragraph to talk about their difficulties; The long narrative in the second paragraph further deepens the ideological content of the scene description in the first paragraph, which reflects each other and complements each other. At the same time, the development of the plot is closely combined with the transformation of sentence patterns and rhymes. With the narrative, sentence patterns and rhymes are constantly changing, and the use of three, five and seven words strengthens the expressive force of poetry. For example, the first two or three sentences are urgent and exciting. Later, in a large section of seven words, eight five words were suddenly interspersed, showing the irresistible passion of "pedestrians", which was particularly vivid. In terms of rhyme, the whole poem has eight rhymes, four levels and four levels, alternating with each other, cadence and emotion. Thirdly, turning sentences and idioms are used in the narrative, such as "and every time a bystander asks you a question, you can only tell him that you are leaving" interspersed in the long narrative. No matter what demands are made on them, do they dare to complain? ? And "I don't see you" and "I don't smell you" not only avoid lengthy monuments, but also constantly remind and arouse readers, resulting in thrilling artistic effects. The poet also adopted the word connection of folk songs, such as "They run after you, crying, they pull your sleeve, and their plaintive voice goes up to the clouds". And every time a bystander asks you a question, you can only tell him that you are leaving. They all came down one by one like pearls. Read it out loud, sonorous, harmonious and beautiful. Finally, the use of common spoken language, such as "Ye Niang's wife", "They run with you, cry, and they pull your sleeve" and "But their officials drive them to make trouble", is fresh and natural, which is a very prominent one in Du Fu's poems. In response to this comment, predecessors once said: "Miscellaneous ballads are the most susceptible, and the shallower they are, the more incisive they are." The use of these folk songs adds vivid and cordial appeal to this poem.

Du Yi: It is said in old notes that the Ming emperor used troops against Tubo and the people were industrious. This is true. This is Tianbao's middle age. Zhou Li has a chariot meeting.

Toto, Ma Xiaoxiao, each of you has a bow and quiver on your belt. Father, mother, son and wife watched you leave until the dust buried the bridge outside Chang 'an. They shouted as they ran, pulling your sleeve, and their sad voices floated into the sky.

(The first paragraph is a chronicle of farewell to sorrow and sorrow; The second paragraph describes the feeling of hard labor, not a statement. Hovering, the sound of cars. Shake, don't make any noise. A pedestrian and a soldier. )

(1) Poetry: "There is a car." Another: "A?vagho?a. Little" also: "Pumbaa the Pedestrian." Looking for God: Li Chubin travels with a bow and arrow. ② Ancient Yuefu: "I don't smell the night mother crying, but the Yellow River splashing." Wei Wendi's poem: "The wife leads the way." (3) "Songs of the South": "secular dust." Money and dust disappear, and words make teachers. Yuanhe County Records: Linqiao, ten miles southwest of Xianyang County, opposite to Linmen. Because of its name, it was built by Emperor Wu of the Han Dynasty. Zhongwei Bridge, 20 miles southeast of Xianyang, was originally named Qiao Heng and was built by Qin Shihuang. They are all installed on the Weihe River. Unified record: Temporary Bridge, named xian yangqiao in Tang Dynasty. ④ He Xun's poem: "Children wear clothes." "National Policy": Zhang Yi said Qin is another slap in the face. Cooler pass: Lu Wenshu stamped his foot and sighed. ⑤ "Beishan Wen Yi": "Dry clouds go straight up."

And every time the bystander asks you a question (1), you can only tell him that you are leaving (2). We remember that other people/Kloc-0 was sent to the north to guard rivers when he was 0/5 years old, and was sent to the west to reclaim farms when he was 40 years old. The mayor wrapped headscarves for them when they set out. Now their headscarves are white, and they are still at the border. Blood flowed into the sea in the side yard, and Emperor Wu's heart was still beating for the war. Do you know, in the mountains in the east of China, there is Jingqi pet-name ruby in Gancun Bay, in the 200-mile-eight area? Although the strong women bent down to plow the land, the furrows in the east and west were broken? (1 1). China people can face the toughest battles, but their officers drive them away like chickens and dogs.

