Introduction of Shaanxi Tourist Attractions Cultural Introduction of Shaanxi Tourist Attractions

Introduction of Shaanxi tourist attractions

Introduction of Shaanxi tourist attractions

Shaanxi is the geodetic origin of China's latitude and longitude datum, and the seat of the National Time Service Center of Chinese Academy of Sciences. The following is an introduction to the tourist attractions in Shaanxi that I have carefully prepared. You can refer to the following!

1: Huashan

Huashan Mountain, called "Xiyue" in ancient times, is one of the five famous mountains in China, with an altitude of 2 154.9 meters. It is located in huayin city, Weinan City, 65,438+020 kilometers east of Xi City, Shaanxi Province. It is a granite mountain on the north side of the Qinling branch watershed. With the change of nature, various forms of Huashan Mountain are vividly outlined, and it is known as "the first mountain in the world". Its historical evolution can be traced back to 654.38+0.2 billion years ago. According to Shan Hai Jing, "Taihua Mountain is divided into four directions, 5 thousand meters high and 10 miles wide."

Huashan Mountain, namely Xiyue Mountain and Dongyue Mountain, was first seen in the book Erya Shishan. Xiyue is called "Xiyue" because Zhou Pingwang moved to Luoyang in the Eastern Zhou Dynasty, and Huashan is in the west of the capital of the Eastern Zhou Dynasty. Later, Xianyang, Qin Dou and Chang 'an, the capital of the Western Han Dynasty, were both located to the west of Huashan, so Huashan was no longer called "Xiyue". It was not until Liu Xiu, Emperor Guangwu of Han Dynasty, established the Eastern Han regime in Luoyang that Huashan regained the title of "Xiyue" and has been in use ever since.

Huashan Mountain has attracted countless tourists for its precipitousness. The scenery, courtyards and pavilions on the mountain are all built according to the mountain situation. A mountain flies like a castle in the air, which is unique to Gu Song. The peaks are beautiful and have different images, such as Han Xiangzi herding cattle, the golden toad killing turtles and the white snake in distress. Gu Dao gurgling water, mountain streams and waterfalls are even more interesting. Huashan is still standing in the Weihe Plain. The three peaks in the east, south and west rise again and again like knives. Zhang Qiao, a poet in the Tang Dynasty, wrote in his poem: "Who will cut Yongfeng according to the heavenly sword?" They are all aimed at the straightness of Huashan Mountain. The Weihe Plain at the foot of Huashan Mountain is only 330-400 meters above sea level, while Huashan Mountain is 2 154.96 meters above sea level, and the height difference exceeds 1700 meters. The mountain is magnificent and more upright.

At present, there are five peaks in Huashan Mountain: East, West, South, North and Middle. The main peaks are "Wild Goose" in the south, "Chaoyang" in the east and "Lotus" in the west. The three peaks stand tall, and the shadow of white clouds falls into the Yellow River, which is called "the three peaks in the sky". There are also two peaks, Yuntai and Jade Girl, which complement each other. There are 36 small peaks in front, and the weather is dense. Due to the changeable climate on the mountain, Yunhua Mountain, Yuhua Mountain, Fog Mountain and Snow Mountain give people the beauty of fairyland. It is the so-called Wang Xijing Qi.

Huashan Mountain is one of the cradles of China culture. According to Zhang Taiyan, a famous scholar in Qing Dynasty, "China" and "Huaxia" were both named after Huashan Mountain. There are records about Huashan Mountain in Shangshu. There are also stories of Huangdi, Yao and Shun Huashan cruising in historical records. Huashan also has the footprints of countless celebrities, legends and historical sites. Since the Sui and Tang Dynasties, scholars such as Li Bai and Du Fu have recited more than a thousand Huashan poems, inscriptions and travel notes, and there are as many as a thousand stone carvings. Many literati, from Yang Zhen in Han Dynasty to Feng Congwu and Gu in Ming and Qing Dynasties, all lived in seclusion in Hua Valley and opened museums for their disciples, which were very beautiful for a while. Xiyue Temple, which was built during the reign of Emperor Wu of the Han Dynasty, has the reputation of "Forbidden City in Shaanxi" and "First Temple in Wuyue", and is the earliest and largest temple in Wuyue. In the history of China, 56 emperors came here to visit or hold sacrificial activities.

