Thoughts on Reading Liang Heng's Prose

Liang Heng's creative attitude is "true" and pragmatic, not excessive. Let's take a look at what I've compiled for you: the feeling of reading Liang Heng's prose. Welcome to read, for reference only.

After reading Liang Heng's prose, I feel that (1) the wheel of history is rolling forward. In the long five thousand years, some people have been remembered by history, and even Shanhe changed their surnames. When I close Liang Heng's Prose, my heart is full of ups and downs. At the moment, I have many ideas.

Han Yu was the first of the eight masters in Tang and Song Dynasties and was admired by later generations. However, in history, he was once demoted to Chaozhou, a coastal town 8,000 miles away, as a local official. After only eight months as a junior official, he did four earth-shattering things except crocodiles, building water conservancy projects, redeeming handmaiden and setting up education. Put yourself in others' shoes. Han Yu was demoted. Why is he "meddling"? He is a disgraced minister. Just wait for the chance honestly. Why did he take the initiative to participate in politics? But he doesn't think so. He thinks he is capable of doing something. He thinks that his grievances are nothing compared with the sufferings of the people. What is the reason? Because he cares about people! He didn't bid farewell to the little corner of the sea, he didn't ask for a name. He just wants to contribute to the people and seek success in his heart.

Hundreds of years later, history awaits an old man who is faltering. He was appointed by the royal family, the last guilty minister in ancient China, and the first hero entrusted by the people at the beginning of modern history. He is Lin Zexu.

"The opium is not exhausted for a day, and this minister will not return for a day, and he will be with this matter!" What impassioned words, what surging lofty sentiments. But he is naive. It's not his decision. He has to listen to the emperor. After a year and a half, he was demoted to Yili. On the road, he kills people when they are in trouble, and saves them when they are in trouble. Whether the smoke is harmful or the water is harmful, he stands up to stop them. Afterwards, others rewarded him according to his merits, but he still wanted to send him to Yili. Every time I read this, I always feel aggrieved and unfair and cry for Lin Zexu. Sometimes I still think he is so stupid. If the court doesn't need him, neither do you. You, Lin Zexu, are not the kind of person who cannot leave the imperial court. The emperor is incompetent and the traitors are in power. Then you can't "be drunk and you are turbid." But Lin Zexu has a hard bone and a hot heart. He won't care about state affairs because the court doesn't value him. He still works for his country like an ox. For a whole year, he added 690,000 mu of cultivated land for the Qing government, which greatly enriched the national treasury and consolidated the border defense. Lin zexu's loyal and treacherous court official division. What made him endure physical and mental torture and make contributions to the country again and again, but he was not on the commendation list? It's the patriotism of that fist. He loves his country and people, cares about the whole world and takes the world as his responsibility.

Don't these deserve our admiration? Think about those officials who take bribes and bend the law in real life by virtue of their legitimate duties, whether they are big traitors or greedy, or Lin Zexu and Han Yu, who "enriched the people in August and were surnamed Han in the world", because they all have a patriotic heart. A person is insignificant, but when he is linked with people's interests and social progress, he will be recognized by society and lifted up by people.

Reading Liang Heng's Prose (2) At first I didn't like Liang Heng's essays. Although Jinci is really good, I don't like that kind of lengthy article, so I don't have much impression on the author. Once again, I saw his article "Beautiful Over a Hundred Years", but I still didn't feel anything. Until he wrote three essays as excerpts from extracurricular reading, "Looking for a ferry, looking for a ferry, where to cross? After reading a class, I was deeply impressed by the three characters in his works. These three characters are full of tragic colors, and at the same time they have the spirit and grace that people have to admire. I think they are all living in Liang Heng's works, showing us the details of their lives.

From then on, I began to look for Liang Heng's collected works, but I couldn't find them. I read a lot of collected works. I also bought a copy of Yu's Cultural Journey, but I don't like his writing style very much. I always feel that his articles are not atmospheric enough, and I feel a little indecisive. But after reading his article, Liang Heng had an obvious feeling of being attracted and inspired, and suddenly had a clear feeling.

