How does the film Yellow Land reflect the oppression of the old society through pictures?

In the movie "Yellow Land", the oppressive feeling of the old society is reflected by the yellow land occupying the picture.

The Yellow Land is a film directed by Chen Kaige, which reflects the living conditions of working people under the oppression of feudal ideology in the liberation period. This film perfectly interprets the working people's desire to get rid of feudal oppression and their yearning for a new life with extremely exaggerated picture composition and unpretentious narrative techniques.

Ironically, feudal ideas persecuted the people so deeply that they were exposed in front of the camera. As a film reflecting social reality, what impressed me most was the exaggerated composition photography in the film. There are many shots in the film, including mountains and characters, and mountains always occupy nearly two-thirds of the shots, and often the characters are only on one side or corner of the picture.

This has caused a very uncoordinated relationship. The vastness of Huangtu Mountain and the insignificance of its characters, like profound feudal thoughts, weighed on the working people, making them breathless. This huge and tiny relationship is undoubtedly an excellent way to show oppression. In addition, the unequal relationship is also reflected in this film.

In Gu Qing's host families, women are always in the lowest position, and as Cui Qiao's father, they are always higher than their daughters. In the film, Gu Qing used foreground and background techniques when talking with Cui Qiao's father. Gu Qing and Cui Qiao's father are sitting on the kang, while Cui Qiao can only squat on the ground to work.