Chapter II: Terracotta Warriors and Horses of Qin Shihuang

The eighth wonder of the world. 1974, the discovery of the terracotta warriors and horses pit in Qin Shihuang's mausoleum shocked the world. This underground sculpture group built in the 3rd century BC, with its majestic momentum, vigorous and rigorous military array and lifelike pottery figurines, shows people the glory of ancient oriental culture, which is comparable to the "Seven Wonders of the World" in terms of construction age, building scale and artistic effect. As a result, the reputation of "the eighth wonder of the world" spread like wildfire and became synonymous with the Terracotta Warriors and Horses of Qin Shihuang's Mausoleum.

The Terracotta Warriors Museum is the largest site museum in China. In addition to the protection exhibition halls of Pit No.1, Pit No.2 and Pit No.3, there are also the cultural relics exhibition rooms unearthed from Terracotta Warriors and Horses Pit and the Qinling bronze chariots and horses exhibition room.

The most important discovery of the 20th century.

Xiyang village was originally an unknown ordinary village at the northern foot of Mount Li. 1in March, 974, villagers in Xiyang village dug a well beside the persimmon forest in the south of the village160m. It is located in the front of Lishan alluvial fan, where mountain torrents and mudslides deposit, and the cultivated land is mixed with cobblestone bushes and abandoned wasteland. Construction started on March 24th, and when it was dug to a depth of more than 3m, it was found that there were braised soil, sintered blocks, carbon chips and ashes below, and everyone thought that it had hit the ruins of the old brick kiln. Continue to play, on the west side of the shaft wall more than 5 meters deep, the quiet face of "Wa Wangye" finally appeared in the dim light. When Fang Shumin, a commune cadre, came to check the progress of well drilling, the villagers were surprised. He went down to the bottom of the well and observed carefully, and found that the bricks on the ground were exactly the same as those found near the mausoleum of Qin Shihuang. He quickly told everyone to stop drilling wells, and then rushed to the county to report to the county cultural center. Lost for 2200 years, the "eighth wonder of the world" has returned to the world.

This is a memorable day-March 29th, 1974.

The pinnacle of China sculpture art

Pre-Qin sculpture was simple and naive, and the artistic style of China sculpture was formed after accepting Buddhist culture. Its characteristics are high generalization, concise lines, romantic style, emphasis on decoration, and emphasis on spirit likeness without losing realism. However, the discovery of the Terracotta Warriors and Horses in Qin Dynasty made Chinese and foreign experts in art history stunned. People have found the peak of oriental classical realism sculpture art 2000 years ago here, and found a long-lost page in China art history! It strictly uses realistic creative techniques, and its shape, structure, proportion, texture and measurement are all based on accurate anatomical structure. From the face of the Qin figurines, we can see the exact position of cheekbones, brow bones and mandibles under the skin and muscles, and the size, proportion and position of the five senses are nuanced, and every bump and depression of the figure conforms to the human anatomical structure. You can even judge the breed from the appearance of the horse. Not only that, these artists also pay attention to grasping the characters' personalities, pursue changes from the aspects of facial expressions, inner activities and mental states, and create many lifelike artistic shapes with different expressions and both form and spirit.

No.1 pit-the main lineup of Su Weijun

Pit No.1 Protection Exhibition Hall is the earliest building in the Terracotta Warriors Museum, which was completed and opened in June 1979. Among the three terracotta warriors and horses pits, it was discovered the earliest and the largest. The pit is an east-west rectangle with an area of14260m2. There is a rammed partition wall with a width of 10 of 2.5 meters in the pit, forming a pattern of 9 rooms wide from north to south and surrounded by cloisters. More than 65,438+0,000 terracotta figures, 8 chariots, 32 terracotta horses and nearly10,000 bronze weapons have been excavated locally. According to the arrangement density of unearthed terracotta warriors and horses, it is estimated that there are more than 6000 terracotta warriors and horses buried in pit 1.

This is the main array dominated by infantry, with chariots and infantry alternating. Equipped with forward, main force, guards and wing guards, with alternating steps and riding, both horses and chariots, large scale and tight layout. At the eastern end, three rows of infantry figurines face the east, with 68 statues in each row, which is the pioneer of the army array; Then there is the March 8th column with chariots and infantry alternating, which constitutes the main body of the army array; There are 1 lines facing south, north and west respectively on the north and south sides and the west end of the figurine pit, which are the wings and guards of the military array.