Finally, I found a middle school student reader of Liang Heng's prose.

I found those three articles first, and I read "Shoot the railing all over". Xin Qiji's life is really tortuous. When I was young, I rushed to the battlefield with full blood, but when I returned to the south, I was taken away by someone. I can only write sad, helpless and self-deprecating words with a soft pen. What moved me most was the song "Never Meet Music". He's laughing at his last name! "The taste of hard work and sadness is always bitter and uncomfortable. Even more pungent, pepper and cinnamon can be mashed and vomited. There should be something in the world, and it is sweet and beautiful, not at my door. " This is the first time I saw this word, but I was deeply shocked by the helpless irony hidden in it. What kind of frustration does he have to feel that his surname is "hard", "sour", "sad" and "spicy", but he can't have good things!

There is also a great Zhou Enlai, written on his centenary birthday. Those long histories are not complicated at all in Liang Heng's works. On the contrary, everything makes Zhou's selfless image more vivid and vivid, and makes him deeply moved by things he has never seen with his own eyes.

Every article about such a person can feel that the person described by the author is a lively, vivid and three-dimensional great man, rather than an irrelevant person who has been classified as a history and a stranger. Everyone is admirable and sincerely respected. There are many articles about scenery, notes, lyricism and reasoning in this book, which is well worth reading.

After reading this book, I feel that listening to you is better than reading for ten years!

Thoughts on Reading Liang Heng's Prose (3) I like reading Liang Heng's Prose. Liang Heng's prose is like a beautiful song, fascinating and intoxicating. Over the years, I have read Liang Heng's works, such as Shooting at the railing, Finding the Ferry, Finding the Ferry, Where to Cross, Reading Han Yu, Reading Liu Yong, Jinci, Summer Feeling and so on. Reading Liang Heng's articles has a pleasant, one-stop, even to the point of forgetting to eat and sleep. Liang Heng's prose is not only beautiful, but also full of "truth, goodness and beauty", which left a deep impression on me.

Liang Heng Prose, published by Baihua Literature and Art Publishing House, not only gives people the enjoyment of the artistic beauty of prose, but also gives people the enlightenment of pursuing truth, goodness and beauty in prose creation. The enjoyment of this artistic beauty is mainly reflected in the author's wholehearted pursuit of the artistic realm of prose and his creative practice; The creative inspiration of this book "Truth, Goodness and Beauty" is mainly reflected in the author's profound and insightful theoretical discussion on the artistic realm of prose.

( 1)

Here, people who have usually read Liang Heng's prose generally believe that Liang Heng is most faithful to the three levels of prose realm, namely, the first level of objective description: descriptive beauty; The second level of subjective description: the beauty of artistic conception; The third level of subject-object description: philosophical beauty.

The author believes that the first level of "describing beauty" is represented by Jinci. In this paper, the method of combining explanation and description is used to describe the long historical relics and beautiful natural scenery of Jinci Temple with very specific images. The characteristics of physical beauty are very obvious. The language is vivid, vivid and fluent. It is really a beautiful model essay. The second level of "artistic beauty" is represented by Sanqing and Hukou Waterfalls in the northwest. The characteristics of this kind of writing are mainly permeated in Liang Heng's own thoughts and feelings. The third-level words of "philosophical beauty" are rarely described by the author, mainly "Poems of Marxism-Leninism Park" and "Talks between Mount Tai and Heaven".

