Traditional Culture Encyclopedia - Tourist attractions - McIntosh divides tourism motivation into

McIntosh divides tourism motivation into

McIntosh divides tourism motivation into physiological motivation, cultural motivation, interpersonal motivation and sightseeing exploration motivation.

Cameron mackintosh (1946-) is a British drama producer. 1946 was born in Manfield, England. He is the most famous producer today. 1993' s American magazine Drama Weekly called him "the czar of drama production".

Charles Rennie McIntosh is one of the representatives of Glasgow School. He explored what he called the "old spirit" and designed unique architecture, interior design and products with new styles. McIntosh's style did not come into being suddenly, but was one of the development achievements of the British design movement and the European continental design movement. He is an important figure in the period of arts and crafts and modernism, and has the function and significance of connecting the past with the future in the history of design.

Features:

McIntosh is a typical representative of all-round designers produced by Art Nouveau Movement. His graphic design has distinct characteristics, especially his mixed use of geometric form and organic form, which is concise and highly decorative. His design style is deeply influenced by Japanese ukiyo-e painting. On the one hand, McIntosh's early architectural design is still influenced by traditional British architecture, on the other hand, it tends to pursue simple vertical and horizontal lines.

His interior design is excellent. He basically uses straight lines and simple geometric shapes, while white and black are the basic colors, and the details are slightly natural patterns. So as to achieve the purpose of having both a sense of integrity and elegant details. His famous designs include the Liu Yang Tea Room in the Hill family residence. The furniture designed, especially his famous high-backed chair-Hill House Chair, is all black with high-backed modeling, which is very exaggerated and is a concentrated expression of Glasgow Group style.