Professor, China Department of Language and Literature, Nankai University, Zhou Zhiqiang.

Zhou Zhiqiang, male, born in 1969, Han nationality, Binzhou, Shandong. 199 1 Graduated from the Chinese Department of Shandong Liaocheng Teachers College (now Liaocheng University) with a bachelor's degree in literature; 1997-2003 studied in the College of Literature of Beijing Normal University, studied under Professor Wang Yichuan, and obtained master's and doctoral degrees respectively; From 2003 to 2005, he studied under Professor Zhou Xing in the School of Art and Media of Beijing Normal University, and worked as a teacher of literature and art in Nankai University in 2005.

Doctor of Literature, Professor of Nankai University, Director of China Education Research Center. At present, he is mainly engaged in literary aesthetics, popular culture in China and modern and contemporary literature in China.

Academic post

Vice Chairman of Aesthetic Culture Professional Committee of China Aesthetic Society; Executive editor of China Book Review; Deputy Secretary-General of Tianjin Writing Association; Visiting Professor, Mingdao University (Taiwan Province Province); Member of China Society of China University, China Literature Theory Society and Tianjin Aesthetics Society; Lecturer of National Excellent Course "College Chinese" of Nankai University; Lecturer of the National Excellent Course "Introduction to Literature" in College of Literature, Beijing Normal University. He used to be the executive editor of the special issue of China Language Newspaper and College Chinese, and the host of the academic field and reading problem column of China Book Review. 1. Poetic Dialogue of History, Literary Studies, June 2004 (New Literature Review 2004-2005, Social Science Literature Publishing House, 2006);

2. The Transformation and Fission between Private Media and Popular Culture, Literature and Art Research, May 2007;

3. Modern charm as a mirror image of literati —— Analysis of China in Wang Zengqi's novels, Literary Contention, February 2004;

4. "New Chinese" and infection education of college Chinese, Journal of Nankai University,No. 1 2007.

5. Cultural Experience in Modernity Poetics, China Cultural Studies, February 2002;

6. Perspective on the Historical Context of Pioneer Naming, Tianjin Social Sciences, April 2006, 5438+0;

7. Generation and Significance of Writing Concept, Journal of Xinjiang University, April 2006, 5438+0 (Literary Theory of NPC Copying, September 2002);

8. Language Saving Memory, Fujian Forum, June 2006, 5438+0;

9. Rewriting the 20th Century: Historical Narration and Stylistic Forms of Novels in the New Century, Journal of Tianjin Normal University, No.2, 2008. (Academic Abstracts of Liberal Arts in Colleges and Universities, March 2008)

10. Novel as a text, Literature and Culture, No.8, Nankai University Press, 2008;

1 1. Language is also an artistic image. Literature and Culture, No.9, Nankai University Press, 2009;

12. From cultural identity to strange and ordinary views: Xinmin Dance and others. Art Review, No.8, 2009;

14. Making Popular, China Aesthetic Yearbook, 2005, Henan People's Publishing House;

15. Private Life in the Internet Age, Wenjing, July 2005;

16. Blog and large-scale self-production, Wenjing, June 2005;

17. the era of paperless Chinese writing, art wide angle, April 2006, 5438+0;

18. Sun Ying Dance: Silent Aesthetic Revolution, Journal of Beijing Dance Academy, April 2005;

19. Blog and the Internet Survival of Intellectuals, China Book Review,No. 12, 2006;

20. Seeking the Critical Moment of Ideological Situation, China Book Review, No.012007;

2 1. Historical Reflection on China's Modernity —— Interview with Wang Hui, China Book Review, No.03, 2007;

22. Poetic Philosophy and Historical Criticism (Speech at the Meeting) China Book Review, No.08, 2007.

23. Myth, Imagination and Geography (Dialogue) China Book Review, No.09, 2007.

24. From Pure Beauty to Pan-Aesthetics, Journal of north china university of technology in February 2002 (Philosophy Yearbook 2003, China Social Sciences Press, 2005);

26. Discourse division and the generation of literati self, the fifth in the series of culture and poetics. Peking University Press, 2005;

27. Consumption Imagination of Shanzhai Culture, People's Forum, No.22, 2008 (People's Congress copied materials, Marxist Digest, February 2009);

