How about "War Horse" and how is the ending?

I have finished watching the ending of "War Horse". I couldn't hold it back before, so I read the comments online and found out almost all the tears. Therefore, I didn’t cry when the British boy Albert and his horse Joey parted ways; I didn’t cry when Joey lost his companion and ran wildly and got entangled in the wire; when Joey was about to die, blindfolded Albert whistled to him, my eyes were sore. But never shed tears. Until the end, Joey was bought at an auction by a French grandfather who also loved him. Albert caressed Joey's cheek and said to him: "Don't worry about me, I won't worry about you. Hey, I found you, You found me too, didn't you? We are lucky, we have always been, and we have been extremely lucky since the day I met you..." At that moment, my tears finally broke out: There is indeed a kind of love in this world, and the name is letting go - —I love you, but I can’t be with you, so I advise you not to be sad, because someone will take care of you on my behalf, and I will still thank God for letting me meet you; I will also thank you, thank you. Let me fall in love with you, let my life have a pure, sincere, without a trace of evil thoughts, and a long and long yearning in my heart. . . I've always known Spielberg to be very sensational, but I've always been tricked into tears by him. After watching it, I can't help but reflect on why some of our "domestic blockbusters" are always empty. The director desperately wants to make people cry, but in the end the audience is unmoved or even laughs! We have never lacked grand narrative themes, but we have always lacked the most touching details of individual feelings, including those of men, women, the elderly, children, and even animals. Therefore, it is impossible for the audience to find an emotional landing point and enter a state of "sexual love". What is left are only pale slogans and bloody plots. So, where are the individual feelings? ——In those blockbusters, no matter what kind of war, our side is always just, and victory always comes first. We can naturally sacrifice everything, including blood, limbs, youth, and life, for the sake of victory. Even if we are close friends, lovers, brothers, and compatriots, as long as our stance is different, we will put aside everything, cut off all grudges, and never show mercy when we meet with swords. Who cares about your individual feelings! If you are cowardly and unwilling to sacrifice, then you are a coward and traitor that is despised by everyone. In other words, you have no right to be afraid or not to sacrifice. However, although sacrifice is noble, fear is also human. Besides, is this sacrifice really worth it? Have we ever thought that, except for the inevitable war of self-defense, other wars do not necessarily have to happen? Have you ever thought that there are other ways to solve the country's problems without making sacrifices? Can our films find even a little reflection on the war? ——In "War Horse", the questioning and introspection about the war permeates many details and the feelings of multiple individuals, and even becomes the keynote of the film: a young man in Germany took his younger brother as a deserter, just because the younger brother was too young, he Unable to bear the death of her siblings, the two were shot; the beautiful French girl Emily accused her grandfather of being cowardly, and her grandfather told her that there are many ways to express bravery, traveling across the battlefield like a homing pigeon, experiencing the pain and fear of war, and finally Returning to his hometown was brave enough in itself; two young soldiers from both sides of the war joined hands to cut the wire from Joey's body, and then tossed a coin to decide who Joey would go with. Interestingly, when the two broke up, one of them said, "I My shooting skills are terrible, don’t believe who I will hit.” One person replied, “This pair of iron pliers is for you, don’t forget your German friends.” There are so many exciting details! Emotions and thinking on the humanistic level are always inextricably intertwined with the technical level. With the development of movies for a century, Hollywood has already formed its own mature routines. The dream combination of director Spielberg, scorer John Williams, and cinematographer Janusz Kaminsky is enough to create whatever they want. The effect, although this effect is so exquisite that it may have a little bit of craftsmanship. Therefore, we saw the breathtaking pastoral scenery at the end like "Gone with the Wind": the brilliant sunset glow that filled the sky, a person and a horse slowly walking towards their home under the backlight, and the mother and child suddenly embracing each other tightly. The black silhouette of the two people and Joey standing quietly. I heard music that was either classical and elegant, some exciting and high-spirited, some crystal clear, some delicate and melodious. We feel what is the majestic epic pattern, what is the soul-stirring emotional power, what is the soulful and beautiful artistic expression.