(The person mentioned for the second time is set as a question and answer, and the words "You don't smell" are used as a reply. It is called "guarding the river", "plowing" and "guarding the border", and the so-called point-to-line frequency is also called. Before the border was opened, the poor soldier was laughed at that day. As for the depression in the village, it is difficult for ordinary people to know whether it is a husband's levy and a woman's cultivation. This remark reached Shandong, where there was no land and no service. )

① Ancient Yuefu words: "The viewer is beside the road." (2) Master Shi said: Point on the line, which is called multiline in Han history. With butyl as the guide, change officers. (3) Qian Jian's Book of the Old Tang Dynasty: In December of the fifteenth year of Kaiyuan, Tubo was made a frontier disaster, which led to 56,000 troops in Longyou Road, 40,000 troops in Hexi Road, 10,000 soldiers in Guanzhong, and 10,000 soldiers in Lintao and Shuofang, and gathered in Zhangzhou to prevent autumn, ending in early winter. At that time, Tubo invaded the right side of the river, so it was said to be a river defense. (4) "Huo Zhi, Tang Shi": Open the military headquarters to defend important places, and set up a field because of gaps. If there is police, it will help thousands of troops. Du Yi: Farming is to guard the soldiers and prepare for Tubo. ⑤ Han Feizi: Li Zheng and Wu Lao. "The Story of the Sea": In the Tang Dynasty, every hundred households had a mile, and one person was in the room. "Two Records of Instruments": In ancient times, the head was wrapped in soap and called a headscarf, which was cut by Emperor Wu of Zhou as a hoe. Bao Shi said: young and old died, including those in the village, and their hometown was wrapped in armor. Han Ju said: When I came back, my head was white and I was guarding the frontier, saying that I had no time to wait. "Historical Records": China was in chaos, and all the people who moved by the border in Qin Wei came back. ⑥ "The Book of the Later Han Dynasty": "Lie on the drum and sit in court." Historical Records of Cai Zechuan: "Rivers of blood." Du Yi: Tang Jian: Tianbao has existed for six years. The emperor wanted Wang Zhongsi to attack the Tubo Stone Castle. The loyal heir said: the stone castle is dangerous and strong, and it can't be broken without killing tens of thousands of people. The emperor is unhappy. Dong invited him to take the Stone Castle, and the Emperor ordered Zhong You to divide his forces to help him. In eight years, the emperor ordered Ge Shuhan to attack and pull out, with tens of thousands of foot soldiers, so there were words such as "border town bleeding". ⑦ Qian Jian's poems in the Tang Dynasty show that the Emperor Yin, Wang Changling's "White Horse and Golden Saddle", Wei's "Little Emperor Wu", and the public also said that "Liang Wudi holds the flag in his eyes". Ban Gu said: Emperor Wu has three sides. Xie Lingyun's poem: "The words are not finished." ⑧ Hanshu: The Han family has its own system. Huang said: The so-called ancient Shandong, that is, today's Hebei Jin land is also. Today's so-called Shandong, the land of ancient Qi, is also clear and neat. Yan Ruoyu said: This refers to the east of Huashan Mountain, not the east of Mount Tai or the east of Taihang Mountain. In the Qin Dynasty, to the east of the rivers and mountains, there were six powerful countries, all in Shandong. Ten roads and four times system: seven roads east of Kanto, covering 2 16 states. "Du Yi" says: Sui won the world, changed the county into a state, and Tang changed the state into a county, with 192 counties. Yuezhou, which is still very famous, has been ranked first in the world in terms of 200 states. Yan Ruoqu said: The old cloud, Shandong, east of Taihang Mountain, is not true. History as a Mirror: Qin Xiaogong was a powerful country when it was in the east of rivers and mountains. Hu Sansheng pointed out that this river flows from Longmenkou to Huayin in the south and east, and Qin is in the west of the river. The mountain and the bird and mouse share the same cave, and even extend to Nanshan in Chang 'an. As for Taihua, Qin is in Shanxi. Han, Wei, Zhao, Qi, Chu and Yan Dou are in the east of the rivers and mountains. Re-examination: Jia Yi's so-called Jianwu Pass, Hangu Pass and Linjin Pass are probably for the governor of Shandong Province. It can be seen that outside the Qin dynasty, it is called Shandong. 9 "Shi Shuo": Lu entered Romania and entered Henan for the second time. Yu Yue said, "There is no village in the east for dozens of miles." Ruan borrowed a poem: "Jingqi was born in class." Shao was in a state of chaos, and he was full of thorns. Attending Wang Yanfu said: If you cultivate a healthy woman, you will know your husband's expedition. Gu Yuefu: "A healthy woman with a door is better than her husband." RoyceWong's poem: "If you can't drown, hoe the plow and take it away." (1 1) Historical Records: "Xiang Yu began to graze in Yi Long." The teacher said: It's hard to tell the difference between things because the edge is exhausted and not repaired. Historical Records of Justice: "The north and south are mountains, and the east and west are strangers." (3) "Du Yi": Qin Bing, the soldier of Guanzhong, was in the middle of the battle. Because of its persistence and resistance to war, it is particularly urgent to drive it. Today, it's like a dog and a chicken to drive a loser to the army and abandon his ear. Kong: Here comes Qin Jun. Robin's poem: "It's hard to wait for a long time." Zuo Zhuan: "Dogs and chickens come out."

