How did comics come into being?

The analysis chart of bison running in stone age caves 25 thousand years ago is the earliest evidence that human beings try to capture the action. The figure of a human body in a picture is not divided by golden proportion.

The simultaneous actions are drawn together, and this concept of "simultaneity" indirectly expresses the human desire to "move". Leonardo da vinci's golden scale diagram shows four arms, indicating the action of swinging hands up and down; In the history of painting in China, artists have a tradition of bringing static painting into life, such as the vivid charm advocated in the "Six Methods" and the characters in "Fairy in Painting" stepping out of the picture in a serial studio (although it is necessary to make up for the dynamic by imagination). These concepts have something in common with animation, but what really makes the portraits on the map move is distant Europe. 1826, Joseph Prato invented the rotating mirror, which is a circular card with cracks on the edge. The viewer approaches a mirror with this card and looks through the crack while the card is spinning. The audience regards a series of pictures near the circumference of the card as moving images. 1828, the French Paul Rogate first discovered the phenomenon of visual persistence. He invented the photographic disc. It is a disk, crossed on both sides with ropes or wooden poles. One side of the plate is painted with a bird and the other side is painted with an empty cage. When the disc rotates, the bird appears in the cage. This proves that when the eye sees a series of images, it only keeps one image at a time. 183 1 year, a Frenchman, Joseph Antoine Prato, put the painted pictures on the circular Finnach mirror of a machine in sequence.

On a disk, the disk can be rotated by a machine. This machine also has an observation window to observe the effect of moving pictures. Driven by the machine, the disc rotates at a low speed. The pictures on the CD also rotate with the CD. From the observation window, the picture seems to be moving, forming a moving picture, which is the embryonic form of the original animation. 1906, J.Steward of the United States made a film close to the concept of modern animation, called the humorous stage of funny face. After repeated pondering and deliberation, he constantly revised the draft and finally completed this short film close to animation. 1908, Frenchman Emile Cohl made an animated film from negative for the first time. The so-called negative is a film whose image is just the opposite of the actual color, just like the ordinary film negative today. Making animation with negative film solved the problem of film carrier conceptually and laid the foundation for the development of animation in the future. 1909, Winsor Mccay of the United States expressed an animated story with 10,000 pictures, which is recognized as the first decent animated short film in the world so far. Since then, the level of creation and production of cartoons has become increasingly mature, and people have begun to consciously make cartoons that express various contents. 19 15 years, Ilhurd created a brand-new animation production process. He first drew cartoons on plastic film, and then made the paintings on plastic film into animated films. This animation technology has been used for many years. 1928, the world-famous Walter Disney created the first animated film Steamboat Willie. 1937, created the first color animated feature film Snow White and the Seven Dwarfs. He gradually pushed the animated film to the peak. While perfecting the animation system and production technology, he also linked the production of cartoons with commercial value and was known as the father of commercial animation. Until now, the Disney company he founded is still creating colorful cartoons for people all over the world, which can be said to be the greatest animation company in the 20th century [1].

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