The pottery figurines here can be divided into infantry figurines, crossbowmen figurines, chariot figurines and cavalry figurines. Infantry sources are arranged in columns or rows, each holding a different weapon posture; The crossbowman figurine makes a bow and can carry an arrow at any time; Chariot figures follow behind the chariot, with weapons in their hands; The cavalry figurines stood beside the horse, holding the horse in one hand and holding the weapon in the other. Strict rank system is an important guarantee for the combat effectiveness of the army, which can be clearly seen from the different clothes, costumes and weapons of the pottery figurines. The lowest soldier figurine, with short brown hair, no armor on the chest, legs tied (leg-bound), feet and shoulders; Soldiers with higher ranks wear short hair or small round hats, and besides short brown armor, they also wear short boots or square shoes; The source of low-level military attache, wearing a single long crown, black long armor and a shirt cover; Senior military officials wear double-edition long crowns, and colorful lace breastplates or fish scales are evenly distributed on the front and back of shirts; The unusual general wears a long crown with a double curly tail, and the crown belt is tied under the neck and hangs over the chest. This kind of crown is also called "the crown of cranes". Originally, black chicken tails were glued on both sides of the crown. It is said that cranes are brave and good at fighting, and "will fight to the death". The general wore a double-decker combat robe and a peculiar aluminum armor. Aluminum armor is triangular and consists of fish scales, with colored ribbons on the shoulders and chest. General Yong is located among the infantry figurines, surrounded by a group of officers. His face is dignified, his beard is beard, his feet are apart, his right hand clasps his left arm and wrist, and his hands are placed in front of his abdomen as if leaning against a sword. Another statue of a general who once stood on a combat unit has a long beard under his forehead, a serious expression and a sword in his left hand. The rank can also be seen from the different weapons held. Generals and senior officers only have swords for command and self-defense; Statues of low-ranking military officials and soldiers all carry offensive weapons, such as spears and daggers.

Pit No.2 —— Uncovering the Mystery of Ancient Military Array

No.2 pit is located about 20 meters north of No.1 pit, which was discovered during the archaeological exploration of 1976. The plane is ruler-shaped, the longest point from east to west is 96 meters, the widest point from north to south is 84 meters, the depth is about 5 meters, and the area is about 6000 square meters.

The second pit consists of four units. The first unit, that is, the protruding part in the east, consists of a kneeling crossbow and a vertical crossbow source with a crossbow; The second unit, the south half of the figurine pit, consists of a chariot phalanx and chariots; The third unit is the combination of chariots and disciples in the middle of the figurine pit, which consists of chariots, infantry and cavalry figurines. The fourth unit, the northern half of the pit, is a long phalanx composed of many cavalry. The four phalanxes are combined into a rectangular array, which can be attacked and defended when moving forward, orderly and impeccable, with flexible array transformation and end-to-end coordination. It is not only the antenna of exploratory attack, but also the striker of assault attack. It is the only discovery in China's archaeological history and provides a rare intuitive model for understanding the military establishment and combat mode of the Qin Dynasty. According to the density estimation of local trial excavation, the number of terracotta warriors and horses buried in pit 2 is about 2000, and there will be a large number of bronze weapons. Compared with Pit No.1 and Pit No.3, Pit No.2 is the essence of Qin figurines, with more complex shape, complete weapons, diverse postures and complete preservation. Among them, pommel horse cavalry figurines and kneeling crossbowmen figurines are unique to the No.2 pit, and the completeness of various chariots is also the characteristic of the No.2 pit ... The chariots here can be divided into four types: command vehicles, auxiliary vehicles, coach vehicles and general vehicles. The command vehicle is beautifully decorated, painted black, and the geometric pattern is exquisite. There is a circular canopy on the roof, and there are generals, Yu Shouyong and Rong Youren (guards) in the car. The command tool is a bell and drum hung on the car, which attacks when the drum is played and retreats when the bell is rung. The auxiliary vehicle also has a canopy and a bell and drum, and there are only imperial hand figurines and Rongyou figurines on the vehicle, leaving room for general figurines. When fighting, the auxiliary vehicle follows the command vehicle closely, and supplies and rescues in time in case of emergency. There is also a canopy on the bus, but there is no bell tower. There are four pottery figurines in the car, one is a royal hand figurine, the other is a military attache figurine, and the other two are samurai figurines. Experts believe that this kind of bus, as a precursor, takes the lead in marching, challenges in fighting, sends gauntlets to the enemy, and then the two armies formally confront each other. Generally speaking, there is an imperial hand figurine and two samurai figurines on the chariot. Warriors on both sides of the imperial hand hold long weapons such as spears and daggers, and vehicles are also equipped with bows and arrows.

