Why do porcelain collectors focus on the calendar year of the Northern Song Dynasty? Legend of Jun porcelain

At the press conference, Bai Ming said that there was a saying that "the raw edges of ancient ceramics are worthless", but in fact, when some precious and complete ceramics were hidden in museums or flowed to merchants, the porcelain pieces left by China ancient ceramics began to become valuable, and the collection value became increasingly popular. Photo: Porcelain ornament "One-sided Porcelain" was published by Beijing Fine Arts Photography Publishing House. The author tells the story behind ceramics with profound writing skills, exquisite pictures and market situation of collection. Bai Ming said at the press conference that in the early field of antique collection, the most important thing for ceramics is integrity. For example, the bowl of the official kiln in Amin dynasty is incomplete, even if there is a little bulge on the mouth, even if a "punch" is faintly found, the value of the top ten brands of ceramics in the world will be greatly reduced. However, in less than 20 years, the precious "whole porcelain" is not accessible to ordinary collectors, and the "pieces of porcelain" lost by the people has become precious. Bai Ming revealed that he collected more than 60,000 pieces of porcelain and established a theme museum. Bai Ming will give a lecture at China International Exhibition Center 1 Hall 2A. Bai Ming, a porcelain collector, invited citizens to appreciate Wan Wen. It is reported that the second China (Beijing) International Cultural and Creative Industries Expo kicked off today. At 2pm this Saturday, Mr. Bai Ming, a famous porcelain collector, will appreciate and exchange Wan Wen with the public in the copyright trading hall of the Press and Publication Bureau in Zone 2A of China International Exhibition Center 1. Bai Ming is the curator of Beijing Mumingtang Ancient Ceramics Museum? Known as "partial white", his book "Punching a Hole" is a best seller in the book market, and "Single-sided Porcelain" is another masterpiece of Bai Ming after this book. Combined with the collection market, this book reveals various mysteries of porcelain collection. In particular, the author explained this knowledge by telling stories with profound writing skills. For friends who like to collect, both beginners and collectors for many years can benefit from it. (Song Youfan) Related Porcelain Library China News Most of the chronologies on Song Dynasty porcelain belong to the Northern Song Dynasty, and only a few belong to the Southern Song Dynasty. Mainly seen in Yue kiln, Longquan kiln, Ding kiln, Yaozhou kiln, Cizhou kiln and other porcelain, engraving, printing, ink and painting. Photo: Most of the porcelains in Song Xianping in the first year of Jiannian are underglaze color books. Most of the dates on Yue Kiln and Longquan Kiln porcelain are carved. At present, the chronology of porcelain in the Northern Song Dynasty has been identified as Daguan, Daguan's first year system, Dazhong Xiangfu's five years and Li Qing's five years. Seven works, the year number is Yi You Sui ","Zhiping three years, years old, September 1st, craftsman Zhou Ming, Taiping Five Seal (that is, Taiping rejuvenating the country for three years), Yuanfeng for internal use, Yuanfeng Year, Yuan You Year System, Yuan You Four Years, Yuan You Seven Years March Tianmo, Jiayou Kouyue 22nd, Fu Yuan Three Years Mid-Autumn Festival Good System and Fu Yuan Three Years July 23rd History Five. Zhang Jiaji on October 3rd, the first year of Xianping, the diary on July 20th, the first year of Xianping, Dr Zhong's notes on April 16th, four years less, five years less, a new husband who worships Ning for two years, a new husband who worships Chun Hua for two years, a year of Yong Xi, a year of Xi Ning, and a year of Duan Gong. There are four chronologies in the Southern Song Dynasty: Jiading April, Shaoxing Yonghe Shujiazao, Shaoxing three years, Shaoxing five years and Xichun years. In a word, the chronology of porcelain in Song Dynasty increased obviously compared with the previous generation, but the chronology with simple content increased obviously, and all kinds of large sections decreased obviously. According to "Lu Tao of Jingdezhen", during the Jingdezhen period in the Northern Song Dynasty, Zhenzong ordered Jingdezhen to burn imperial vessels, and wrote the words "Jingdezhen Year System" at the end, but so far it has not been seen in kind. As for the tricolor figure-patterned pillows engraved with the words "Long Xingji Yuan Chun February Zhang Chong Treasure" collected by the Capital Museum, they are considered as fakes during the Republic of China. Experts believe that the number of under-glaze figure pillows in the Northern Song Dynasty is really small. China, a porcelain library, warmly reminds investors that investment needs to be cautious. (Su Meng) Related Porcelain Library China News Jun Porcelain, one of the five famous porcelains, is unique because of its "gorgeous glaze and incomparable splendor". It is a treasure that many collectors scramble to collect, ceramic net. There are many praises about Jun porcelain, such as "Gold is valuable, Jun porcelain is priceless" and "It is better to have a Jun porcelain than to have a treasure at home". There are also some small allusions to the origin of these praises. Today, Bian Xiao will tell you the legendary story of Jun porcelain. Photo: According to legend, during the Song Huizong period, officials in Yuzhou presented Jun porcelain treasures carefully made by craftsmen to the court. Hui Zong praised them as "rare and exquisite" after reading them. He ordered the chamberlain to display these tributes, washing products, jars and vases in Fushou Palace and called the royal ministers to watch them. Hui Zong especially likes one of the flower watering pots with the handle of Babel Dragon. One day, my beloved daughter Mao Degong and Xiu went on a pilgrimage to the palace. They were attracted by the exquisite skill of this pot and the magical kiln change. After reading it for a long time, I was reluctant to leave and dared not speak. Seeing this, Hui Zong picked it up from the box several times and put it down again. Finally, he reluctantly gave up what he wanted and gave the pot to his beloved daughter and Xu. From then on, the princess poured the clear spring water into the flower watering pot every day. She loved it as a treasure, but Hui Zong, who lost her treasure, was unhappy all day. One day, Emperor Hui Zong ordered eunuchs to lead the way. He was lucky enough to be in Cai Jingfu anonymously. He saw his daughter Mao Degong watering the flowers with both hands. Emperor Hui Zong stared at the pot watering the flowers and kept silent. When the princess put down the watering pot and kowtowed to the driver, Huizong woke up from his dream and spared him the gift, but he still looked at the watering pot eagerly. Lord Maud is very clever. Seeing this, he already understood. He whispered to Ma Xu, and then returned to Hui Zong: "My father likes flowers and stones. This jar is very suitable for watering flowers. This is the only one in the palace. My son and the priest brought it, which is blasphemous. Besides, I also enjoyed my eyes for a few days, so I asked my father to return this treasure, which was a filial piety. Why didn't my father ask the officials of Yangzhai (now Yuzhou City) to set up a kiln to make porcelain is widely circulated. " Hui Zong immediately smiled and replied, "Your statement suits me very well. You should have a good look." The next day, the imperial edict was sent to Yang Zhai officials, and famous craftsmen were summoned to set up an official kiln near Gujuntai to burn porcelain and pay tribute to the court.