28. "Online right to know", an illusory carnival? People's Forum, issue 3, 2009;

29. Internet Public Opinion and Chewing Gum Thought, People's Forum, No.2, 2009

30. Misreading China and Image Remolding, People's Forum, No.4, 2009;

3 1. The reasonable pursuit of "profit" is worthy of recognition, People's Forum, May 2009;

32. An Alternative Interpretation of "Water Injection Phenomenon", People's Forum, May 2009;

33. Enthusiastic experts and crisis management, People's Forum,No. 12, 2009;

34. Media Survey and Social Conscience, People's Forum,No. 15, 2009;

35. Citizen Accountability and Political Trust, People's Forum,No. 18, 2009;

36. Irrational Defects in Cybersquare, People's Forum,No. 16, 2009;

37. Cultural Production in the Era of Media Globalization, People's Forum, No.25, 2009;

38. From News Obama to Movie Obama, People's Forum, No.29, 2009;

39. Post-anxiety of "Strong and Weak Groups", People's Forum,No. 19, 2009;

40. "Academics Floating in the Night", Jianghuai Morning News Hefei Guest 2010.04;

4 1. Cultural Expression in the Post-Emotional Era, China Social Guide, July 2008;

42. "Deleuze, Russell, and even Edison Chen, can mass culture create ecstasy?" , China Social Guide, May 2008;

43. Morality is on the left and emotion is on the right —— On Wang Xiaoshuai's films, China Social Herald, April 2008;

44. Media Change Society and Life, China Social Guide, No.3, 2008.

45. Lost in the media, China Social Guide, No.3, 2008.

46. Images as a way to change the world, China Social Guide,No. 1, 2008.

47. Ang Lee's Cultural Tricks, China Social Herald,No. 12, 2007.

48. Noisy Girls in TV Square, China Social Guide, No.8, 2006.

49. Dreams come true after nationalism, China Social Guide, 10, 2006.

50. The Visual Colonial Era of China Blocks, China Social Herald, No.2, 2007 (Tianya, No.3, 2007).

5 1. Education and Interpretation of Literature, Mother Tongue, Articles and Education (Essay), Higher Education Press, 2009;

52. Four Rhetoric Forms of Chinese, Mother Tongue, Articles and Education (Essay), Higher Education Press, 2009;

53. On the Characteristics of Popular Culture in China, Journal of Binzhou Normal University, April 2003;

54. Small Shenyang: The Age of Buried Cultural Prose, Oriental Morning Post, April 28, 2009;

55. The youth culture is high and the youth culture is low. Oriental Morning Post, May 4, 2009;

56. Postmodern Visual Tourism in the Great Cause of the Founding of the People's Republic of China, Oriental Morning Post, September 2, 20091;

57. Dwelling House and Big Capital, Oriental Morning Post, 65438+February 200911;

58. The cultural strategic transformation behind China in 30 seconds, Oriental Morning Post, 2009,1February 02;

59. Three Guns: The Silly Joy in Zhang Yimou's Seduction Mechanism to Death, Oriental Morning Post, June 5438+February 65438+June 2009;

60. Anti-story: The Myth of Tian, Literary Newspaper, April 9, 2009;

6 1. Populism of New Officialdom Novels, Literary Newspaper, 2009,11.09;

62. The popularity of "spoof": the result of the conflict between old and new media? China Book Business Daily165438+October 2006;

63. Poetic Habitat of Body, Beijing Youth Daily, August 24, 2005;

64. Novel recommendation in 2008, China Education News, March 2009;

65.2009 college entrance examination composition review, China Education News, July 2009;

66. Newspeak: Reject or Accept, China Education News, 7th Edition, June 28, 2007;

67. Write Some Thoughts, Humanities Edition of Wenbao University,No. 1, 2008;

68. "Wang Xiaobo's Bad", Language Newspaper University Humanities Edition,No. 1 2008;

69. Literary language does not have to be accurate, China University of Language and Literature Humanities Edition, No.2, 2008;

70. Some Defamiliarization, Humanities Edition, No.2, 2008;

7 1. The article is imagination, No.3, Humanities Edition, China Language and Literature University, 2008;

72. Image Interpretation of a Poetry, Humanities Edition, No.3, 2008;

73. Writing Meaningful Language, Humanities Edition of Wenbao University, No.4, 2008;

74. What happened to China people since the media era? China Language Newspaper University Humanities Edition, No.2, 2008;