No.2 pit exhibition hall was built in 1994. Magnificent, dignified and solemn, with the style of the Qin Dynasty. There are exhibition room, video room, VIP reception room, monitoring room, tea room, lounge, cultural relics library and other supporting facilities. It is the largest, most modern and fully functional site protection exhibition hall in China.

Pit No.3-Military Curtain for Commanding the Three Armies

Pit 3 and Pit 2 were discovered during archaeological exploration in 1976, and the protection exhibition hall was built in 1987. It is located on the north side of the west end of No.1 pit, 25 meters away from No.1 pit and about 120 meters away from No.2 pit in the east. These three pits are arranged in a "needle" shape.

Among the three pits, the third pit is the only one that has been completely excavated and cleaned, and it is also the smallest one. The plane structure is concave, with a depth of 5.2 ~ 5.4m and an area of 524m. There are 4 terracotta horses, 68 warrior figures and 34 bronze weapons unearthed in pit 3. Except for the four chariot figures matched with the chariot, the other 64 warrior figures are arranged in a non-combat formation along the tunnel, and are not equipped with actual combat weapons such as crossbows, spears and swords, which is more ceremonial and dignified (sound "book"). Experts believe that this is the "military curtain" to command the three armed forces, that is, the command system of the whole branch guards. Although there were many arrangements for the ancient army, the most basic ones were the left, middle and right armed forces. The first pit is Zuo Jun, the second pit is the right army, and the third pit is the headquarters. So, where is the other Zhong Jun? That is to say, we only dug up the information pieces, but didn't have time to build bricks and shed wood, and didn't have time to put them into the fourth pit of the Terracotta Warriors. According to the survey, No.4 pit covers an area of more than 4,000 square meters. Although it is rarely mentioned, it is not dispensable because these four pits constitute a complete military establishment system. Three are short of one, leaving historical defects. According to historical records, "The achievement of Mount Li was not achieved, and Zhang Zhou was given a million teachers."

Qin copper chariots and horses

During the period of 1978, the archaeological team of Qin Shihuang Mausoleum discovered a group of sacrificial pits for chariots and horses at 7.8 meters underground 20 meters west of Qin Shihuang Mausoleum. These two bronze chariots and horses were excavated from it.

Bronze chariots and horses were originally put in wooden coffins. Due to the age, the wooden coffin rotted and the filler sank, and it was crushed into more than 1000 pieces. In order to facilitate the restoration, archaeologists initially cleaned up the accumulated soil on the upper part of the bronze chariots and horses, inserted steel plates into the ground, hoisted the bronze chariots and horses out of the pit and boxed them, and transported them back to the room for cleaning and splicing. After eight years of hard work, they finally regained their majestic posture.

From the perspective of artistic appreciation, the bronze chariots and horses are impeccable in shape. The vigorous and fat horse, dressed in glittering gold and silver ornaments, stared at the front, with his nostrils slightly open, his teeth clenched, his teeth ticking, his mane flying in the wind, and his bamboo cutting his ears crooked, as if he were following orders, just waiting to let go of his hooves. The imperial officer of No.1 bronze chariot and horse stood at the front of the car, standing with his legs together, leaning forward slightly, holding the reins in both hands and looking at the front of the car attentively. The imperial envoy of the No.2 bronze chariot and horse sat at the front of the car. Wearing a cloud crown, a green sword hanging from the waist, wearing a long gown and Confucian clothes, the round neck turned out, holding the reins tightly, holding high the long policy, and his round face showed a satisfied and humble expression. Like the Terracotta Warriors and Horses, bronze chariots and horses adopt strict realistic techniques, and the shapes of chariots and horses and figures are symmetrical and lifelike everywhere. Every tendon of the horse conforms to the physiological and anatomical structure, even the wrinkles and teeth of the horse's jaw are cast, and even the two cicada-attached black spots and sphincter on both sides of the horse's thigh are not spared. The face, eyelashes, hair and even nails of this royal official are lifelike. In sharp contrast to the strict realism of plastic arts, the highly romantic techniques used in copper car painting, such as the dragon and tiger patterns painted on the hood and the upper part of the carriage, are as dense as clouds and fog, like dancing golden snakes, unrestrained and romantic; As soon as I got to the bottom, my brushstroke changed, and my painting style changed suddenly. I felt like I was leaving, and my brushwork was euphemistic and elegant. Coupled with the geometric patterns of casting, exquisite sculpture modeling and gorgeous painted patterns are integrated into one furnace, which complement each other.

