Ma Yun is also a family of folk arts. He inherited his father's words, why didn't he inherit his mother's singing skills?

Nowadays, popular music styles are everywhere, and the author, the creator of music art in the entertainment circle, is also ready to have a big fight with the financial community and talk about Ma Yun.

There are many stories on the Internet about Ma Yun regretting the life experience of creating Ali. Some people say that his father is rich, some people say that Ma Yun is the official second generation, on the contrary, some people say that his father is a tricycle driver. To say that these stories have some origins, but the most standard answer is that Ma Yun's parents are from the art circle.

First, Ma Yun's father, Ma Laifa.

Ma Yun was born in Hangzhou, but his ancestral home is Shengzhou, Zhejiang, which is the hometown of Yue Opera. But what Ma Yun's parents like best is not Yue Opera, but Suzhou Pingtan.

Suzhou Pingtan is a general term for Suzhou Pingtan and Suzhou Tanci. Pingtan is actually a kind of storytelling, and Liu Jingting, the founder of storytelling, also performed in Suzhou and Hangzhou. Simply speaking, it is the southern dialect version of storytelling, which is divided into Hangzhou storytelling and Suzhou storytelling according to different accents.

Suzhou Tanci is what we often see on TV. There are usually three games, one for one person, two for two people and three for three people. Does it feel familiar, like stand-up crosstalk, counterpart crosstalk and group crosstalk?

In fact, although Suzhou Tanci mainly focuses on singing, there is also a burden in the middle. Take double gears as an example. Playing three strings is equivalent to teasing, and playing pipa is equivalent to holding hands.

Ma Yun's father, Ma Laifa, was a photographer in his early years, but he was very interested in Suzhou Pingtan and participated in performances and creations in his spare time. 198 1 year, Ma Laifa was transferred to Zhejiang Federation of Literary and Art Circles and began to preside over the daily work of Zhejiang Music Association. Zhejiang Federation of Literary and Art Circles is equivalent to a department-level unit, and Zhejiang Music Association is equivalent to a department-level unit, so it is a bit interesting to say that Ma Yun is the second generation of officials, but this unit is more of a Qingshui yamen.

1982, Ma Yun failed in the college entrance examination for the first time and was rejected by the hotel to apply for a waiter. So Ma Laifa arranged for Ma Yun to send books to magazines with three wheels, which is probably the source of the saying that Ma Yun's father rode three wheels.

1984, Ma Yun succeeded in the third college entrance examination. 1985, he accepted the invitation of an Australian friend to travel to Australia for one month, which had a great influence on his future.

At the same time, he also attended the third session of the Chinese Music Association in the north, and was elected as the deputy director of the Chinese Music Association, followed by Hou,, and as the director.

1994 and 1999, Ma Laifa was elected as the chairman of Zhejiang Music Association twice, which is equivalent to becoming a cadre at the level. During this period, Ma Yun founded Haibo Computer Service Co., Ltd. and Alibaba successively.

If you have to say that Ma Yun's father is rich, it is also a bit interesting. The chairman of Zhejiang Music Association has at least a little more capital than ordinary people, but he is a rich man in Zhejiang. Ma Yun's road to entrepreneurship is really difficult to borrow his father's resources. After all, it is like a mountain.

However, Ma Laifa once gave Ma Yun two influences when he was a child. One is that he often takes him to Hangzhou Hotel by bike to practice oral English with foreigners. The other is to take Ma Yun to the library to listen to Hangzhou Pinghua, also known as Uncle Hangzhou. Ma Yun said that his storytelling level is higher than the average person, and he is also credited with Hangzhou Dashu.

After retirement, Ma Laifa devoted himself to writing and creating books, including the short stories Maoshan Fengyun and Suzhou Tanci, and his Quyi Paper won the China Quyi Peony Award.

Ma Laifa doesn't support his son very much, but he supports Liu Jianyang, the the Monkey King of Jiangnan. He is a student of a six-year-old child, and his stage name is "eleven-year-old child".

It should be said that although Ma Yun didn't get much financial and personal support from his father, the qualities he could tell should be related to his father. Moreover, as the amateur chairman of the Music Association, Ma Laifa's organizational ability is definitely quite good, which has a certain edifying effect on Ma Yun.

Second, Ma Yun's mother Cui Caiwen

Ma Yun's father, Ma Laifa, is an amateur Quyi artist. He is a photographer, but Ma Yun's mother is a real Quyi artist.

Cui, a native of Hangzhou, was born in 1944. She is an actress who plays lyrics in Suzhou. Cui, 1964 is pregnant. She joined Wuxi Tanci Art Troupe and became a professional actress. She is a "maid" in Suzhou Tanci, and she can play the pipa.

Ma Yun's mother held the pipa and performed everywhere with Ma Yun. In autumn, Cui returned to Hangzhou. On September 1964, she visited Ma Yun in Hiuke. After a break, Cui returned to Wuxi Pingtan Group and performed again until the Pingtan Group was dissolved for some reason.

It can be said that Ma Yun was influenced by Suzhou Tanci in his mother's womb. Unfortunately, Ma Yun seems to have inherited his father's speech ability, but he doesn't seem to have inherited his mother's singing level. Once recorded the single "Wind Clear" with Faye Wong. This single, with China's top music team and high skill, represents Ma Yun's highest singing level, which is still KTV level in Ma Yun's words.

This is the fate of Ma Yun and Quyi. On the other hand, if Ma Yun didn't go to college, according to his father's theory, he might become everyone. He can talk, shake the baggage, make the audience laugh and screw things up. Ask Sa Beining.