75. Hungry Bastard, Humanities Edition of Wenbao University,No. 1 2009;

76. The Popularity of little reunion and the Degeneration of Literary Reading, Humanities Edition,No. 12, 2009;

77. Shichahai: Classical Legend of Modern Beijing, Global Travel, No.9, 2006;

Those loves 20 years ago, learning Chinese, 2004;

79. Rhetorical Interpretation of Narrative Strategies in Thunderstorm, Journal of Xinjiang Normal University, 200 1,1;

80. Pioneer of imagination, wide angle of art, 200 1 year, 1 month;

8 1. The Fantasy of National Identity and the Rise of Heroic Myth, Taiwan, Hong Kong, Macao and Overseas Chinese Literature, February 2006, 5438+0;

82. Heroic Narration and Its End, Proceedings of the 2000 Beijing International Symposium on Jin Yong's Novels, Peking University Publishing House, 2002.

83. Pioneer: What do we expect from it, Shanhua, February 2006, 5438+0;

84. Rhetoric of self-anxiety, Grand Stage, June1998;

85. Classic topic selection, Journal of Yunnan University for Nationalities1June 1998;

86. Historical narration and historization of narration: Jameson's poetic construction, Journal of Binzhou Normal University,1March 998;

87. Narrative Strategies of Thunderstorm, Northwest Forum19981;

88. Jin Yong Centennial, Binzhou Daily1September 5, 992;

89. Aesthetic Connotation and Social Emotion Infiltration of Martial Arts Description, Journal of Binzhou Normal University, No.3,1992;

90. On the Description of Martial Arts Philosophy in the New School of Martial Arts Novels, Journal of Binzhou Normal University,No. 1994,No. 1;

9 1. "Two problems that should be paid attention to in building a modern campus language environment", Journal of Binzhou Teachers College, No.3,1996;

92. The Historical End of Heroic Narrative Poetry, Journal of Changji Teachers College, April1999;

93. The Setting and Significance of Aesthetic Curriculum, China School Education Research, Essays, Legal Publishing House1998;

94. How did the author die? Journal of Binzhou Normal University, March 2000.

95. Farewell to Heroes, Journal of Binzhou Institute of Education, February 2000;

96. About the author's death, Journal of Tangshan Normal University, February 2000;

97. Salary Reform in Colleges and Universities under the Political Trend, People's Forum (No.1 issue, 20 10).

98. Movie New Year's Eve and Cultural Consumption in the Age of Silly Music, Oriental Morning Post, 20 10. 1.25.

99. Every Spring Festival Evening: Is it sad or happy? Oriental Morning Post 20 10.2.05.

100. China's "Puberty Trouble"-Social Changes in China Behind Anxiety, People's Forum (280 issues in total), 20 10+0 (below);

101.Post-80s collective anxiety is the price of social transformation, Oriental Morning Post, 20 10.3.3438+09.

New visual hegemony in the era of 102.3D, Oriental Morning Post, 20 10.3.30.

103. Where to put Zhao Benshan's compassion, Oriental Morning Post 20 10.4. 14.

104. The Logic of Dignity, People's Forum,No. 10, No.20 10;

105 "from entertainment to silly fun-on depoliticization of popular culture in China", Journal of Tianjin Normal University, No.4, 20 10 (full text of "People's Congress Copying Materials and Cultural Studies", 201.1reproduced.

106. Further levels of official accountability, People's Forum,No. 12, 2010;

107. "Why the embarrassment of the country is getting worse and worse", People's Forum,No. 12, 2010;

1 10. The spectacular transformation of movies under the temptation mechanism, China Social Sciences Journal, May10;

1 1 1.3D new visual hegemony in blockbuster era, wide angle of art, No.3, 2065438+00;

1 12. Political Psychology in Duanzi Culture, People's Forum,No. 18, 2010;

1 13. Tangshan earthquake: bubble emotion under disaster narrative, Oriental Morning Post, July 26, 20 10;

1 15. Collective anxiety disorder of "fans", People's Forum, No.22, 2010;

1 16. Why directors are paranoid about "innocence", Oriental Morning Post, August10;

1 17. old boys and the failure of ideal commitment, Oriental Morning Post, 20 10,1.06;