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Shaanxi tourist attractions What tourist attractions are there in Shaanxi?

1, the eighth wonder of the world. 1974, the discovery of the terracotta warriors and horses pit in Qin Shihuang's mausoleum shocked the world. This underground sculpture group built in the 3rd century BC, with its majestic momentum, vigorous and rigorous military array and lifelike pottery figurines, shows people the glory of ancient oriental culture, which is comparable to the "Seven Wonders of the World" in terms of construction age, building scale and artistic effect. As a result, the reputation of "the eighth wonder of the world" spread like wildfire and became synonymous with the Terracotta Warriors and Horses of Qin Shihuang's Mausoleum. The Terracotta Warriors Museum is the largest site museum in China. In addition to the protection exhibition halls of Pit No.1, Pit No.2 and Pit No.3, there are also the cultural relics exhibition rooms unearthed from Terracotta Warriors and Horses Pit and the Qinling bronze chariots and horses exhibition room. The most important discovery in the 20th century was xiyang village, which was originally an unknown ordinary village at the northern foot of Mount Li.

2. Huashan Mountain, called "Xiyue" in ancient times, is one of the five famous mountains in China, with an altitude of 2 154.9 meters. It is located in huayin city, Weinan City, 65,438+020 kilometers east of Xi City, Shaanxi Province. It is a granite mountain on the north side of the Qinling watershed ridge. With the change of nature, various forms of Huashan Mountain are vividly outlined, and it is known as "the first mountain in the world". Its historical evolution can be traced back to 654.38+0.2 billion years ago. According to Shan Hai Jing, "Taihua Mountain is divided into four directions, 5 thousand meters high and 10 miles wide." Huashan Mountain, namely Xiyue Mountain and Dongyue Mountain, was first seen in the book Erya Shishan. The name of Xiyue is said to be because Zhou Pingwang moved its capital to Luoyang and Huashan is in the west of the capital of the Eastern Zhou Dynasty, so it is called Xiyue. After that, Xianyang, the capital of the Qin Dynasty, and Chang 'an, the capital of the Western Han Dynasty, were all in the west of Huashan, so Huashan was no longer called Xiyue. It was not until Liu Xiu, Emperor Guangwu of Han Dynasty, established the Eastern Han regime in Luoyang that Huashan resumed the title of Xiyue, which has been in use ever since. Huashan Mountain has attracted countless tourists for its precipitousness. The scenery, courtyards and pavilions on the mountain are all built according to the mountain situation. A mountain flies like a castle in the air, which is unique to Gu Song. Beautiful mountains and different images, such as the gurgling water, the golden toad playing with a turtle, the white snake in distress, and the water curtain waterfall in a mountain stream in Han Xiangzi, are even more interesting. Huashan is still standing in the Weihe Plain. The three peaks in the east, south and west rise again and again like knives.

Huaqingchi is a royal palace, located on the site of Huaqing Palace in Tang Dynasty, 30 kilometers away from Xi 'an in the west, Lishan in the south and Weishui in the north. Because of its eternal hot spring resources, the love story between Tang and Yang Guifei, the place where the An Incident happened, and rich human and historical resources, it has become a famous cultural tourism scenic spot in China, a national key cultural relics protection unit, and the first batch of AAAAA-level tourism demonstration scenic spots in China.

4. The Huangdi Mausoleum, the ancestor of the Chinese nation, is located at the top of Qiaoshan Mountain 1 km north of huangling county City, Shaanxi Province. 196 1 year, the State Council was announced as the first batch of national key cultural relics protection units, the No.1 ancient tomb, known as "the first mausoleum in the world". The Yellow Emperor, surnamed Gongsun, named Xuanyuan and Xiong, was a great man in ancient China. He took the lead in making people's clothes, building ships and cars, raising silkworms to make words, making medicines, settling temperament, counting numbers, pacifying the war and unifying China, which laid the foundation for the first civilization of the Chinese nation and was honored as the "ancestor of mankind". According to Historical Records, "The Yellow Emperor collapsed and buried Qiao Shan". Qiao Shan, where the Mausoleum of the Yellow Emperor is located, has a total area of more than 8,500 mu, surrounded by meandering water at a low place, and is adjacent to Yintai Mountain in the south. There are more than 80,000 coopers on the mountain, and more than 30,000 coopers over a thousand years old, which is the largest group of coopers in China. Huangdi Mausoleum covers an area of 10 mu. There is a memorial pavilion in front of the mausoleum, and Guo Moruo inscribed the "Huangdi Mausoleum" monument. The tomb is 3.6 meters high and the cemetery is 48 meters in circumference. There are towering cypresses in the park, and there is a solemn atmosphere. Every year in Tomb-Sweeping Day and the Double Ninth Festival, Chinese people at home and abroad gather in Qiao Shan to hold a grand sacrifice ceremony. There is a "Hanwu Sendai" at the entrance of the cemetery, which is 10 meters high. Climb the stairs and have a panoramic view of the county seat and Dongwan. At the east foot of the bridge, there is Xuanyuan Temple, and there are mountain gates, Cheng Xinting, Monument Pavilion and "Ancestor of Humanity" halls arranged in sequence along the north-south axis. There is a relief statue of the Yellow Emperor carved by Moyu in the shrine of the main hall. There are more than 50 ancient monuments in Dongbeilang, most of which are "imperial greetings" and rebuilt inscriptions since the Northern Song Dynasty.