In recent years, Liang Heng has created several essays about great people, which can be said to be "beautiful" and excellent. "Red Wool, Blue Wool", written in 1996, illustrates the Grand Duke, the leader of the * * * production party in China; Zhou Enlai (1998)-Zhou Enlai died without ashes, gave birth to no children, made a secret appearance as an official, was not private for the party, worked without complaints, and died without leaving a message. "The Prime Minister abandoned himself, truly achieved' great nothingness', and at the same time gained' great nothingness' that others did not have." In fact, Zhou Enlai's six "big words" are, in the final analysis, a grand duke. "The bottom of my heart is selfless, and the world is wide." Mr. Liang Heng highly summarized the great courage, talent, virtue and love of Premier Zhou Enlai's life with "nothing remarkable"; Shooting All the Blocks (2000) is about Xin Qiji, who is both a war hero and a great poet. Lin Zexu, a non-smoking hero with mixed merits and demerits, was written in The Last Guilty Hero (200 1). The beauty in Gone with the Wind (2002) shows the loneliness, impatience and talent of a generation of poetess Li Qingzhao. Wait, wait, wait. There is always an invisible barrier between us and our predecessors. Sometimes we want to see it clearly, but we don't. Over time, we will remember fewer and fewer people and things. Maybe we can only name a name or a theory, but we don't know much about their intrinsic beauty of rhyme, personality and spirit. Therefore, Liang Heng did a great kindness. His prose filled you with flavor, made you fully feel and touched the soul essence of these people. Liang Heng said that through their creation and failure, struggle and sacrifice, happiness and sadness, we will get brilliant beauty, profound beauty and tragic beauty. Therefore, his praise of nature, great men and great heroes stems from his pursuit of beauty, practitioner and bitter creator.

(2)

Liang Heng advocates that prose should be true, and should write great events, great feelings and great truths. With convincing theoretical courage, he first criticized Mr. Yang Shuo's three-stage creative mode of "things-people-reason", which he once admired. He objected that prose became a footnote of politics, and prose was divorced from politics, and proposed that prose should return to reality. He said that he was an ascetic on the road to writing, thinking more and doing less. He said that he would be like Michelangelo's creation: no one should read it until it is finished; Any non-original works will not remain. "No innovation, no effort" is his creative philosophy. He said don't repeat your predecessors or yourself, just keep innovating. It was difficult, but he did it. Liang Heng is a recognized essayist. In fact, he contributed more to the innovation of news theory and writing theory than the former. He said so himself.

So, where is the truth-seeking spirit in Liang Heng's prose? The author thinks it is mainly reflected in his ideological connotation. He is an intellectual with a sense of social responsibility and a good thinker. In his works, he often reveals a broad humanistic feeling, full of a love for the motherland and the people to seek truth. Most of the characters in his works are people with lofty ideals who are concerned about the country and the people, and they have had an eventful life. He truly eulogized them and excavated a powerful spiritual power from them, which was touching and inspiring.

Liang Heng spoke highly of Han Yu. The article "Reading Han Yu" said that when Han Yu was demoted to the remote Chaozhou as a local official, he did not sink because of personal adversity. In a short period of eight months, he did four good deeds for the local people, and was deeply loved by the people. Their deeds have been passed down to this day. To this end, a local Han Gong Temple was built to commemorate him, and a mountain was renamed Hanshan and a river was renamed Hanjiang, making it immortal. Han Yu wrote many articles, but the author is good at exploring and writing "true feelings". In terms of adversity, he compared Han Yu with Qu Yuan and Li Bai. Speaking of it, "from this point of view, Han Yu is better than Qu Yuan and Li Bai. He didn't just stop sighing on the Shu Road and meditating by the river." "No matter how wronged you are, history will never shed tears with you, but will only recognize your contribution." Furthermore, it is pointed out that before Han Yu took office, what did successive local officials do in the face of these drawbacks? Looking back at history and facing reality, the author's question is thought-provoking and alarming! At the same time, we have to respect the lofty realm of Han Yu.

From an artistic point of view, the use of metaphor in Liang Heng's prose has the author's obvious "true" love and hate, while the use of metaphor in "Looking at a House in Qingdao" is somewhat contemptuous, so it is not difficult to see that the author hates the colonists. On the contrary, Autumn Colors in Shihezi reveals the author's sincere joy and sincere respect for the builders. Metaphor is closely related to the author's knowledge, experience and emotion. A good metaphor can not only add luster to the language of the article, but also increase the momentum of the article. More importantly, it is saturated with the author's emotion when creating, which will bring shock to readers and receive unexpected results.