No matter what demands are made on them, does the service husband dare to hate them? For example, this winter, it will be held in the west of Gate 3. Faced with tax challenges, how do they pay? ⑤? We know that having a son will bring bad luck, and having a daughter will be much better ... who can get married and live in a neighbor's house, while we bury our children underground. Going to the blue sea, looking along the coast, the ancient ones come from the bones, and no one picks them. It was wet and rainy when the new ghost and the old ghost were wailing there.

(once again, mention the old active servicemen, and definitely ask and answer, ending with the words "Be there or be square". If you don't stop guarding soldiers, you should open the border. Where there is tax, you should go to Qijing Village. Born in four languages, he was sent away by his grandfather, mother and wife. For this reason, it has been said through the ages that ghosts crying in Qinghai will drive away people's disasters. This chapter is a two-legged body, and the following two sectors have knots, each with four rhymes and fourteen sentences. It is orderly and good at twists and turns, and readers will never notice it.

(1) Quli: It's impolite for an elder to ask and leave without saying goodbye. ② Zuo Zhuan: "Records." (3) Dai Yan's poem: "Calling Kansai." Crane Note "A Mirror": In the ninth year of Tianbao, in winter and December, Wang rarely attacked Tubo, conquered five cities and pulled out Shu Dun City. (4) Records of food in Han Dynasty: County officials only paid grain tax when renting clothes. Textual research on historical records: the country is a county official, the county in Guangxi is a national capital, and the king is an official in the world, so he is also an official. ⑤ Yan Chuan: The tax is enough to give you a ride. Zhu Zhu noted that conquering famous officials should be exempted from tax. Today, it's not worth re-supervising the loss of family members with the bodies that are being guarded from afar. A second language corresponding to a healthy woman's plow. ⑥ Chen: "It is advisable to be cautious when giving birth to a man, and it is advisable to feed a woman." Song, Queen of Han Wei, "There is no joy in giving birth to a man, and there is no anger in giving birth to a woman." ⑦ Kong Rong's book: "The neighbors of the state know the earliest." "Zhou Li Family Teacher": "The five major families are comparative." Another "Sui People": "Five families are neighbors." ⑧ Yu Xin's "Jiangnan Fu": "The name is buried." Jiang Yan's poem: "A hundred flowers are scattered." Pet-name ruby Biography of Goshuhan: Build a mighty army on the blue sea, and the Tubo will arrive and break it. He also built a city on Longju Island, guarded by 2,000 people, so Tu Lei dared not go near Qinghai. Shuijing Note: There is Huangshui in the south of Jincheng County, which goes out of the Great Wall and crosses the Baihe Qianghai in the southeast. It is known as Qinghai in the world. "Old Tang Book": Tuguhun has Qinghai, and the weekly return is eight or nine hundred miles. After living for three years, he vomited. In Yifeng, Li fought with Ou and lost to Qinghai. During the Kaiyuan period, ieee fellow ■, Zhang Jingshun, Zhang Zhongliang, Cui, and Wang Zhongsi successively broke Tubo, all in the west of Qinghai. ⑩ Liang Chuiqu: "The body is lost in the narrow valley, and the bones are not collected." (1 1) Zuo Zhuan: Fu Ji, the father of Xia, said, "I see that the new ghost is big, so the ghost is small." Bao Zhao Shi: "Annoyed and unjust." In the later Han Dynasty, Chen Chong was a guard. Every rainy day in Luoyang, there was always crying. Jin Dynasty and Song Dynasty: It's cloudy and it doesn't rain. Han Yuefu: "What's the buzz?" Zhou Zhu chattered and said Qingqing, sobbing. Fu Shan said: This is for Ming Chengzu to fight against Tubo, so please be sarcastic in Hanwu, and the words are deplorable. It is said that people cry first, ghosts cry later, and that counties are in trouble and people are in trouble. This Anshi Rebellion was also caused by it. Whew! As monarchs, people who are bellicose should also sympathize with them and learn from them.