Introduction of Ten Must-visit Scenic Spots in Shaanxi Province

Top ten tourist attractions in Shaanxi:

1. Huangdi Mausoleum

Huangdi Mausoleum is the mausoleum of Xuanyuan Huangdi, the ancestor of the Chinese nation, and the main place for emperors to sacrifice to Huangdi. Huangdi Mausoleum has a long history, dating back to 422 BC and three years in Qin Linggong. Because Emperor Wu of the Han Dynasty personally paid homage to the Mausoleum of the Yellow Emperor, the Mausoleum of the Yellow Emperor has also become a place for offering sacrifices to the Yellow Emperor in past dynasties, and many cultural relics have been preserved.

2. Yanan

Yan 'an is the most protected and largest city in China, and its red tourism resources rank first in China. The older generation of revolutionaries lived and fought in Yan 'an for 13 years, leaving behind extremely rich revolutionary sites in Yan 'an, which is rare in the world. Yan 'an is also known as the Museum of Chinese Revolution.

3. Huashan Mountain

Huashan is the western mountain among the five mountains. Since ancient times, it has been said that "the first mountain in the world is the most dangerous". Huashan is a famous Taoist mountain, with palaces, buildings and courtyards all over Huashan, and natural and human landscapes complement each other. Huashan Mountain is a world famous mountain that China people yearn for.

4. Qin Shihuang Mausoleum and Terracotta Warriors Pit

Qin Shihuang's Mausoleum, the mausoleum of Ying Zheng, the first emperor in history, is a large-scale mausoleum with strict layout. It is a world cultural heritage and a national key cultural relic protection unit. There are many burial pits around the mausoleum of the First Qin Emperor, among which the Terracotta Warriors and Horses are world-famous. It is also a must for domestic and foreign tourists to visit Shaanxi.

5.Xi city wall

Xi 'an City Wall is a well-preserved large-scale ancient city wall of Ming and Qing Dynasties in China. Xi 'an City Wall is 13 17km long and was built in Hongwu, Ming Taizu for three years. It is a kind of material to study the military history of Ming Dynasty, and it has high historical value. Currently applying for world cultural heritage.

6.hukou Waterfall

Hukou Waterfall in Yichuan County is the largest yellow waterfall in the world and the second largest waterfall in China. Hukou Waterfall on the Yellow River is magnificent and shocking. The endless Yellow River has formed a world-famous waterfall here, with Hukou Waterfall as the background of the old 50 yuan RMB.

7. China Bronze Museum

Baoji China Bronze Museum is the largest bronze museum in China. Baoji is the birthplace of the Western Zhou Dynasty and Qin State. There are many underground cultural relics, especially bronzes, which are rare in the world.

8. Hancheng Ancient City

Hancheng ancient city is one of the well-preserved ancient cities of Ming and Qing Dynasties. There are many streets, ancient houses and ancient buildings in the ancient city, with large scale and diverse types.

9. Louguantai and the Temple of Wealth

Louguantai in zhouzhi county is a sacred place of Taoism, and it is said that Laozi lived in seclusion here and got his name. Known as the "seventy-two blessed places" of Taoism. In the Tang Dynasty, Louguantai was the royal Taoist temple and ancestral temple in Li Tang.

10. Famen Temple

Famen Temple in Fufeng County has become a world-famous Buddhist shrine because it houses the phalanx relics of Buddha Sakyamuni. The cultural relics unearthed from Famen Temple underground palace, a national treasure of Datang, shocked the world.