Liang Heng's creative attitude is "true" and pragmatic, not excessive. Usually only write one article a year. He spent six years before and after writing Find a Ferry, Find a Ferry and Where to Ferry, and even spent 20 years writing A Great Zhou Enlai. This reminds me of a sentence, "You have to work hard to produce fine products." Cao Xueqin wrote A Dream of Red Mansions, which has been read for ten years and added and deleted five times. It is still an unfinished work. It is precisely because of this pragmatic attitude that the author's works can stand the test of time and be circulated for a long time. In today's impetuous atmosphere, Liang Heng's realistic creative attitude is undoubtedly worth learning.

(3)

As far as "goodness" is concerned, Liang Heng is best at understanding people's feelings, understanding his inner world, and examining from multiple angles. In the article Looking for a Ferry, Finding a Ferry and Where to Cross, the author reinterprets the superfluous words written by Qu Qiubai before his execution. "When we only look at his career and watch him die calmly, he is an admirable mountain in the plain; When we look at his anatomy again, he is a peak facing a deep valley. The wind is whistling and the forest is roaring, which is extremely steep. " The author imagines, "If Qiu Bai is a character like Li Kui jy, shout: Chop at Grandpa, and he will be a hero again twenty years later. Maybe people have forgotten him. " Just because "he felt that he was really insignificant and really ashamed of the title of party leader, he carefully analyzed his soul with a scalpel." "He thinks exploration is more valuable than arrival." The author sighed with emotion, "If he didn't make any revolution at first, he would become a famous writer, translator, epitaph, calligrapher and famous doctor as long as he pulled out a hair from his body and cultivated it carefully." "A person without talent also just, or a little to become a thing. The most regrettable thing is that he only did one thing with ten points, or even did nothing. This is a pity for future generations. " In the author's pen, a bold and frank image of Qu Qiubai stands in front of readers, which makes people sigh. Qu Qiubai's daughter, after reading Looking for the Ferry, Looking for the Ferry and Where to Ferry, lamented that the author knew his father's inner world best, and his articles even surpassed his father's biography. It can be seen that between the lines of Liang Heng's prose, there is a humanistic feeling of understanding.

Thoughts on Reading Liang Heng's Prose (IV) I have recently finished reading two collections of essays by Liang Heng, Seeking the Crossing and Washing the Dust, and I can't help but be impressed by their wise and profound language.

A large part of the prose collection is historical prose. Among them, "Shoot the railing all over" and "Gone with the Wind" impressed me deeply. "Shoot the railing all over" uses Xin Qiji's poem "See Wu Gou, Shoot the railing all over" to comment on his life from martial arts to literature in prose. Xin Qiji rebelled against Jin when he was young. After returning to the Song Dynasty, he wanted to make some contributions to the country, but he could not be reused for life. Although there is no way to serve the country, he still cares about the world, and his patriotism hidden in the countryside is still beating. The beauty in Gone with the Wind is based on Li Qingzhao. Her first half life was happy and perfect, but the sudden loss of her husband and the pain of national subjugation gave her a heavy blow. Although the comfortable life in the past is gone forever, Li Qingzhao did not lose hope in life, which almost made her climb to the peak of classical poetry.

Another major part of the prose collection is travel prose. These essays are not only vivid in language, but also express a theme that goes beyond "swimming". For example, the wounded beauty in Wuliangsuhai, the vivid scene of fish jumping into the lake in Wuhai, such as the jumping notes on the staff, is in contrast with the wave "yellow and black at the stern, like a newly turned furrow", which highlights the author's regret and helplessness and appeals to people to protect the beauty of nature that is passing away. In an old camphor tree with a bomb, it depicts the vigorous vitality of the old camphor tree that caught the bomb: "It is simply a rocky mountain that suddenly solidified after the volcano erupted from the ground." Perhaps this description is not only to show the tenacious vitality of the tree, but also to symbolize the eternal death of revolutionary forces.

In the prose collection, there are also many articles from matter to reason. For example, The Friction between Man and Stone explores the psychology of ancient people by describing various contents carved on stones by different people: rulers want to consolidate their rule with stones, officials want to leave a good reputation with stones, and people want to remember their kindness with stones. ...

