What slots are there in the movie The Climbers?

One of the two major injuries: the emotional line is too heavy

As far as subject matter is concerned, The Climbers is absolutely attractive. It is adapted from the story of China mountaineers climbing the top of Mount Everest from the north slope. The story is grounded, with strong emotional support and considerable space for visual wonders. Unfortunately, the director's ambiguity about the positioning of the story makes the film go astray as a whole.

This deviation is first manifested in the description of mountaineering. Obviously, it is a mountaineering adventure film, which neither shows the danger of mountaineering in large space nor depicts climbers psychologically. It is difficult for the audience to wait for the visual effects of avalanches and strong winds, and they are used to joining the emotional drama. Although the location, altitude, temperature and other data listed in the subtitles on the way to mountain climbing are very reliable, the danger under the lens is obviously weakened a lot. Compared with Jason Wu's word-of-mouth drama "Wolf Warriors 2" and the pure man movie "Wandering the Earth", the emotional drama of climbers is indeed a little more. If you look at the impression of the first two films, the gap is definitely great.

But The Climbers is a movie based on real events, and it is a movie that embodies the main theme. Wouldn't it be better to have a country, feelings and warmth? Do you have to be a tough guy hero? Climbers show everyone that iron men are gentle and heroes have love. Every climber is flesh and blood. They abandoned their small families for the sake of the mountains and rivers of the motherland and their sense of mission. The love between Li Guoliang and Black Peony may be to show the tragic when Li Guoliang gave up his life for the camera. Unfortunately, there is a lot of pen and ink.

Undeniably, if there are fewer love lines and a little restraint, maybe the reputation of the climber will be by going up one flight of stairs.

The second of the two major injuries: the protagonist's aura is too heavy, and Jason Wu is suspected of adding drama.

The eaves and walls of Fang Wuzhou abandoned factory buildings, and the snow-capped mountains were pinned down by icicles without serious injuries. These two action scenes are indeed a bit exaggerated, but they are not completely meaningless, not to mention that Jason Wu added drama to himself. The first one is to show that Fang Wuzhou, as a climber, does not relax his private training, even if the conditions are simple. Being pinned down by icicles is to warn everyone not to talk loudly in snowy mountains. This is a lesson of blood. As for why the protagonist was not crushed to death, if he was injured in bed, there would be no problem for the protagonist to climb the summit for the second time. If Xu Ying just avoided the big icicles, or the men and women who were not crushed, or the snow was written smaller, there would be no such exaggerated and embarrassing picture. In the final analysis, the director and the screenwriter are a little different.