12 1. Interest Politics and Public Government, Phoenix Weekly, No.35, 201,65438+February;

122. Crisis behind trust overdraft, Phoenix Weekly, No.36, 20 1 1, 65438+February;

123. From realism to ignorance, Nanjing Social Sciences,12,2010;

124. The real world in Zhao Benshan, reported by China,No. 12, 2010;

125. "Everyone has a bullet flying in his heart", Oriental Morning Post, 20 10/0,65438+February 20;

126. Vivid expression of ordinary people's life experience, Liaoning Daily, 20 10, 12,17;

127. Staring at the Gazer of Creation, China Book Review,No. 12, 2010;

128. Looking forward to an expert society, People's Forum, No.6, 2011;

129. laity control in Zhao Benshan, oriental morning post, 20 1 1 February 9;

130. "Xiao Qingxin" is hostile to "petty bourgeoisie", Southern Weekend 2011April 21;

13 1. The spread system of panic farce and fracture, People's Forum,No. 10, 20165438;

132. Young people's emotional tourism through drama, Oriental Morning Post, April 25th, 2065438+01;

133. Modernist realism-five styles of novels in the 20th century, Journal of Tianjin Normal University, No.2, 2011;

134. Landscape China, Literature Research No.4, 2011;

135. Political Metaphor at the Intersection of expressway, People's Forum,113,2065438;

136. From Entertainment to Silly Music-Talking about China Popular Culture, Tianyi Lecture Hall.20 10/0, China Literature and History Publishing House, 20 1 1 March; 1. I click on my existence: Internet, Yunnan People's Publishing House, August 2004.

2. You Cool Me: Hero Gossip, China Federation of Industry and Commerce Press, 2002.

3. Freeze: A World-famous Classic Portrait (co-author), China Changan Publishing House, March 2005.

4. Theory and Criticism of Popular Culture, Higher Education Press, March 2009.

5. Modern Literati Self in the Image of China, Peking University Publishing House, August 2009.

Participate in teaching materials

1. "Aesthetics and Aesthetic Education" (experimental teaching material for the reform and opening-up of talent training mode of the Ministry of Education) was written in the fourth chapter, with 80,000 words, and was published by CCTV Press (Beijing) in 2002.

2. An Introduction to Popular Culture (a series of textbooks for general education courses in colleges and universities) is written as the fourth chapter, with a total of 20,000 words. Higher Education Press (Beijing), 2004.

3. The Aesthetics Course (Fudan erudite 265438+20th century key textbook) has 20,000 words in the seventh chapter. Fudan University Press, 2004.

4. Introduction to Literature (experimental teaching material for the reform and opening-up of talent training mode of the Ministry of Education), the author of the second (part), third and fourth chapters, with a total of 80,000 words. Professor Wang Yichuan, editor-in-chief, CCTV University Press, 2004. Completed projects:

1. Beijing Philosophy and Social Science Planning Project: Media and Literature in 1990s (presided over by Professor Wang Yichuan), subproject leader (provincial and ministerial level project). Self-financing, completed.

2. vernacular Chinese and the modern transformation of China literature (TJYW06-2-003), Tianjin 11th five-year plan project, 3 years, moderator. It's over.

3. The person in charge of the major project of humanities and social sciences of the Ministry of Education: the image of China people in modern literature (presided over by Professor Wang Yichuan), and the sub-project (the image of China people in literati literature) (a provincial and ministerial key project). The sponsorship fund is 20,000 yuan, which has been completed.

4. Vernacular and Modernity of China Literature, Youth Project of Nankai University, 3 years, moderator; It's over.

5. vernacular Chinese and the occurrence of literary modernity, Nankai university liberal arts innovation fund, 3 years, moderator; It's over.

6. Aesthetics Curriculum, the research project of teaching reform in Binzhou Normal University, the moderator (municipal project). The sponsorship fund of 2000 yuan has been completed.

7. Rhetorical Interpretation of Jin Yong's Novels, Youth Project of Binzhou Normal University, Moderator (Municipal Project). The sponsorship fund of 3000 yuan has been completed.

Ongoing projects:

The change of realistic style of novels in the new century, supported by the Youth Fund for Humanities and Social Sciences of the Ministry of Education (09YJC75 1047), 3 years.