Kneel for the difference between Chinese and western painting expressions?

Generally speaking, Chinese painting can be divided into:

According to painting objects: figures, landscapes, flowers and birds;

Brush strokes: freehand brushwork and meticulous brushwork.

Chinese painting has a long history, and there are many representatives in each era, but it has not formed a perfect artistic theory and genre like the West. In terms of expression, Chinese painting is ideal and illusory, while western painting pays more attention to truth. Even fairy tales and religious paintings are based on real life. This is related to the aesthetic foundation laid by Chinese and western philosophy.

In addition to sculpture, western works of art are mainly embodied in oil paintings. Oil painting can better reflect the light color effect in the form of expression, so from the aesthetic point of view, western oil painting can better reflect the visual aesthetic feeling, be more realistic and have the perspective effect of photography. Relatively speaking, as far as the creative techniques of Chinese painting are concerned, it can be divided into two parts: pen and ink and light color. Pen and ink is the characteristic of Chinese painting, the crystallization of national tradition, and the only stunt of world painting, which reached its peak as far back as the Jin and Tang Dynasties, especially in the use of pens.

Light color, that is, perspective effect, is the weak link of Chinese painting. For example, western body painting is based on the theory of human body planing, so it has a stronger sense of three-dimensional sense and perspective. Chinese painting is visually freehand, unlike western painting, which pursues real effects. Its expression is generally dull, and sometimes exaggerated movements are used to express the psychological feelings of the characters.

The history of China's oil painting is only one hundred years. At the beginning of the last century, in the mutual influence and collision between Chinese and Western cultures, artists such as Xu Beihong, Li Tiefu and Lin Fengmian brought oil paintings back to China from the west, and combined them with China culture and real life to explore a way for oil painting to become the main painting form in China. After the founding of New China, China's oil paintings formed distinct realistic features in the process of nationalization.

1. Chinese painting pays attention to "vivid charm", while western painting mainly pays attention to the requirements of form.

2. Painting method: Chinese painting pays attention to "dictation", that is, returning to the room to paint after obtaining materials, and western painting pays attention to sketching.

3. Observation method: Chinese painting pays attention to casual materials when playing, while the West pays attention to deliberate framing.

4. Composition, Chinese painting pays attention to blank space, while the blank space in western painting is considered to be an incomplete picture.

5. Perspective: Chinese painting is a scattered perspective, while western painting is a focused perspective.

6. The use of poetry, calligraphy and painting prints is an important part of Chinese painting, which is not discussed in western painting.

7. Western art pays attention to reality, requires strict light and shadow effects, and looks like a spirit rather than a creative abstraction, supplemented by leaving room for thinking;

China's fine arts, represented by Chinese paintings, pay attention to artistic conception and human emotions. Take the painter's will as the transfer.

The most important difference between Chinese and western art lies in perspective, which is the most fundamental. China's paintings pay attention to conception, thinking in images and the unity of subjective and objective artistic images. Modeling is not limited to surface similarity, but emphasizes "beauty lies in similarities and differences" and "differences and differences", and combines focus (one point) perspective with scattered (multi-point) perspective in perspective; Western paintings, on the other hand, focus on perspective, objectively and scientifically reflect the appearance of objects, which is characterized by truth and objectivity.

The influence of painting style on the whole society is enormous, and the cultural heritage formed by the whole society is also fed back to painting. For example, from the perspective of architecture, culture, weather, building materials and construction technology all have a great influence on it, which is also baroque style, and there are some subtle changes in every place.

During the Renaissance, western humanism experienced the ups and downs of ideas and formed many artistic styles, not because of the number of styles, but because this ethos promoted people's thoughts and kept innovating. On the other hand, in ancient China, due to the ideological rule of the ruling class in feudal society, people were forced to create the brilliance of Chinese painting within a certain framework, not for the king, but for the green mountains and green waters, which also limited the development of China's painting in the new era. Of course, the meticulous painting developed in the Ming and Qing Dynasties, in a sense, also emphasizes the focus perspective of western painting (there are fewer meticulous buildings).

Different painting tools also create differences between Chinese and western painting. Brush, paper and painting pigments are all unique, which embodies the wisdom of ancient people in China. Of course, the scientific and technological level of the whole western society was also very high at that time.

Generally speaking, China's paintings pay attention to artistic conception. The composition of the picture can be mountains in the north, water in the south, mountains and rivers in the chest, flowers and birds of characters, and it is not a problem to increase or decrease. The rigorous modeling and focus perspective of western painting determine its limitations in composition, but it also reflects the precision between the square and the square of western painting.

Doing, in today's sense, is that Chinese painting lies in careful taste, while western painting details are more attractive.