These two collections of essays not only reflect Liang Heng's superb cultural skills, but also show his profound and wise philosophical thoughts.

Thoughts on reading Liang Heng's prose (5) I remember that in high school, the Chinese teacher once recommended Mr. Liang Heng's "Shoot the railing all over". She once said that teacher Liang's prose collection must be read, which will definitely bring you different feelings. But because there was not much time at that time, I didn't have time to watch it until I got to the university. After reading it, I had a lot of feelings.

Mr. Liang said that reading articles should pay attention to knowledge, ideology and aesthetics. Although we don't have a political lesson when we study, the thoughts in it will also affect our lives and form a frame of reference for us to understand society and life.

Therefore, I think that when reading a book, we should learn to examine its connotation, not just accept it blindly, but learn to accept it critically, discard its dross and take its essence, so as to truly understand a book. These made me realize the real intention and method of reading. It turns out that I'm just reading, not too much. I just looked at it in name, or I was in a bad mood and didn't take it to heart. Although it is a little different from what Mr. Liang said, it is equivalent to not reading it. But it reminds me of many readers now. They read a book and throw themselves into it too emotionally, making them feel that they are the protagonist, thus being confused by their own emotions or outlook on life and having a wrong understanding of the whole real world, which has led to many tragedies. Just as Mr. Liang said, don't blindly accept the author's point of view or the literary world constructed, learn to accept it critically and learn to examine it. Only in this way can we really learn nutrition from books, instead of reading a book for nothing. Incorrect reading will only be counterproductive.

Mr. Liang wrote in Jinci, A Scene of Ku Jin, that the beauty of mountains, trees and people in Jinci gave me some new views on another very popular phenomenon-tourism. Nowadays, people like to travel very much, and they will travel during holidays or leisure time. But now I feel that travel is more of a form. Too many people just go to places of interest to take a photo and remember it. Too many people have to take photos or visit the most famous places, no matter how tired they are. I once read an article, the author said that "the most important thing in tourism is to discover beauty, enjoy the beauty of nature, relax and sublimate the soul, not just a task, which makes tourism lose its most fundamental meaning".

I deeply agree with this. Nowadays, too many people don't know how to discover beauty, but just take photos at scenic spots as a souvenir, as if they have completed a task. Nowadays, people are too impetuous to really calm down and feel our life, let alone discover beauty. People will only take photos numbly, but will not really relax, feel nature and sublimate their souls. As Mr. Liang felt in Jinci: in spring, the mountains are covered with yellow flowers and the paths are fragrant; In autumn, the vegetation is gloomy and the sky is clear, so whenever you climb a mountain, it is refreshing. Mr. Liang really saw the beauty of nature in the scenic spot, which not only relaxed his mood, but also sublimated his soul. He is a real tourist and an admirer of nature, and we should all be like this.

Finally, what impressed me most about Mr. Liang is that anyone can be king. He wrote at the beginning that the king has a high power, the wealth of a country is dominated by him, and the people of a country are dominated by him. So naturally it has become everyone's goal.

But later, Mr. Liang said that the ruler is shorter and the inch is longer. Sometimes the length is not absolute, and Wang also has limitations. The king also has something he can't get. Of course, not everyone wants to be king. Some people just like to travel, indulge in wild interests, cherish the feelings of mountains and rivers, and are not bent by power. But in fact, the present society is pluralistic, and so is the king. Everyone can be king in his industry and field. Then warned us that everyone can be king as long as they work hard. Just like Liu Yong in the Northern Song Dynasty, although he was relegated by Renzong, he became his king in his field-Ci. Therefore, we should not give up on ourselves and complain about social injustice. As long as we are willing to work hard, we will become our own kings. Everyone is equal, no one needs to feel inferior, let alone be proud. Work hard and you will become the king in your heart.

This is my feeling after reading Mr. Liang's prose. I believe I will really learn to read, find beauty, work hard and not complain. I believe my life will be better.