Why did Wong Kar-wai shoot martial arts in slow motion?

Wong Kar-wai may have a little secret that surprises everyone, which is why he loves slow motion, just to make up time for movies. 90 minutes is too shabby, 120 minutes is really not enough, so 90 minutes is dragged into 100 minutes in slow motion, which sounds just right and refreshing. Of course, you can't just use the same slow motion. If the work is too rough for the audience to watch, the boss will not agree. So slow motion has also received attention. Actually, everything has to be like this. Aren't all clothes warm? Then they came up with so many tricks. 1, the camera does not move, and the protagonist slowly moves away from or close to the camera. In Night of Blueberries, rachel weisz used such a slow mirror after he appeared in the bar, and so did Maggie Cheung in In the Mood for Love. This kind of slow mirror usually appears to show the graceful figure of the protagonist, especially the female. 2, the camera is still, and the protagonist's face is static close-up. This kind of slow mirror is most conducive to delaying time. Generally, it will be used when the protagonist is spitting smoke circles or his eyes are blurred. This period of time is the prime time of Wong Kar-wai style, and it is a must for every king movie. 3, slow-motion mirror. The running of characters is especially suitable for this kind of slow mirror, which is of course a good way to delay time. Especially when the protagonist's heart is in pain and confusion, slowing down the lens of Rushing to the Wolves not only sublimates the protagonist's emotion-sublimes the pain into visual beauty, but also sublimes the audience's group emotional intelligence-and once again obtains pure enjoyment. The slow motion of Blueberry Night has reached the limit of ordinary commercial movies, and every scene is impossible without a slow mirror. Of course, Wong Kar-wai wants to create a style, so why not? It's just that it's interesting to meet fans who are not Wang fans occasionally and just wander off during the slow-motion movie. This is no different from looking at experimental images. It is really a pioneering film, full of all kinds of possibilities, and it also discusses the timeliness of the film. I just can't bear to say that it hurts too much. Anyway, it is another way, which gives me a third choice besides the two blockbusters. Just like Faye Wong, if he comes back now, he will buy even the worst discs. He won't shoot in the future. Someone must miss him and be kind and slow. Therefore, no matter how warm you swallow water, you should cherish it. Although he is old-fashioned, although petty bourgeoisie, although there is no breakthrough, but we are familiar with him, maybe this is enough. Yoji Yamada is more conservative, and Ozu is less, but their audience is familiar with it, which makes them warm. Once every few years, the warmth of this warm water, don't become arrogant, don't become arrogant, Wang is still the king, shoot whatever he wants, such a director is the happiest, and his fans must be happy.